It was rumored that General Onczay had betrayed the Prime Prince. Kornél would have none of it. Such a good man would certainly be incapable of such a thing. Now a patriarch with snow-white hair, the General to his dying day treated Kornél as in every respect his equal. When he reached the age of twenty-two, he had called him in for a word. They took wine on the first-floor terrace. The General did not beat about the bush: “Well now, my boy, have you given any thought to marriage?”
Kornél blushed. “So far I… I have not considered it timely.”
“It is. You have land, you are held in high esteem, there is nothing to prevent you from starting a family. Years unmarried are years fallow. Time you wed.”
Kornél lacked any experience in this field. He had all his life been ashamed of his crooked legs and would never, if he could help it, undress in the presence of another. Racked by temptations of the body, he often felt his sap rising, especially at the break of day, so that it was enough for him to lie on his stomach for it to spill forth. It happened to him on horseback, too. Yet he had not touched a woman. Just once, in England, after much wrestling with his conscience, he had paid for a whore, only to change his mind after all and snatch back half his money as he chased the cursing, wailing wench from his rooms. He rarely sought out society-not that on the Galócz plateau there was much society to be sought-while in town he was still given the cold shoulder; behind his back, his rolled German r’s were mocked unmercifully.
The next time they met the General suggested one of his nieces, who came with a decent dowry. Kornél did not feel that he could say no this offer, and in any event trusted his patron implicitly.
“Well then, when can I take you to inspect the young lady?”
“There is no need. She who pleases my good master needs must please me.”
The wedding was held later in the year. General Onczay was best man. Janka Windisch certainly pleased Kornél, her pale skin, especially, and the thick bunches of flaxen hair. The Windisches were barons of Austrian stock, whose alliance with the Onczays, initially displeasing to both sides, now dated back a century. The notion of Kornél Sternovszky as groom met with hardly a murmur of dissent, in part because General Onczay’s recommendation carried a good deal of weight.
The honeymoon was spent with the Windisches’ kinsmen in Tergestum, the Adriatic Trieste. They spent some uncomfortable days jolting in the carriage and arrived exhausted at the manor house on the hillside, which in virtually every direction offered a wide and wonderful panorama of the sea. Kornél was so spellbound by the endless body of water that he spent their first night in a deckchair on the canopied balcony. His newlywed waited for him all night. The following night Janka took her husband by the hand and led him to the bedchamber’s four-poster. Kornél halted uncertainly, eyeing the fireplace ablaze with thick logs. Janka turned her back and removed one layer after another of her outer-and then underwear. Her naked back had an ivory sheen that glinted with the reflected light of the flames. She slipped under the Venetian lace sheets. “Husband mine, what is keeping you?”
Kornél stood stock-still. Desire flared within him, yet he did not follow his bride into the bed.
“First put out the light!”
“You are ashamed in front of me?”
Kornél did not reply, but himself turned down the wick of the oil-lamp. The chief difficulty posed by his crooked legs was how to wriggle out of regular trousers, which is why for his everyday wear he chose the lawn pantaloons sported by the stable lads. He rolled over to Janka, the duvet cool to the touch. He was on fire, trembling. He had no idea how to proceed. No one would have thought him so wet behind the ears. General Onczay’s parting words had been: “See you take care of the main thing!”
Janka had been vouchsafed a certain amount of information by her mother and her aunt, the gist of which had been that it was up to the man to take the first step, she had but to endure and to maneuver herself into the best position possible to alleviate the pain. So she waited, patiently. Quite some time passed. She could hear sharp intakes of breath from her husband. Summoning up her courage, she touched him on the shoulder. He responded in kind, and their hands began, slowly and hesitantly at first, an age-old dialogue of discovery, surprised at encountering this part or that of the body, as if one part said: “Goodness, is that what that’s like?” and the tenderly touched part responded: “Indeed, come and get to know me better!”
The tinder within caught fire, veins and arteries began to pound, simmering streams of air commingled, astonished sounds split lips asunder. Kornél was almost beside himself. And then it happened.
Images, living dioramas. Scenes not unfamiliar, scenes he seemed to have seen somewhere before, a long time ago. The wedding night of some others. In the first tableau a lumbering figure nervously fingered the precious red stone inlay of his belt buckle and Kornél simply knew he was seeing his father, long dead, on his wedding night; the young woman with the masses of curly hair could be none but his mother, that crooked smile having given birth to his own. There followed a man with a deformed spine and jet-black eyes and hair, certainly his grandfather: only the furniture was different, the expression on the face and the hesitancy were exactly the same. Then his grandmother Gisella, hitherto glimpsed only in a locket as a young girl. It was her death that had turned grandfather’s hair white. And now it was his great-grandparents, in their hastily built wooden cabin, high in the snow-covered hills, their troubled faces lit by the billowing flames of the open hearth. And so it went on, back through great-great-grandparents, and their parents, and theirs, back to unknown ancestors, back twelve generations. Kornél stared and stared, the images of the past burning themselves into his memory.
“Something the matter?” asked Janka.
Kornél’s smile was reassuring: “Never in my life have I had such a moment of grace.”
He was dimly aware that he had lived through such a deluge of images at some earlier time, but he could not remember when. He committed what he had seen to the pages of the folio.
In the course of their married life Kornél gave his wife unsparingly of the joys of Venus, but that descent into the realms of the past was never to be repeated. Why was it on the second day of his honeymoon that this world was illuminated? It was a question to which he was never to find the answer.
Later, a young man and skillful, as he rode with his flintlock for the first time into the depths of the forest he had just inherited, he was equally unsure what made him announce in the middle of a clearing, with great solemnity: “In this sacred place we shall set up a manufactory for glass.” He repeated these words, changing only “this” to “that,” when he reached home.
“Why?” asked Janka.
“So that we can trade in light,” he replied, his face transfigured.
Neither his wife’s sensible arguments nor his estate manager’s facts and figures could dent his resolve, still less the fact that even tinted spectacles could not protect his weak eyes from the glassworks’ incandescent furnace. He imported two master glassmakers from Saxony and within a year the first glass panes for wooden window frames were in production. After these came glass bottles, containers for shipping wine, wine decanters, and countless other glass products. The goods sold well, orders came in from all over the country. Janka asked him a hundred times: “How on earth did you know?”
He dared not admit that his knowledge was unearthly. Now, on his deathbed, when he could no longer communicate what he could see to his wife and three sons, the flow of images unexpectedly began anew. Finally he understood what it was that, at the age of thirty, and as a successful stud-farmer, had made him build a glassworks in the middle of the forest inherited from his wife’s kinsmen. There unrolled before him in a series of drab tableaux the history of the clan of the Csillags. He could see his father, Péter Csillag, and his father’s father, Pál Csillag, who had ended up in Bavaria and made his living as a shoemaker, but had previously owned a prosperous glassworks in the Slovak Highlands destroyed by the Ottoman Turk. He saw his paternal great-grandfather János fleeing his home as a youth and then being killed in one of the Turkish campaigns of the legendary Miklós Zrínyi: a cannonball tore him apart as he was scraping the mud off his boots.