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“f this is a joke, I'm not laughing. Do you know what time it is?"

“Charley! It's no joke. The back of his head is all bashed in and the man is dead! Dale is standing guard"

“Don't let anyone near the body. In fact, don't say anything to anyone until I get there." Chief MacIsaac spoke quickly, and from the way his voice changed volume, Faith imagined he was already struggling into his clothes while cradling the phone beneath his chin.

“Okay. And, Charley, hurry up!”

Convincing the chief had convinced her. The two Faiths slid back together and the situation smacked her full in the face. There was a corpse downstairs, still warm. She had been minutes, maybe seconds, away from witnessing the crime. Fear elbowed its way back center stage and she had to force herself to go back down the corridor, descending the rear stairs to wait for Charley.

It wasn't long before the chief appeared and took charge.

“Poor Alden," he said sadly as he surveyed the remains. "Not too many people liked him, but I didn't think even his worst enemy would have done something like this.”

But his worst enemy apparently had, Faith thought. The question now was, Who out of the many contenders qualified for this dubious distinction?

“I called John," Charley added. "He's on his way with the CPAC crew from the DA's office" The Crime Prevention and Control unit, the first sifting and recording. "Are you going to announce it upstairs?" Faith both wanted to watch the crowd's reactions and to be on the scene when Detective Lieutenant Dunne arrived. If Charley got moving, she might be able to manage it.

“Better do that now. Don't want them going home to bed.”

Faith followed Charley into the auditorium. The interruption brought a stream of angry shouts and a few obscenities from Max, Nils Svenquist, and the crew until they saw it was the police chief. The audience looked puzzled. Charley walked onto the stage and stood next to the director and Cappy Camson.

“I want everybody to stay calm and stay put. There's been an accident, a very bad accident, and Alden Spaulding is dead.”

A buzz went through the crowd and they weren't mumbling "apples and oranges." Several people half-rose in their seats. One woman yanked at her husband's coattails and he hit the back of the chair with a loud crack.

“We're waiting for the state police, then we'll figure out what we need from you. Believe me, I'm just as eager to go home as you are.”

Millicent stood up. Not for her the mere rules of mortal men.

“Chief MacIsaac, do you suspect foul play?" Charley looked resigned, "Yes, Millie, we do.”

She nodded, making clear her unspoken, "I thought as much."

“Then I think you will find your task made easier by the fact that the time is recorded when each take is shot. You will also be able to eliminate some of us as suspects." Here Millicent paused and raked her fellow citizens with a glance, making even the innocent feel guilty as charged. "When you view the rushes, it should be possible to determine who was here and who was not at any given moment." She sat down.

Despite the cinematic jargon, Charley got the idea. Millicent was right—of course. Faith was standing near the director of photography and heard him murmur toan obviously upset Alan Morris, "Once again the camera records a tragedy. I think we are shooting the wrong film, my friend.”

Once again. But what possible connection could the deaths of Sandra Wilson and Alden Spaulding have? It was apples and oranges.

She left Charley to deal with more questions and reactions, including a plea from Max that they be allowed to continue shooting, since they had to stay there anyway, and went back down to what was becoming an increasingly familiar spot. She'd check in with her staff after talking to Dunne.

The detective was already there and it was hard to read his expression. It wasn't surprise, since Charley must have told him she'd called. It was more like resignation. He turned to Ted Sullivan, who, like his boss, appeared to be able to leap from his bed into his clothes without a wrinkle or a yawn. Whereas Faith was pretty sure Chief MacIsaac still had his pajamas on underneath his rumpled tan corduroys and well-worn parka—not for him the kind of blade-sharp creases in Dunne's navy pinstriped suit trousers.

“We don't need to take Mrs. Fairchild's prints. They're on file from the last time, and the time before that."

“They'll be on the doorknob of the storeroom, on the floor where I fell, and on the light switch in the room. Oh, and on the knob of the outside door. I had to get out quickly," Faith offered. "I didn't touch anything else except his right wrist—I was trying to find a pulse.”

Sully had been bending over the body and was now watching while the pile of lumber was photographed.

“Not too difficult to grab one of these as you follow the guy to the door and bean him.”

The detective lieutenant agreed. "We'll know for sure when we get the lab report. Now, Mrs. Fairchild, why don't we sit down and you can tell me all about it?" A flash went off and Dunne winced. Maybe he was more tired than he looked.

Faith's own adrenaline was beginning to ebb. "There's coffee in the kitchen and I'd like to check in. My staff may not know what's going on, since they're in the basement at the other end."

“Sounds good. Lead the way.”

Again, Faith went back upstairs to the passageway skirting the auditorium. Dunne stopped and looked in the open door from the rear. It was controlled bedlam: lots of noise but little movement. Charley was engaged in a heated discussion with the director and his assistant. People in the audience were shouting to neighbors across the room. A stringer for the Aleford Chronicle was desperately begging Patrolman Warren to let him use a phone. The scoop of the century and he couldn't report in.

“Jesus." Dunne looked amazed. "The whole town's here!"

“Didn't Charley tell you?"

“He said they'd been shooting a scene, but no, he did not say that every man, woman, and child in Aleford was in it. I've got to call and get more help.”

On the way, Faith told him about Millicent's suggestion. It would have been safe to pass it off as Faith's own idea—and it would have been eventually—except this was the kind of lie she didn't tell.

The kitchen with its warmth and deep-seated associations welcomed her like a mother with a glass of milk and plate of freshly baked chocolate-chip cookies after school. Not her mother, but some mother.

From their lack of concern, it was clear that word had not filtered down to the Have Faith staff. She filled them in while Dunne helped himself to coffee and several dozen sandwiches.

“I don't believe it," Pix stated firmly. "I just don't believe it! How could he!”

This was a new slant on the matter and redefined the whole concept of blaming the victim. Pix was treating the murder as Alden's ultimate campaign tactic—"He would do anything to get elected," her unspoken conviction.

The detective brushed the crumbs from his hands. He had come in wearing soft gray suede gloves, carefully removing them when he ate. Faith always thought he looked like a wedding guest who had taken a wrong turn when he appeared at an investigation.

“I'm afraid I'm going to have to ask all of you except Faith to come with me upstairs. We're going to need everybody in one place. She'll be joining you as soon as I finish talking to her.”

Oh, so no special treatment, Faith surmised while he was gone. She was to provide her information, then meekly join the rest of the herd. He was back soon.

“Now, Faith, for the love of God—and I know you do—will you please explain to me how it is you have managed to turn up with another body?" John perched on one of the high kitchen stools, creating an impossible balance that threatened at any moment to spill its top-heavy load onto the linoleum.

“One of our tables broke and I remembered the janitor had told me there were some others in a supply room behind Asterbrook Hall, so I went to look. I didn't find the right closet and so I kept going down toward the new addition. Then"—no maidenly blushes for Faith—"I had to go to the bathroom, and I remembered there was one there near the stairs. I opened a door, but it wasn't the bathroom; it was the storage room. I didn't notice Alden until I tripped over him. I thought he was a carpet.”