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Her cry was shrill too. For a moment she couldn't move, then she ran into the hall. It must be James, or someone: not the shadow. The hall rumbled underfoot; the stairs loomed above her, swollen with darkness. She reached the front door and grabbed the light switch. The hall sprang back, bare, isolating her; a shadow stood on the front-door pane, irregular with frosting. She reached for the latch. She wished there were a chain. She opened the door a crack, wedging her toe beneath it, and saw James.

"Oh thank God. Come in, quickly." Behind him the street was empty. She pulled him in and slammed the door.

It wasn't until she had locked them into her flat that she noticed he was carrying no luggage: only a large handbag. "You're going to stay, aren't you?" she pleaded.

Did she sound too eager? His face was calm, expressionless. "I suppose so," he said at last. "For a while."

Not only for a while! she pleaded. She glanced anxiously at the blank wall. Would he see the shadow if it returned, or had it been the drug? "I've got to tell you something," she said. "I want you to know."

"Not now." He had opened the handbag; he took out four lengths of glossy cord. "Get undressed and lie on the bed," he said.

His calm felt cold. She didn't want to be tied up, she would feel like a victim, she wouldn't feel close to him. She was frightened of being tied, when the shadow was so near. But James would protect her from that. And if she rebuffed him again he might leave her for good. She stripped unwillingly and lay down.

At least the cords weren't rough. But he tied her tightly, spread-eagled. She felt nervous, unsafe. But she didn't dare protest; if he left the shadow would come back. She closed her eyes, to try to soothe herself. He undressed and stooped to her.

His smooth cheeks slid along her thighs. His tongue probed into her, strong as a finger. It was rough; it darted deep, opening her. He mounted her; his penis thrust fiercely. Her hands clutched beyond their nooses, struggling vainly to reach for his back. She felt impaled and helpless. Above her his face gazed at the window, calm, mask-like. Behind his head the blank wall hung.

Her body twitched with the strain of her bondage, humiliated, frustrated. His thrusts tugged at her; she glimpsed herself as he must see her, at the mercy of his penis. Suddenly, by a translation she couldn't understand, her genitals began to twitch toward orgasm. It was all right, after all. She could enjoy it too. She closed her eyes again, beginning to enjoy the straining of her limbs against their bonds. Outside she could hear people walking home, from a club or somewhere; the sound was reassuring, it drove the shadow away. Her limbs strained. She was nearly there, nearly—and then he had left her. He was standing beside the bed, reaching into the handbag.

"Oh, what's wrong?" He was gazing at the darkest corner of the room, beyond the window. She saw something move, but not there: on the wall opposite the window—a shadow dwindling, darkening, advancing rapidly. Her hands struggled against their leashes to point. "James!" she screamed.

He turned swiftly. His hand emerged from the bag. Before she could react, his other hand raised her head deftly. He thrust the gag into her mouth and tied it behind her head. At once she felt his calm lift; his eagerness struck her like an explosion, leaving her limp and trembling. His voice rose, rose impossibly. "Not James," it said gleefully. "Mrs. James."

When Betty lay trembling, unable to look, the face stooped for her to see. It was Alastair's mother, smiling triumphantly. She passed a hand over her face. As though that reversed each aspect of it she was James again; his long face replaced her square one, her small plump nose was all at once slim and straight. She passed her hand upward and was herself, as if she'd changed a mask. The mask smiled.

Beneath the smile and the flat-chested body the penis was still erect. Mrs. James pulled at it. Betty shuddered back as far as she could, but the woman wasn't masturbating; she'd detached the organ and dropped it on the floor. Betty heard rubber strike wood. "Yes, that was all it was," Mrs. James said brightly. "Now you know how it feels to have your body used. You're beginning to know how my son felt."

Choked screams stuck in Betty's throat like bile. The wall was full of shadows now: the twelfth shrank into place, completing the wall's unbroken frieze of dark blank faces. Betty strained back on the bed; her eyes heaved at their sockets, the gag suffocated her screams.

Mrs. James brought her a mirror to show her who was at the window. Betty saw one of the folk group, and the barman; the oldest man from the commune; the art teacher, two of the British Supremacists, the antique dealer; others to whom she had been introduced. Their eyes were bright and eager. Mrs. James smiled at them. Softly, like an articulate breeze at the window, they began chanting.

"You could get the better of my son," Mrs. James told Betty. "He was a novice. But now you'll see what I can do."

She joined in the chanting. The whispering insinuated itself into the room, slow as insidious fumes. Betty lay shivering, her cheek against the pillow. The nooses held her easily, the gag rested in her mouth. The twelve shadows gazed, whispering. Beyond Mrs. James, in the darkest corner, there was something more than a shadow: the suggestion of a figure, thin and pale as smoke. From the corner came sounds of a crawling among bones.

Mrs. James beckoned. The shape ventured timidly forward, its head dangling. It was surrounded by an inert chill, which fastened on Betty. As Mrs. James turned to the bed, still beckoning, Betty saw her smile. There was more than righteousness in that smile; there was pride.

The Chimney (1977)

Maybe most of it was only fear. But not the last thing, not that. To blame my fear for that would be worst of all.

I was twelve years old and beginning to conquer my fears. I even went upstairs to do my homework, and managed to ignore the chimney. I had to be brave, because of my parents—because of my mother.

She had always been afraid for me. The very first day I had gone to school I'd seen her watching. Her expression had reminded me of the face of a girl I'd glimpsed on television, watching men lock her husband behind bars; I was frightened all that first day. And when children had hysterics or began to bully me, or the teacher lost her temper, these things only confirmed my fears—and my mother's, when I told her what had happened each day.

Now I was at grammar school. I had been there for much of a year. I'd felt awkward in my new uniform and old shoes; the building seemed enormous, crowded with too many strange children and teachers. I'd felt I was an outsider; friendly approaches made me nervous and sullen, when people laughed and I didn't know why I was sure they were laughing at me. After a while the other boys treated me as I seemed to want to be treated: the lads from the poorer districts mocked my suburban accent, the suburban boys sneered at my shoes.

Often I'd sat praying that the teacher wouldn't ask me a question I couldn't answer, sat paralysed by my dread of having to stand up in the waiting watchful silence. If a teacher shouted at someone my heart jumped painfully; once I'd felt, the stain of my shock creeping insidiously down my thigh. Yet I did well in the end-of-term examinations, because I was terrified of failing; for nights afterwards they were another reason why I couldn't sleep.

My mother read the signs of all this on my face. More and more, once I'd told her what was wrong, I had to persuade her there was nothing worse that I'd kept back. Some mornings as I lay in bed, trying to hold back half past seven, I'd be sick; I would grope miserably downstairs, white-faced, and my mother would keep me home. Once or twice, when my fear wasn't quite enough, I made myself sick. "Look at him. You can't expect him to go like that"—but my father would only shake his head and grunt, dismissing us both.