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His gaze held her, locked her to the turf, quaking to her bones. The most terrifying thing was the man's complete rationality, the impression he gave that what he believed and what he proposed—whatever it was he was proposing—was utterly reasonable. Ana tried to speak, cleared her throat, and tried again in a strangled voice.

"What do you want me to do?"

He smiled at her engagingly, even sweetly, and with complete patience and confidence in her. "That's the beauty of it. You don't need to do anything, not until the very last part of the process. You just need to be yourself, the cool, wet, innocent moon-woman, as male and female join together in the furnace and conjoin into immortality."

If Jonas had moved so much as a muscle in her direction, Ana would have broken and fled shrieking into the green woods. Instead, he looked down at the altar stone at their feet, studying its rough surface as if deciphering some secret text carved into its surface. He dropped to his heels and tickled his blunt fingertips delicately back and forth over the scrubbed stone, a thoughtful, sensuous gesture that Ana felt as a caress up her spine. She flushed at the disturbing ghostly sensation, and Jonas smiled to himself, patted the stone as if it were an old friend, and then in an abrupt and characteristic return to the prosaic, he stood up, glanced at the lowering sun, and said, "We're going to miss dinner if we don't hurry." He clambered over a low place in the walls, dislodging several stones in the process, and made off in the direction of the house.

She was sorely tempted to let him go, even it it meant spending the night on the altar stone. She might easily have remained behind, frozen there among the abbey ruins, had it not been for the knowledge that Jonas was moving back toward the house where Jason and Dulcie were sheltering. She could not leave them alone with him. With infinite reluctance she took a step in the direction he had gone, and then another.

She who has ears to hear, let her hear.

And Ana heard. Another woman might have picked up the nuances of spirituality in his words and been pleased with her understanding, but Ana had seen, had literally been witness to, the extreme behavior that people were capable of in the pursuit of religious truth, and her ears told her that this was no metaphor. Whatever it was Jonas did in his alchemical laboratory, he had convinced himself and Steven and all the others that he and they could change matter into gold. But it did not stop with the walls of the actual laboratory, not for a man with Jonas Seraph's massive intellect and self-absorption. The estate itself, bought with his inheritance, had become in his mind his laboratory, from the grotto where his curiosity about fire's purification had been thwarted to the current inhabitants and their peculiarities and characteristics. Jonas thought of this place as his workroom, where he might observe the principles of Change functioning. Which made Ana and everyone else here, in effect, his personal prima materia.

That kind of godlike vision of the world, ironically, depends on the adoration of others, to bring the venerated one food and carry out his wishes. Samantha Dooley had gotten tired of it and passed on, only to have her shoes filled by a born personal assistant to this small universe's CEO. Marc Bennett could strut and crow and order people about to his heart's desire, and Jonas would continue to treat him as a piece of furniture, because in Jonas's mind, that was what all people were.

Ana pulled her coat around her, feeling the cold as the sun went down and as the sudden thought hit her that perhaps Sami Dooley had not tired of her role; perhaps she had been pushed too far.

When was that large amount of nitrate fertilizer bought? She couldn't remember, but she was certain it had been for Britain, not Boston. Was it purchased shortly before the arguments started between Jonas and Sami? The two things might have nothing to do with each other, but she could feel the disquieting possibility of that fertilizer's purpose nibbling at the edges of her mind.

She knew Jonas had to have a human-sized alembic in the cellars, behind one of those three locked doors. What else could he use as his "power nexus" for the conjoining with his moon-woman? What concerned her more, though, was the question of how he intended to apply the necessary heat. Would it be from six small brick furnaces such as those that had kept Jason warm during his solitary trial under Steven? Or was Jonas insane enough to think of something bigger, something more suited to the dramatic transformation of a man into a Philosopher's Stone? Something as explosive on the outside of the alembic as what was due to go on in the inside?

It was insane, sure, but Ana could not keep from wondering: Just how big a fire it would take to transmute a man into an immortal?

She had been right her first night here, terribly close to the truth: This really was Texas revisited, and Utah. Here she was again, with two young hostages in the hands of her enemy and the responsibility for the entire community on her shoulders; the difference was, this time she knew it. In Texas another woman, a far different Ana, had selfishly walked away from the only people who mattered to her, so engrossed in her own problems that she was blind to the signs, deaf to the warning bells, dangerously, murderously ignorant.

No more. She could see this man playing with his vision, turning it over in his big, hard hands, changing and shaping it until it matched his idea of perfection. A moment's fear, a sudden conviction that "they" had infiltrated to his bosom and were about to take his Work away from him, and he would move instantly to set the final Transformation in motion. She could all but smell the danger, and her ears rang with the ghostly echo of gunfire, her nostrils twitched with the remembered stink of fresh blood and old death.

Her only hope was to keep her wits about her and to get help.

On her own, she could do little more than seize Jason and Dulcie and flee, evading the camouflage-clad guard and hoping to make it as far as the main road and the arms of the constabulary. But what then, when their abrupt departure was discovered and Jonas realized that his chance for immortality was slipping away from him? Would he grab out for another and set off on his ultimate quest? And if so, who would be Ana's substitute? The innocent Sara? Or perhaps young, blonde Dierdre? And what would it do to Jason and Dulcie when they eventually found out what their salvation had cost? What does it profit a man, that he gain his life and lose the world?

Ana could not both protect the two children and keep an eye on Jonas, not for long. She had to have help. She could try to break into the phone system, call Glen—but had he even received her last letter yet? And how long would it take him to set up a response in a foreign country? A long time, knowing governments; longer even than it would take her, a private citizen of a foreign country, to work her way through the local authorities until she found someone… Too long. Furthermore, although she longed to hear Glen's cold and competent voice, craved his presence with a lust stronger than sex, a single man on a white horse was not about to make much difference.

Once, long long ago, she had thought that fear was the energy that kept her persona together, a potential resource like pain or desperation that with acceptance and rigid concentration could be shaped and used. Not this kind of fear. This fear was too deep to be grasped, too slippery to be handled, too disorienting to be accepted; it left her utterly alone and directionless, wishing she could crumple into a corner and weep like a child.

That was not possible. She just had to pull herself together—the ghosts of murders past were getting in her way, obscuring her vision of what was and what she must do. Her only option was the same one she had been following since she arrived here, that of watch and wait. This was no time to lose control, and the all too obvious fact that she had no business being here, that she was no longer capable of doing this work, could not be helped. She would just have to shove her panic back into its box and do her best: there was no one else.