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“Wouldn't you rather I stayed up here?” she asked.

“No. I would rather have you with me,” he answered, offering his hand to steady her for the next step.

With only a little slipping and sliding, they all reached the bottom of the gorge easily—even Tsem, though Hezhi noticed the half Giant kept casting uneasy glances back up, probably dreading the return climb to the top.

“Before you could feel his coldness, his hunger,” Perkar explained. ”Now…”

“Now it feels like something living,” Ngangata finished for him.

Perkar nodded and shuffled his feet on the narrow stone beach, suddenly nervous. Nevertheless, he reached into a small sack at his waist and produced a handful of flower petals, which he sprinkled into the quieter eddies near shore. He cleared his throat and sang—tentatively, but gradually with more confidence and volume:

“Stream Goddess I

Long hair curling down from the hills

Long arms reaching down the valley

Reposing in my watery dwelling

On and on go I

In the same manner, from year to year…”

Perkar sang on, the song of the Stream Goddess as she had taught it to his father's father, many years past. When he had sung it before, it had been to a quiet stream in his clan's pasture, a little stream he could almost leap across. Here, the crash of the rapids almost seemed to add a rhythm to his words, and then new words entirely, so that seamlessly, he was singing verses to the Song of the Stream Goddess that had never been before. And then, almost without him noticing, he was not singing at all, but the song continued, and from the nearest eddy, a head rose, long black hair swirling in the agitated water, ancient, amber eyes in the face of a young woman gazing up at them with what appeared to be humor.

“… then came a mortal man,” she sang.

“His mother named him for the oak

For the spot where his caul was buried

In the very place I flowed

He grew like a weed

And he came to love me—”

Perkar stood, more and more embarrassed as the song continued, but by now it was a story they all knew. She sang of his foolishness, she sang of her anger, she sang of death. But in the end she finished:

'On and on go I

But not the same now, year to year.

The Old Man eats me not

No longer quickens he with my pain

By foolishness I was saved

By the love of mortal man I was redeemed

And on and on go I

Each year better than the last

No winter cold to eat me

Each season a different-colored spring.”

And as she sang her final verse, she rose up, more magnificent than he had ever seen her, and Perkar's knees quaked, and without even thinking he knelt.

She approached and ran her fingers playfully through his hair.

“Stand up, silly thing,” she admonished. “We have been more familiar than this.”

“Yes,” he began, “but …” He shrugged helplessly but then met her eyes. “I don't deserve this, to be part of your song.”

She laughed, the same silvery music he had heard for the first time what seemed like centuries ago. “Deserving has nothing to do with it,” she replied. “The Changeling is part of my song, and his name never deserved to be sung. But that is how the songs of gods and goddesses must be. You are a part of my story, Perkar, a part I cherish. After all, it was your love that ended my pain and gave me this.” She swept her arms wide, indicating the joyful crash of the water.

He kept his gaze frankly on hers. “Long ago, you told me not to be a boy, dreaming of the impossible. But I loved you so much, and I was so stupid. I would have done anything for you—save to heed your warnings. But this thing I have finally accomplished—in your song you say that my love saved you. But I must tell you truthfully, Goddess, I did not do all of this for love of you.”

She smiled even wider and swept her gaze across Ngangata, Tsem, Yuu'han, and Hezhi.

“He is such a silly thing sometimes, is he not?“ She sighed. She turned back to him, her look one of mock despair. Then she gestured to Hezhi.

Tentatively Hezhi stepped forward. The Stream Goddess was the most beautiful woman she had ever seen. Even though she had thought she understood Perkar, she suddenly realized that she had not. She knew, intellectually, that much of what he had done had been motivated by a love for this goddess, but to actually see her, hear her voice, made it all different. Hezhi's heart seemed to sag in her chest, as she remembered her own shadowed, ungainly outline on the floor in “Sheldu's” damakuta. Regardless, she approached the goddess and was faintly astonished when the strange woman reached and took her hand. The skin of the goddess was cool and damp, but otherwise felt Human enough.

She was even more astonished when the goddess squeezed her hand and then placed it in Perkar's.

“I never said it was love for me that ended the Changeling and set me free,” the goddess explained. ”Only the love of a mortal man. Your love for your people, Perkar, your love for these companions, and your love for this girl. Those are the loves ofaman, sweet thing, and those are what set me free.”

“I love you, too,” Perkar answered.

“Of course you do. How could you not? But you understand now what I told you so long ago.”

“I think so. I no longer dream of you somehow becoming my wife, if that is what you mean.”

She only smiled at him and then turned back to Hezhi. “Child, I have a gift for you.”

“Forme?”

A second column of water rose and became something dimmer, more ghostlike than the very real goddess; but it congealed into a recognizable form nevertheless.

“Ghan!” Hezhi cried.

“More or less,” the apparition said curtly—but more than a hint of a smile graced his usually severe features. “Changed but not changed. When you chew up a piece of meat and spit the gristle out—I think I must be mostly gristle.”

“Ghan!” She was weeping again, though she thought that by now she would have no salt or water left in her body.

“Hush, child. You know how I despise such displays.”

“Do you?” Hezhi answered, wiping the lachryma from her cheeks. “I read your letter, the one you sent by the Mang. The one in which you said you loved me, that I was like the daughter—”

“Yes, yes,” he replied testily. “Old men sometimes write maudlin things.” He softened. “And I probably meant them.”

“What will become of the library?” Hezhi asked. And then, in a blinding flash of insight, “OfNholl”

Ghan shrugged. “The library was my life, but I'm oddly glad now that I did not spend my last days in it. The books remain, and there is always someone. Someone like you and me, at least every generation or two. They will wait, just as they did for you. As for Nhol, who knows?”

“They will not worship me,” the goddess said. “I will not have it. It causes me more pain than pleasure. But I will not harm them, though it is a city that he built. Human Beings are able to change; that is the most—perhaps the only—wonderful thing about your kind. They will be as happy or happier without the River as they were with their god, given time.”

Ghan smiled. “It will be an interesting time, these next few years. I intend to observe them.”

“Observe?”

“The goddess has graciously consented to take this that remains of me downstream with her.”

The goddess nodded confirmation. “Unlike the Changeling, I have no desire to flow through a sterile land. I am more comfortable with neighbors, frog gods, heron lords, swampmasters. Perhaps your old teacher can take up residence in one of the many vacant places—a stream, a field, a mountain. I will invite others, too.”