She dropped the splinter, or whatever it was, into an envelope, then pried out another from the next plank higher up, and put this in a second envelope. She stood up and took a third sample.
When she had five samples, one from each heavy oak plank that formed the door, she turned and saw him looking up at her. She smiled and waved to him again, went up the garden, and disappeared inside her dark-shingled house. He wanted to go up to the tool room and look at the door where she had cut into it; he wanted to figure out what the hell she had been doing.
But what difference? Anyway, it was her door. The way the lots were laid out in pie shapes joining in the center of the garden, the door was on Olive’s land. If she wanted to pry off splinters, that was her business. Maybe she meant to send her splinters for a carbon-14 test. Maybe Olive suddenly burned to know how old the door was.
As Alice had longed to know.
Alice said if it was genuinely medieval, it shouldn’t be in the garden but in a museum. She had thought it amazing that the door was in such good shape and not rotting. He thought the damn thing was a copy. Who would put a valuable antique in a garden? He had been singularly annoyed by her interest. She never had found out who built it into the hill, though she had gone over old land records and written to several families. Olive had been in on that little investigation—the two of them spending useless hours in the county tax office, complaining afterward because the office was not only cold but stunk of cigarette smoke. The whole thing was an exercise in wasting time, and after Alice died Olive had seemed to turn to other projects. A retired librarian, Olive had retained all her energy and interest in the world; she pursued with singleminded intensity the projects she undertook.
He finished the stretcher bars and began to cut canvas, anticipating four new canvases, pristine white and waiting.
For what? Waiting for what? Waiting for four new, dull, lifeless attempts which would be as unsatisfying as his drive up the coast.
Chapter 8
The scullery was steamy hot and noisy with the gossiping voices of two dozen scullery maids. Pots clanged, knives chopped against cutting boards, and Briccha’s frequent commands cracked like rocks banged together. Smoke from the hearthfire mixed with the steam; the flames hissed and spat as fat dripped onto them from the deer turning on the spit. Beside the deer, braces of chickens roasted. Briccha took Melissa by the shoulders and pointed her towarda counter piled with dead doves and quail. “Pluck and dress them. Don’t leave any feathers. Don’t dawdle. Wash them in that bucket.”
She set to work with distaste. Around her girls kneaded bread dough, mixed sauces, and cut and peeled piles of vegetables and fruits. She wasn’t quick at cleaning birds, even with a simple-spell, and she didn’t like doing it; their softly feathered bodies made her unbearably restless. She hated the blood and the smell of the birds’ entrails because she was unsettled by them, feeling something stirring within herself that she didn’t understand.
It was noon when she finished cleaning the last dove, but she hadn’t earned a rest. Briccha directed her to a pile of greasy pots to scrub. She washed pots for the rest of the day, her hands and arms soon coated with grease, and she was sweating from the hot dishwater. The banter of the other girls distracted her, and a few remarks were directed her way, but she did not attempt to make friends. Late in the afternoon Briccha marched her up the back stairs four flights to the attic.
They entered a long, narrow room whose steep rafters rose to a high peak, and whose walls were lined with tiers of bunks. Briccha pointed to a top bunk at the end, up beneath the rafters. A ladder led up, skirting a small window.
“You’ll sleep there. That’ll do for a few days—you won’t last longer. There’s a blanket and towel on the bunk, a hook by the window for your dress.”
Melissa looked at Briccha evenly.“Why won’t I last longer? Did my work not suit you?”
“Your work was satisfactory.” Briccha turned away. “I wake the early shift at four in the morning. You will go directly to the scullery. You will work until I release you in mid-afternoon.” As she headed for the door, Melissa moved in front of her.
“Why won’t I last?”
Briccha’s narrow eyes widened. “You will not last at all if you cannot control your rudeness.” She pushed past Melissa and strode out the attic door.
Melissa climbed into the high bunk, meaning to rest for only a little while. She didn’t know what Briccha had meant, but she would find out. Pulling the thin blanket up, she lay thinking about the palace dungeons. She had glanced into the scullery storeroom when a girl was sent to get flour. She thought it likely the cellars were near the storeroom to give easy access to the larger food stores, and she wondered if they opened from within the storeroom. Soon she slept. She didn’t wake until Briccha shouted up at her. “Four o’clock. Get down from there. Get dressed.” A lantern burned at the far end of the room.
She climbed down, cramped and uncomfortable in her wrinkled dress. There was a crock of icy water beside the window. Two girls were dipping their towels into it, dabbing at their faces. She dropped her dress and washed herself all over, shivering, trying to wake up. Most of the girls still slept. Only five had been called. She dressed and followed the other four out, crowding sleepily down the dark stair. At home she would have built up the fire and gone back to bed until the cottage warmed, then risen to wake Mag.
As she pushed into the scullery behind the other girls, Briccha was already giving orders. Melissa tried to find humor in the woman’s harsh manner, but it took her some days before she could let Briccha’s scoldings roll off as the other girls did. Only Terlis seemed unduly upset by the scullery mistress’s harshness. Melissa liked Terlis; the valley elven were shy, gentle people—though they hated to talk about unpleasant things, even to answer one’s questions. The valley elven took the view that if you didn’t talk about it, it would go away. When she asked Terlis why Briccha thought she would last for only a few days, Terlis didn’t want to answer.
“What harm to tell me? It’s too hard, not understanding.”
“Look at yourself,” Terlis said softly, “then look around you. You’re the only pretty one. We’re all either misshapen with the blood of cave dwarfs or just homely like me. You’ll be sent home soon. The pretty ones are all sent home.”
“But why are they brought here, then? Andwhy are they sent home?”
Terlis smiled patiently.“Sent home to keep them out of the king’s bed.”
“Oh,” Melissa said, her face reddening. She knew a dozen tales of the king’s adventures with various lovers. Of course the queen took lovers, too. She had a constant procession of bedmates as she tried to breed a healthy heir to strengthen her claim to the throne. Thus the kingdom was locked in a constant power struggle. Siddonie, if she could bear a healthy child, would surely throw King Efil out and make the new child’s father king. She had married Efil to become queen; she didn’t need him now. And if Efil could breed a healthy child first, he would dispossess Siddonie.
Terlis said,“Everyone knows a commoner is more likely to breed a strong baby.”
“But,” Melissa said, “if she’s afraid of the king taking servant girls to bed, why does she bring them here at all?”
“No one knows.” Terlis looked hard at Melissa. “The queen brought you here just as she brought us all, and no one knows why. Maybe her spells made you start out on your own, maybe she made you think you were coming on your own, but you can be sure that Queen Siddonie brought you to Affandar Palace.”