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Why do they need these three qualities? In general when a man lies on top of a woman, the first requirement is that she be as soft as a cushion; the second is that she match his height; and the third is that she be able to bear his weight. A thin woman's figure is like a stone slab, and your whole body aches unbearably just from lying on top of her. A fat woman, by contrast, is soft and tender, and when lying on her, you don't even need to start moving before you feel your body tingling and your spirit in raptures. And she has another marvelous quality, too: she is warm in winter and cool in summer. All of which explains why it is better to be fat than thin.

When you sleep with a short woman, your body cannot meet hers at all points, for if the upper parts fit together nicely, the lower parts do not, and vice versa. Moreover, a body as slight as a child's will stir a man's pity rather than his passion. All of which explains why it is better to be tall than short.

A man may weigh anywhere from seventy or eighty catties to over a hundred, which is a weight that only a strong and robust woman can bear. If you lie on top of a weak and delicate woman, you are on tenterhooks all the time in case you crush her. Sexual enjoyment is entirely dependent on your peace of mind; it cannot survive if you feel nervous. All of which explains why it is better for a woman to be strong and robust than weak and delicate.

Thus good looks and practical usefulness are mutually exclusive. If a woman manages to combine both qualities, she need be only eighty percent beautiful to rate as one hundred and twenty percent, for in such a case how can one insist on perfection?

Although Flora was an older woman, she did combine both qualities. As soon as Vesperus got into bed, she automatically revealed her long suit by clasping his upper body in her soft arms and enveloping his lower body with her soft legs, wrapping him around like a downy quilt. Enjoyable, wouldn't you say? Moreover, her body matched his nicely, and she was also able to bear his weight. The women Vesperus had slept with before had all been on the small, weak, and delicate side and he had never known that this kind of pleasure existed, which is why he felt himself tingling all over before he even set to. Precisely because he found the sensation so delightful, that object down below swelled up to extraordinary proportions, getting longer without penetration and hotter without friction, as if it had thrust dozens of times already. Aligning itself with her vulva, it stabbed its way in.

Flora had already borne a child, and naturally her vagina was large, unlike those of the sisters, who had suffered considerable pain before gradually reaching a state of bliss. But after only ten strokes, she suddenly went into convulsions and, clutching Vesperus, cried out in great agitation, "Faster, darling, faster! I'm going to spend!" Vesperus thrust furiously for ten more strokes before she cried out, "Stop, darling! I'm spending!"

Vesperus placed the head of his penis against the heart of the flower and waited while she finished her orgasm, then resumed thrusting. As he did so, he asked her, "Dearest, why is your stamina so low? You spent after only twenty or thirty strokes. Your nieces lasted for two or three hundred, and I thought they were easy to dispatch. I never expected to meet anyone even easier."

Flora fixed him with a stern eye. "Now, look here! Don't you go thinking of me as easy. I'm the hardest woman of all to dispatch. It takes between one and two thousand strokes to get me to spend, and even then you have to put in a great deal of extra effort. You'll never succeed with this sort of thrusting."

Vesperus was surprised. "If you have that kind of stamina, why were you so easily dispatched just now? Surely you weren't faking?"

"No, I wasn't faking. There is a perfectly good reason for it. I've not been with a man in over ten years, and my passions are at their height. When I saw how handsome and well-endowed you were, my joy got the better of me, and my essence came of its own accord soon after you entered. It amounted to spending on my own and had nothing to do with your thrusting. If you don't believe me, just watch me next time. It will be very different, I assure you."

"I see. But there's something I still don't understand. You said that even with over a thousand strokes, it still took extra effort to get you to spend. That takes some effort to understand, I'm afraid. You mean something else in addition to the thrusting?"

"Simply this, that you have to put extra effort into arousing me, either by doing it audibly or else by saying lewd things. That brings my passions to life and I'm able to spend. If there's no sound from down below and nothing lewd from you, it would be like the deaf having sex with the dumb, and where's the fun in that? If you were to go on all night, I might get a pleasant sensation inside, but I'd still feel no joy at the bottom of my heart and the essence wouldn't come. But there is one thing I have to warn you about. I may be slow to spend, but the way I do it is different from other women; I actually pass out for a quarter of an hour before coming back to life again. I'm telling you this now, so that you won't panic when it happens."

"In that case only the strongest man could make you spend. My stamina may not be in the highest class, but at least it is well up in the second and, if I summon all my strength, perhaps I'll be able to cope. But what was your late husband's stamina like, I wonder? Was he able to satisfy you every night?"

"His stamina was not even in the second class," said Flora. "At first he was very highly sexed and an experienced seducer, and he did a great many immoral things. He used to say to me, 'Other women's are made of flesh, but yours is made of iron. I've tried everything I can think of, and I still can't get you to spend.' But then he thought up a number of ways of arousing my passions, and sex became a lot easier. Regardless of how many strokes it took, one thousand or two thousand, I'd feel joy at the bottom of my heart and would want to spend."

"In that case please tell me what his methods were. I 'may not have an old man ripe in judgment to guide me, but at least I shall have your statutes and laws.' [83] Let me copy his methods and perhaps save myself some effort."

"The methods are extremely simple, and great fun to try. There are just three of them, six words in all, which are self-explanatory. You'll understand as soon as I say them."

"What are they?"

Flora recited: "Erotic pictures, erotic books, lewd sounds."

"As for erotic pictures and books, I used both methods when I was newly married and they worked well, with one limitation. They aroused me the first time I looked at them, but by the second or third time I became bored. They can be used once in a while, but not as a regular standby."

"I imagine you had only a small supply at home and that you finished them up quickly and got bored. I have a large stock, several dozen albums and several hundred novels, and by the time you finish the last one, you've forgotten the first and can start all over again and get just as excited as before.

"However, there is a right and a wrong time to use them. Erotic pictures should be looked at before sex, while the partners still have their clothes on and are behaving correctly. When looking at a picture and analyzing its subtleties, you should not do anything, even if your feelings happen to be aroused. If the penis stands up and the fluid starts to flow, you must ignore both developments until you've looked at several dozen pictures and can restrain yourselves no longer. That's the way to get the full effect of an erotic album.

"For erotic novels to be of any practical use, they should be read after you've begun but before you've finished. Place the book in front of you before you begin. Then, when you've done it for a while, one or other of you should open the book and read aloud from it. When you come to an exciting passage, start sex again. When you reach a less interesting stage in sex, start reading again. That's the way to get the full effect of an erotic novel."

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[83] From the Poetry Classic. See The Book of Songs, p. 253.