"Sit down," Charlie said. "We got to figure this out. You said, `Shoot yourself,' and either nodded or swayed forward. But you didn't shoot yourself. The shot came from—" He shook his head, trying to clear it.
"Let's have some coffee," he suggested. "Some hot, black coffee. Have you got— Hey, you're still wearing that headband. Get us some, but for Heaven's sake be careful."
I said, "Bring us two cups of hot black coffee." And I nodded, but it didn't work. Somehow I'd known it wouldn't.
Charlie grabbed the band off my head. He put it on and tried it himself.
I said, "Yehudi's dead. He shot himself. That thing's no good anymore. So I'll make the coffee."
I put the kettle on the hot plate. "Charlie," I said, "look, suppose it was Yehudi doing that stuff. Well, how do you know what his limitations were? Look, maybe he could have brought us Lili—"
"Shut up," said Charlie. "I'm trying to think."
I shut up and let him think.
And by the time I had the coffee made, I realized how silly I'd been talking.
I brought the coffee. By that time, Charlie had the lid off the pillbox affair and was examining its innards. I could see the little pendulum that worked the switch, and a lot of wires.
He said, "I don't understand it. There's nothing broken."
"Maybe the battery," I suggested.
I got out my flashlight and we used its bulb to test the little dry cell. The bulb burned brightly.
"I don't understand it," Charlie said.
Then I suggested, "Let's start from the beginning, Charlie. It did work. It got us stuff for drinks. It mixed one pair of drinks. It— Say—"
"I was just thinking of that," Charlie said. 'When you said, `Blow me down,' and bent over to pick up the drink, what happened?"
"A current of air. It blew me down, Charlie, literally. How could I have done that myself? And notice the difference in pronouns. I said, `Blow me down,' then but later I said, `Shoot yourself.' If I'd said, `Shoot me,' why maybe—"
There was that prickle down my spine again.
Charlie looked dazed. He said, "But I worked it out on scientific principles, Hank. It wasn't just an accident. I couldn't be wrong. You mean you think that—It's utterly silly!"
I'd been thinking just that, again. But differently. "Look," I said, "let's concede that your apparatus set up a field that had an effect upon the brain, but just for argument let's assume you misunderstood the nature of the field. Suppose it enabled you to project a thought. And you were thinking about Yehudi; you must have been because you jokingly called it the Yehudi principle, and so Yehudi—"
"That's silly," said Charlie.
"Give me a better one.
He went over to the hot plate for another cup of coffee.
And I remembered something then, and went over to the typewriter table. I picked up the story, shuffling the pages as I picked them up so the first page would come out on top, and I started to read.
I heard Charlie's voice say, "Is it a good story, Hank?" I said, "G-g-g-g-g-g—"
Charlie took a look at my face and sprinted across the room to read over my shoulder. I handed him the first page. The title on it was THE YEHUDI PRINCIPLE.
The story started:
"I am going crazy.
"Charlie Swann is going crazy, too. Maybe more than I am, because it was his dingbat. I mean, he made it and he thought he knew what it was and how it worked."
As I read page after page I handed them to Charlie and he read them too. Yes, it was this story. The story you're reading right now, including this part of it that I'm telling right now. Written before the last part of it happened.
Charlie was sitting down when he finished, and so was I. He looked at me and I looked at him.
He opened his mouth a few times and closed it again twice before he could get anything out. Finally he said, "T-time, Hank. It had something to do with time too. It wrote in advance just what—Hank, I'll make it work again. I got to. It's something big. It's—"
"It's colossal," I said. "But it'll never work again. Yehudi's dead. He shot himself upon the stair."
"You're crazy," said Charlie.
"Not yet," I told him. I looked down at the manuscript he'd handed back to me and read:
"I am going crazy."
I am going crazy.
Come and Go Mad
HE HAD known it, somehow, when he had awakened that morning. I to knew it more surely now, staring out of the editorial room window into the early afternoon sunlight slanting down among the buildings to cast a pattern of light and shadow. He knew that soon, perhaps even today, something important was going to happen. Whether good or bad he did not know, but he darkly suspected. And with reason; there are few good things that may unexpectedly happen to a man, things, that is, of lasting importance. Disaster can strike from innumerable directions, in amazingly diverse ways.
A voice said, "Hey, Mr. Vine," and he turned away from the window, slowly. That in itself was strange for it was not his manner to move slowly; he was a small, volatile man, almost cat-like in the quickness of his reactions and his movements.
But this time something made him turn slowly from the window, almost as though he never again expected to see that chiaroscuro of an early afternoon.
He said, "Hi, Red."
The freckled copy boy said, "His Nibs wants to see ya.”
"Now?"
"Naw. Atcher convenience. Sometime next week, maybe. If yer busy, give him an apperntment." He put his fist against Red's chin and shoved, and the copy boy staggerd back in assumed distress.
He got up out of his chair and went over to the water cooler. He pressed his thumb on the button and water gurgled into the paper cup.
Harry Wheeler sauntered over and said, "Hiya, Nappy. What's up? Going on the carpet?"
He said, "Sure, for a raise."
He drank and crumpled the cup, tossing it into the waste basket. He went over to the door marked Private and went through it.
Walter J. Candler, the managing editor, looked up from the work on his desk and said affably, "Sit down, Vine. Be with you in a moment," and then looked down again.
He slid into the chair opposite Candler, worried a cigarette out of his shirt pocket and lighted it. He studied the back of the sheet of paper of which the managing editor was reading the front. There wasn't anything on the back of it.
The M. E. put the paper down and looked at him. "Vine, I've got a screwy one. You're good on screwy ones."
He grinned slowly at the M. E. He said, "If that's a compliment, thanks."
"It's a compliment, all right. You've done some pretty tough things for us. This one's different. I've never yet asked a reporter to do anything I wouldn't do myself. I wouldn't do this, so I'm not asking you to."