"I understand that pottery is due for a renaissance — that it might eclipse painting and sculpture as an art form within ten years."
"Well, I don't know. . . Well, perhaps yes!" the instructor said as she considered the flattering prospect. "But don't quote me. You'll have all the painters and sculptors yelling for my blood."
"I'd like to discuss the subject with you, Miss Berry. I have a young friend — one of your students — who paints a glowing picture of your contribution to the art of ceramics."
"Oh, he does, does he? Or is it a she?" Miss Berry was warming up.
"Do you know William Vitello?"
"He's not in my classes, but I'm aware of him." She chuckled. "He's hard to overlook."
"Have you seen him in the last couple of days?"
"I don't believe so. We haven't had any major catastrophes at the studio, so he must be absent."
"By the way, Miss Berry, is it usual to use lead in the composition of glazes?"
"Oh, yes, it's quite usual. Lead causes the pigment to adhere to the clay."
"Isn't it poisonous?"
"We take precautions, of course. Would you like to visit our studio, Mr. — Mr. . . ."
"Qwilleran, spelled with a Q-w. That's very kind of you, Miss Berry. I have a great curiosity about potting. Is it true that clay begins to smell bad when it ripens?"
"Yes, indeedy! The longer you keep it, the more it gains in elasticity. Actually it's decomposing."
During this conversation the receptionist in the feature department was signaling to Qwilleran; two incoming phone calls were waiting. He shook his head and waved them away.
He told the potter, "I've taken an apartment at the old pottery on River Road. It's a fascinating place. Are you familiar with it?"
There was a chilling pause on the other end of the line. "You're not going to bring up the subject of Mortimer Mellon, are you?"
"Who is he?" Qwilleran asked with an outrageous display of naivete.
"Never mind. Forget I mentioned him."
"I was going to tell you," he said in his most engaging voice, "that my apartment has a secret window overlooking the kiln room, and my curiosity is aroused. What might its purpose be?"
There was another pause. "Which studio do you have?"
"Number Six."
"That used to be Mr. Penniman's."
"I didn't know he was an artist," Qwilleran said. "I thought he was a newspaper publisher and financier."
"He was a patron of the arts, and his studio served as a — as a — "
"Pied-a-terre?" the newsman supplied.
"You see," Miss Berry added cautiously, "I used to work in the Penniman pottery in the early days."
He expressed surprise and then inquired if she planned to attend the opening of the Graham exhibition.
"I hadn't intended to, but. . ."
"Why don't you come, Miss Berry? I'll personally keep your champagne glass filled."
"Maybe I shall. I never waste time on social openings, but you sound like an interesting young man. Your enthusiasm is refreshing."
"How will I recognize you, Miss Berry?"
"Oh, you'll know me. I have gray hair and bangs and a bit of a limp. Arthritis, you know. And of course I have clay under my fingernails."
Pleased with his own persuasiveness, Qwilleran hung up and finished the Max Sorrel column in high spirit. He handed in his copy to Riker and was leaving the office with spring in his step, when his phone rang again.
A man's voice said, "You write that column on restaurants, yeah?"
"Yes, I write the gourmet column."
"Just wanna give you some advice, yeah? Layoff the Golden Lamb Chop, yeah?"
"For what reason?"
"We don't want nothin' in the paper about the Golden Lamb Chop, y'understand?"
"Are you connected with the restaurant — sir?"
"I'm just tellin' you. Layoff or you're liable to lose a lot of advertisin' in the paper, yeah?" There was a click on the line.
Qwilleran reported the call to Riker. "He sounded like one of the bad guys in an old gangster movie. But I now they don't threaten to bump you off; they threaten to withdraw their advertising. Did you know there's an underground movement afoot to ruin Sorrel's restaurant?"
"Ho-hum, I'll check it out with the boss," Riker said with a bored sigh. "We have your cheese column for tomorrow, and then the farmers' market piece, but we can't run what you wrote about the Petrified Bagel 'Embalmed shrimp! Delicious toothpicks!' Are you out of your mind? What else have you lined up?"
"The Friendly Fatties. I'm going there tonight."
"Any word from Joy?"
"No word. But I'm building up a case. If I can get one break . . . "
Qwilleran met Hixie Rice at the Duxbury Memorial Center. She was looking oddly unglamorous, despite a frizzy wig and a snugly fitted orange-and-white polka-dot ensemble.
"Do I look dumb?" she asked. "I just lost my eyelashes. I'm a loser, that's all. Everywhere except on the bathroom scales. C'est La vie!"
The dinner meeting of the Friendly Fatties — all sixteen tons of them — was held in a public meeting room at the center, which was noted for the mediocrity of its cuisine.
There was a brief sermon on Thinking Thin. The week's champion losers were announced, and a few backsliders — Hixie among them — confessed their sins. Then cabbage juice cocktails were served, followed by a light repast.
"Ah! Another thin soup!" Hixie exclaimed in feigned rapture. "This week they actually dragged a bouillon cube through the hot water. And the melba toast! Best I've tasted since I was a girl in Pigeon, Michigan, and ate the shingles off the barn roof. . . Do you think this is really hamburger?" she asked Qwilleran when the main course arrived. "I think it's grape seeds stuck together with epoxy glue. Don't you love the Brussels sprouts? They taste like — mmmmm — wet papier-mache. But wait till you try the dessert! They make it out of air, water, coal tar, disodium phosphate, vegetable gum, and artificial flavoring. Et voila! Prune whip!"
On the way home Hixie said, "Honestly, life is unfair. Why wasn't I born with a divine figure instead of a brilliant intellect and a ravishingly beautiful face? I can't get a man because I'm fat, and I stay fat because I can't get a man."
"What you need is a hobby," Qwilleran advised. "Some new consuming interest."
"I've got a hobby: consuming food," she said in her usual glib way, but as they walked up the stairs at Maus Haus, the happy-go-lucky fat girl burst into tears, covering her face with her hands.
"Hixie! What's the matter?" Qwilleran asked.
She shook her head and gave vent to a torrent of sobs.
He grasped her arm firmly and steered her up the stairs. "Come up to Number Six, and I'll fix you a drink."
His kind voice only made the tears gush more freely, and blindly she went along with him. Koko was alarmed at her entrance; he had never seen or heard anyone cry.
Qwilleran situated her in the big armchair, gave her a box of tissues, lit a cigarette for her, and poured two ounces of scotch over ice. "Now what's the reason for the sudden cloudburst?"
"Oh, Qwill," she said, "I'm so miserable."
He waited patiently.
"I'm not looking for a millionaire or a movie star. All I want is an ordinary, run-of-the-mill type of husband with a few brains or a little talent, not necessarily both. But do you think I ever meet that kind?" She enumerated a discouraging tally of her near-hits and total misses.
He had heard this tale of woe before. Young women often confided in him. "How old are you, Hixie?"
"Twenty-four."
"You've got lots of time."
She shook her head. "I don't think I'll ever appeal to the right kind of man. I don't want to be a swinger, but I attract men who want a swinger and nothing else. Me, I want a wedding ring, a new name, babies — all that corny stuff."
Qwilleran looked at her dress — too short, too tight, too bright-and wondered how to phrase some advice. Perhaps Rosemary could take her in hand.