Lifting the old-fashioned black instrument to his ear, he heard only music at first, and then a wall of sound resolving into a fragmented amalgam of conversations. Laughter. No one spoke to him over the sound of the bar, but the song in the background was "You're the Reason Our Kids Are Ugly."
And then the dial tone, when the caller hung up.
Later, alone in his room, listening to the landlady's firm tread in the room below, Coretti realized that there was no need to remain where he was. The summons had come. But the landlady demanded three weeks' notice if anyone wanted to leave. That meant that Coretti owed her money. Instinct told him to leave it for her.
A Christian workingman in the next room coughed in his sleep as Coretti got up and went down the hall to the telephone. Coretti told the evening-shift foreman that he was quitting his job. He hung up and went back to his room, locked the door behind him, and slowly removed his clothing until he stood naked before the garish framed lithograph of Jesus above the brown steel bureau.
And then he counted out nine tens. He placed them carefully beside the praying-hands plaque decorating the bureau top.
It was nice-looking money. It was perfectly good money. He made it himself.
This time, he didn't feel like making small talk. She'd been drinking a margarita, and he ordered the same. She paid, producing the money with a deft movement of her hand between the breasts bobbling in her low-cut dress. He glimpsed the gill closing there. An excitement rose in him but somehow, this time, it didn't center in an erection.
After the third margarita their hips were touching, and something was spreading through him in slow orgasmic waves. It was sticky where they were touching; an area the size of the heel of his thumb where the cloth had parted. He was two men: the one inside fusing with her in total cellular communion, and the shell who sat casually on a stool at the bar, elbows on either side of his drink, fingers toying with a swizzle stick. Smiling benignly into space. Calm in the cool dimness.
And once, but only once, some distant worrisome part of him made Coretti glance down to where soft ruby tubes pulsed, tendrils tipped with sharp lips worked in the shadows between them. Like the joining tentacles of two strange anemones. They were mating, and no one knew.
And the bartender, when he brought the next drink, offered his tired smile and said, "Rainin' out now, innit? Just won't let up." "Been like that all goddamn week," Coretti answered. "Rainin' to beat the band." And he said it right. Like a real human being.