The Art of Murder

'I'd be happy to assist if you have any questions of an artistic nature. Anything I can do to help catch the person who killed my friends.'

Pendragon felt surprised for a second, then glanced at his watch. 'Would later this afternoon be okay?' he asked. 'Say two o'clock?'

At that moment the funeral carriage started to move off slowly towards the cemetery two hundred yards along the road.

'Do you know Alberto's on Pandora Lane, off Stepney Green?'

'I'll find it,' Pendragon said, and watched the artist turn away into the throng and descend the stairs carefully. 'I was terribly shocked,' Gemma said, staring straight into Pendragon's eyes as she lifted a coffee cup to her mouth. She took a sip and settled the cup back in its saucer. 'We all were. Kingsley could be a pig… a tough negotiator. There were times I wished he represented me,' she added with a laugh. 'But, deep down, he was a nice man and absolutely committed to the cause of art.'

'I've heard others say that,' Pendragon replied. 'But I've also heard the opposite.'

'Oh, don't tell me… Francis.'

Pendragon nodded and drank some coffee.

'I imagine you have him high on your list of suspects.'

'We did. Brought him in for questioning, as a matter of fact, but he has a water-tight alibi.'

'He's also a baby, Inspector. Hardly the type to kill anyone, especially in the way these people were killed.'

'Can you help fill out some details about Berrick and Thursk?'

'I'll try.'

'Did you know Mr Berrick had underworld connections?'

Gemma Locke looked surprised and was about to say something when she seemed to change her mind. There was silence for a moment, then she said, 'I didn't know that. But actually, come to think of it, it's not that unexpected.'

'It isn't?'

'No. I think that on some level the world of the art dealer and that of the gangster are not so far apart. I think you'd be surprised just how seedy things can be on the art scene.'

'Illuminate me.'

'Argh! I don't have precise facts and figures, Inspector,' Gemma laughed, and took another sip of coffee. 'I'm an artist. Oh, God! That sounds pretentious, doesn't it?'

It was Pendragon's turn to laugh. 'Not really. You are an artist.' And he drained his cup.

'I just hear stories. We all do. I think it takes a specific type of person to sell art. It's a difficult business at the best of times – shark-infested waters.'

'Yes, I can imagine.' Pendragon nodded to her cup. 'Another?' He called the waitress over and ordered two more coffees.

'What about Noel Thursk? Can you imagine any connections between him and Berrick, apart from the obvious?'

'What would you call obvious, Inspector?'

'Look, if I'm going to call you Gemma…'

'You must be Jack?' She laughed, and Pendragon nodded and found himself giving the woman a flirtatious smile. He only realised after he had done it and felt suddenly ridiculous. But then he concluded that Gemma Locke hadn't noticed anyway.

'Noel and Kingsley had known each other a long time. I think they were occasional lovers. But then, if I tried to work out the labyrinthine sexual relations between all the gay men I know, I would soon be lost. I know they had frequent fallings-out. But again, nothing unusual in that. They were on friendly terms when I saw them last…' And her voice trailed off as though she had suddenly remembered that the two men were dead.

'Did they clash over the book Thursk was supposed to be writing?'

Gemma looked up sharply. 'What book?'

It was Pendragon's turn to be surprised. He had assumed Thursk's associates would have known about it. 'His projected book about Juliette Kinnear?'

'Oh, that!' Gemma shook her head dismissively. 'I'd forgotten about it. But then, I think Noel had too, bless him. It was a bit of a joke, wasn't it?'

Pendragon shrugged. 'You tell me.'

The coffees arrived and Gemma Locke leaned forward to blow gently across the foam on top of her latte. 'He started it years ago,' she went on. 'Interviewed everyone. All very serious. He never stopped spouting off about his big book deal. But then everyone seemed to lose interest, Noel especially. I assumed the whole thing had been quietly dropped.' She stirred the coffee and lifted the cup a few inches above the saucer. 'Anyway, Jack, I thought you wanted to ask me some more technical questions.'

'Yes,' Pendragon said. 'I'd love to pick your brain, learn some more about contemporary British art. But somehow I'm not convinced it will bring me any closer to the killer.'

'But with the third murder, it's obvious there's a strong link.'

'Well, yes, but that was already pretty clear after Thursk's body was found. I don't think there are any clues to the murderer's identity in the choice of painting or even artist, other than the fact they're all modern painters. I suppose you could vaguely label the three of them – Magritte, Dali and Bacon – Surrealist, couldn't you?'

'Yes, but those tableaux were all particularly gory examples, weren't they? Not all modern artists paint such striking themes. There are plenty of calmer, more peaceful images.'

'But they would not be so readily adaptable by our murderer.'

'It might still be early days.'

'Oh Lord! Don't say that!' Pendragon exclaimed.

'I'm sorry. That was insensitive of me. It's just…'

'Just what?'

'Well, the sheer violence of this killer. I get the feeling that whoever they are, they're motivated by some deep-rooted fury. It must have taken an awful lot of effort to create the tableaux described in the newspaper. The murderer is either driven by a manic sense of revenge and hatred, or else they want to make a big point with the killings.'

'Showing off?'

'I guess so.'

'And your suggestion is that, either way, it doesn't look like they've finished the job just yet,' Pendragon concluded grimly, drinking down his coffee and pushing away the empty cup. He beckoned the waitress so he could get the bill, and started to rummage in his pocket.

'Let me,' Gemma said.

'Certainly not. You've been offering useful information to the police – definitely my shout!'

She laughed. 'Well, if you put it like that.' Then she paused for a second, clearly weighing up whether or not to say something.

'What?'

'How about I return the favour?'

Pendragon gave her a questioning look.

'I have two tickets to a concert – tonight, at the Barbican.'

Pendragon could not disguise his surprise. 'Well, yes…' he stumbled.

'Don't you want to know what's on first?' Gemma laughed.

'No… well, yes.'

'It's a theremin performance.'

'Oh… interesting.'

She gave him a sceptical look, tilting her head to one side.

'No, really,' Pendragon said quickly. 'I like all sorts of music. And the theremin is… unusual.'

Gemma clapped her hands together. 'I never know when to believe you,' she said. 'I quite like that. Okay, how does seven-thirty sound? I'll pick you up at your place if you give me the address?'

'Sounds good to me.'

Chapter 30

Pendragon was staring into space, his feet up on his desk, chair tilted back. Outwardly, he might have been recalling a favourite holiday or reliving some other fond memory, but in fact his mind was churning over the facts of his current investigation. For him this was a pleasurable exercise, in spite of the gruesome details. Naturally, he wanted to solve the puzzle as quickly as possible. He had Superintendent Hughes breathing down his neck for a start, and she would have her boss, Commander Ferguson, breathing down hers, but Pendragon had become a policeman primarily because he loved solving puzzles. For him the thrill of what he did lay in the intellectual exercise, the chase. But there was no denying that this case was proving frustrating, to say the least.

Three murders, each incredibly contrived… the most contrived he had ever experienced, in fact. In spite of what he had said to Gemma Locke about the choice of paintings, he couldn't get out of his head the idea that there was some sort of message in the way the bodies had been arranged. Why would anyone do this? That was the question underlying the whole investigation. But all he had to go on were scraps, a few of the jigsaw pieces, and so many others were still missing. The solution seemed to be receding rather than becoming clearer. The first two murders had been linked in more ways than their gory scenarios. The two victims had known each other, intimately. It had even seemed possible then that the killings were somehow linked to the personal relationships within the relatively small group of artists and dealers in the East End. But then Pendragon had been thrown two curveballs. The first was the fact that Kingsley Berrick had gangland connections, and then, more importantly perhaps, the fact that the third victim, Michael O'Leary, had been a priest with seemingly no connection whatsoever to the art community.