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Collections

The Bleeding Horse and Other Ghost Stories by Brian J. Showers (Mercier Fiction) is an attractive-looking little hardcover of seven original stories, adapted by the author from the regional tales of Dublin and its environs. Some of the stories are very creepy, and the book has a gorgeous dust jacket by Scott Hampton and lovingly rendered black and white interior illustrations by Duane Spurlock.

Mr. Gaunt and Other Uneasy Encounters by John Langan (Prime) debut showcases only five stories, all novelettes or novellas, with one new novella. Langan's work is influenced by his work in academia and his interest in the literature of both Henry James and M. R. James. I'm especially fond of Langan's novella "Mr. Gaunt," but all his stories are worth reading. His fine story notes are illuminating to readers who want to know "where did you get that idea."

Other Voices by Andrew Humphrey (Elastic Press) is the second collection by this talented writer. This one, introduced by Eric Brown, contains twelve stories, all but one reprints from such venues as The Third Alternative, Crimewave, Midnight Street, and Bare Bone, and at least half of them received honorable mentions in the Year's Best Fantasy and Horror series.

A Thread of Truth by Nina Allen (Eibonvale Press) is an impressive first collection by a writer whose stories I've admired in the magazines Supernatural Tales and Dark Horizons, and in the anthology Strange Tales. Its eight stories are a combination of dark fantasy and dread, mystery, and the occasional barely fantastical. Six appear for the first time in the collection, which came out mid-2007. (first seen in 2008)

Hell Is Murky by John Alfred Taylor (Ash-Tree Press) is a very pleasurable first collection of twenty strange tales published between 1978 and 2007 in venues as varied as The Twilight Zone Magazine, All Hallows, Space and Time, and Asimov's Science Fiction Magazine. Four of the stories are original to the collection.

Rope Trick: Thirteen Strange Tales by Mark P. Henderson (Ash-Tree Press) is the author's first published fiction book. The best of the stories are subtle, mysterious, and well-told ghost and haunted house tales, a few lead the reader into a tantalizing maze that unfortunately trails off. All but three of the stories included are previously unpublished.

Coffin Nails by John Llewellyn Probert (Ash-Tree Press) has several new stories among the eighteen in the book. Probert is excellent at creating tension but for me, some of the endings falter, which is a shame. The author provides an entertaining introduction to the volume and afterwords for each story, explaining its genesis.

Scattered Ashes by Scott Nicholson (Dark Regions Press) collects the best of the author's short stories published between 1998 and 2008, with three originals. Nicholson writes in a variety of tones and voices and this is a good introduction to his short work. One reprint appeared in The Year's Best Fantasy and Horror: Twentieth Annual Collection.

Glyphotech and Other Macabre Processes by Mark Samuels (PS Showcase 4) has eleven stories, and is the author's third collection. It contains some of Samuels's more recent stories, including one I originally published in Inferno and one reprinted in YBFH #19. Two stories appear for the first time. With an introduction by Ramsey Campbell. The striking jacket art is by Jason Van Hollander.

Ghost Realm by Paul Finch (Ash-Tree Press) showcases nine new stories and novellas featuring hauntings from around Great Britain. These stories have something in common with most of Finch's stories: rough, thoroughly unlikable men who are prone to violence (the women are usually victims of their mates' stupidity/insensitivity). Singly, the stories are often very effective, but all together, in a collection, the oppressiveness can be overwhelming.

Worse Than Myself by Adam Golaski (Raw Dog Screaming) is the first collection by someone who up to now, has been better known for his editorship of New Genre Magazine than his short fiction, but this collection of literary supernatural fiction should change that. The reprints were originally published in Supernatural Tales and All Hallows, and in original anthologies from Ash-Tree Press and Tartarus Press. Six of the eleven stories appear for the first time and although a few founder, most are very good. This trade paperback is the perfect opportunity to check out Golaski's work. "The Man from the Peak" is reprinted herein.

The Autopsy and Other Tales by Michael Shea (Centipede Press) is a gorgeous, over-sized, illustrated volume of twenty-one of the author's best stories and novellas, including some of my favorites: the creepy Lovecraftian Fat Face and the novella I, Said the Fly. The book reprints all eight stories from Polyphemus, published by Arkham House in 1988. Laird Barron has written an introduction to Shea's work. Also included is one story published for the first time.