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Something sharp as steel swiped across her ankle, slicing her skin, and her blood mingled with the sea.

And the next stroke drove her fingers into the mud and pebbles at the edge of the island. She dragged herself quickly from the pool, from the water and the mire, and looked back the way she’d come. There were no demons in the water, and her mother’s ghost wasn’t watching from the pier. But her father was, Machen Dandridge and his terrible black book, his eyes upturned and arms outstretched to an indifferent Heaven. She cursed him for the last time ever and ignored the blood oozing from the ugly gash in her right foot.

“This is where I stand,” she said, getting to her feet and turning towards the small cave at the center of the island, her legs as weak and unsteady as a newborn foal’s. “At the bottom gate, and I hold the key to the abyss.”

The yellow-green light was almost blinding, and soon the pool would begin to boil.

“The ebony key to the first day and the last, the key to the moment when the stars wink out one by one and the sea heaves its rotting belly at the empty, sagging sky. The blazing key that even angels fear to keep.”

For an instant, there was no cave, and no pool, and no cavern beneath a resentful, wicked house. Only the fire, pouring from the cave that was no longer there, to swallow her whole, only the voices of the void, and Meredith Dandridge made her fear a shield and a lance and held the line.

And in the days and weeks that followed, sometimes Machen Dandridge came down the stairs to stand on the pier and gaze across the pool to the place where the thing that had been his daughter nestled in the shadows, in the hollows between the stones. And every day the sea gave her more of its armour, gilding her frail human skin with the calcareous shells and stinging tentacles that other creatures had spent countless cycles of Creation refining from the rawest matter of life, the needle teeth, the scales and poisonous barbs. Where his wife and son had failed, his daughter crouched triumphant as any martyr. And sometimes, late at night, alone with the sound of the surf pounding against the edge of the continent, he sometimes thought of setting fire to the house and letting it burn down around him.

He read the newspapers.

He watched the stars for signs and portents.

When the moon was bright, the odd, mute women still came to dance beside the sea, but he’d begun to believe they were only bad memories from some time before, and so he rarely paid them any heed.

When the weather was good, he climbed the hills behind the house and sat at the grave of his dead wife and whispered to her, telling her how proud he was of Meredith, reciting snatches of half-remembered poetry for Ellen, telling her the world would come very close to the brink because of what he’d done. Because of his blind pride. But, in the end, it would survive because of what their daughter had done and would do for ages yet.

On a long rainy afternoon in May, he opened the attic door and killed what he found there with an axe and his old Colt revolver. He buried it beside his wife, but left nothing to mark Avery’s grave.

He wrote long letters to men he’d once known in England and New York and Rio de Janeiro, but there were never any replies.

And time rolled on, neither malign nor beneficent, settling across the universe like the grey caul of dust settling thick upon the relics he’d brought back from India and Iran and the Sudan a quarter of a century before. The birth and death of stars, light reaching his aging eyes after a billion years racing across the near-vacuum, and sometimes he spent the days gathering fossils from the cliffs and arranging them in precise geometric patterns in the tall grass around the house. He left lines of salt and drew elaborate runes, the meanings of which he’d long since forgotten.

His daughter spoke to him only in his dreams, or hers, no way to ever be sure which was which, and her voice grew stronger and more terrible as the years rushed past. In the end, she was a maelstrom to swallow his withered soul, to rock him to sleep one last time, to show him the way across.

And the house by the sea, weathered and weary and insane, kept its secrets.

The Tugging

Ramsey Campbell

I

When Ingels awoke he knew at once he’d been dreaming again. There was an image, a memory clamouring faintly but urgently at the edge of his mind; he snatched at it, but it was gone. He swung himself off the crumpled bed. Hilary must have gone to do her research in the library hours ago, leaving him a cold breakfast. Outside hung a chill glazed blue sky, and frost was fading from the windowpane.

The dream continued to nag at his mind. He let it pluck at him, hoping that the nagging would turn by itself into memory. He slowed himself down, dressing slowly, eating slowly, to allow the memory to catch up. But there was only the insistence, like a distant recollection of a plucked tooth. Through the wall he could hear a radio announcer’s voice in the next flat, a blurred cadence rising as if to leap a barrier that obscured its words completely. It buzzed at his mind, bumbling. He washed up quickly, irritably, and hurried out.

And found that he couldn’t look up at the sky.

The feeling seized his neck like a violent cramp, forcing his head down. Around him women were wheeling prams in which babies and groceries fought for space, dogs were playing together in the alleys, buses quaked at bus stops, farting. But on Ingels, pressing down from a clear rather watery blue expanse to which he couldn’t even raise his eyes, weighed a sense of intolerable stress, as if the calm sky were stretched to splitting: as if it were about to split and to let his unformed fear through at him.

A bus braked, a long tortured scraping squeal. When Ingels recovered from his heart-clutching start he’d jolted off the fear. He ran for the bus as the last of the queue shuffled on. Scared of the sky indeed, he thought. I’ve got to get more sleep. Pill myself to sleep if I have to. His eyes felt as if floating in quicklime.

He sat among the coughing shoppers. Across the aisle a man shook his head at the tobacco-smoke, snorting like a horse. A woman threw herself and three carrier bags on to a seat, patting them reassuringly, and slammed her predecessor’s open window. Ingels rummaged in his briefcase. He’d left one notebook at his own flat, he discovered, muttering. He flicked through the notes for his column, holding them flat on his briefcase. Wonder if the fellow whose knee I’m fighting recognises my style. World’s champion egotist, he rebuked himself, hiding the notes with his forearm. Don’t worry, he won’t steal the copyright, he scoffed, pulling his arm back. He put the notes away. They looked as bleary as he felt.

He gazed around the bus, at the flat stagnant smoke, at the ranks of heads like wig-blocks, and settled on headlines over the shoulder in front of him:

IS THE SOLAR SYSTEM ON TOW?

Six months ago an amateur astronomer wrote to us,

warning that a planet might pass dangerously close to Earth.

THE ASTRONOMER ROYAL’S COMMENT:

UTTER TWADDLE”.

Now the world’s leading astronomers have agreed

to let us have the facts.

TODAY WE TELL ALL.

In an exclusive interview

But he’d turned over, to the smaller print of the story. Ingels sat back again, remembering how the Herald had received a copy of that letter six months ago. They hadn’t published it, and the letters editor had gazed at Ingels pityingly when he’d suggested they might at least follow it up. “I suppose you arts people need imagination,” he’d said. Ingels grimaced wryly, wondering how they would handle the story in tonight’s edition. He leaned forward, but the man had reached the editorial comment: “Even if his aim was to prevent panic, are we paying the Astronomer Royal to tell us what too many people are now suggesting was a lie?”