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He felt the jaws dig into the wood, which groaned, but that was all. His heart was pounding, the handles were slipping out of his sweaty grasp. Renewing his grip, he levered savagely at the manacle. All at once the wood cracked, and the manacle jangled free, so abruptly that the pliers flew out of his hand and thudded on the floor. Only then did he become aware of the activity in the region of his penis, which was throbbing so unmanageably that he had been doing his best to blot it from his consciousness. While he was intent on releasing her arm, the girl had unbuttoned his trousers at the belt and unzipped his fly. As his trousers slithered down his legs she closed her hand around his penis and inserted it deftly into herself.

"No," Woodcock cried. "What are you'what do you think I'" She'd wrapped her arms around his waist, tight as a vise. She didn't need to; he was swollen larger than he'd been for many years, swollen inside the warm slickness of her beyond any hope of withdrawing. Once, early in their marriage, that had happened to him with Belinda, and it had terrified him. There was only one way he could free himself. He closed his eyes and gritted an inarticulate prayer through his teeth, and made a convulsive thrust with his hips. The manacles at her ankles jangled, her body strained upwards, and her arms around his waist lifted him onto his toes. Perhaps it was this shift of weight which set the wheel spinning.

As his feet left the ground he lost all self-control. He was a child on a carnival ride, discovering too late that he wanted to be anywhere but there. When he tried to pull away from the girl the movement intensified the aching of the whole length of his penis, and his reaction embedded him even deeper in her. He groped blindly for handholds as he swung head downward and then up again, and managed to locate the splintered holes left by the manacles. He pumped his hips, frantic to be done and out of her, but the sensations of each thrust contradicted his dismay, and he squeezed his eyes shut in an attempt to deny where he was and what he was doing. The jangling of the manacles had taken on the rhythm of the girl's cries intermixed with panting in his ear. The wheel spun faster, twirling him and his partner head over heels, until the only sense of stability he had was focused on the motions of his hips and penis. Were the girl's cries growing faster and more musical, or was he hearing a street organ playing a carnival tune? He was beyond being able to wonder; the sensations in his penis were mushrooming. As he strained his head back and gave vent to a roar as much of despair as of pleasure, light blazed into his eyes. He could do nothing but thrust and thrust as the vortex in which he was helplessly whirling seemed to empty itself through his penis as though it might never stop.

At last it did, and the girl's arms slackened around his waist as his penis dwindled within her. He kept his eyes shut and tried to calm his breathing as the wheel wavered to a stop. When he was sure he was upright he lowered himself until his toecaps found the boards, and let go of the holes in the wood, and fumbled to pull his trousers up and zip them shut. His eyes were still closed; from what he could hear, he thought he might not be able to bear what he would see when he opened them. After a good many harsh deep breaths he turned and looked.

The window-frame was ablaze with colored lightbulbs. Speakers at each corner of the window were emitting a street organ's merry tune. In the street which the lights had revealed outside the window, dozens of people had gathered to watch: sailors, young couples and some much older, even a brace of policemen in the local uniform. Woodcock stared appalled at the latter, then he stalked out of the cell, wrenching both doors as wide as they would go. Even here the law surely couldn't allow what had just been done to him, and nobody was going to walk away with the idea that he'd been anything other than a victim.

When the audience, policemen included, began to applaud him, however, he forced his way to the gap between the houses and took to his heels. "Bad, bad. The worst," he heard himself declaring'he had no idea how loudly. From the far end of the gap he looked back and saw the girl raising her manacled wrists to the position in which he'd first seen them. As the lights which framed her started to dim, he gripped the corners of the walls as though he could pull the gap shut; then he flung himself away and dashed through the streets choked with flesh to his hotel.

In the morning he almost went back, having spent a sleepless night in trying to decide how much of the encounter could have been real. He felt emptied out, robbed of himself. As the searchlight of the sun crept over the roofs, turning the luminous neon tulips on the walls of his room back into paper, he sneaked downstairs and out of the hotel, averting his face from the receptionist, gripping the brass club in his pocket rather than relinquish that defense.

He left the whines of early trams and the brushing of street cleaners behind as he crossed the river, on which neon lay like a trace of petrol. He followed the canal as far as the lane to the Oude Kerk. Under his hands the parapets were as cold and solid as the cobblestones underfoot. He strode hastily past the occupied windows and halted in sight of the church.

He could see the gap between the houses but not, without venturing closer, how wide it was. One step further, and he froze. The question wasn't simply whether he had encountered the girl or imagined some if it not all of the incident, but rather which would be worse? That such things could actually happen, or that he was capable of inventing them?

A movement beside the church caught his eye. One of the women in the windows was nibbling breakfast and sipping tea from a tray on her lap. An aching homesickness overwhelmed him, but how could he go back now? He turned away from the church and trudged in the direction of the canal, with no sense of where he was going or coming from.

Then his walk grew purposeful before he quite knew why. There was something he ought to remember, something that had to help. The face of the girl on the wheeclass="underline" no, her eye s... Hadn't he seen at least a hint of all those expressions before, at home? It had to be true, he couldn't have imagined them. The bell tower of the Oude Kerk burst into peals, and he quickened his pace, eager to be packed and out of the hotel and on the plane. As never before that he could remember, he was anxious to be home.

Out Of The Woods (1996)

The glass of Scotch gnashed its ice cubes as Thirsk set it down on his desk. 'I don't care where it comes from, I just want the best price. Are you certain you won't have a drink?'

The visitor shook his head once while the rest of him stayed unmoved. 'Not unless you have natural water.'

'Been treated, I'm afraid. One of the many prices of civilization. You won't object if I have another, will you? I don't work or see people this late as a rule.'

When the other shook his head again, agitating his hair, which climbed the back of his neck and was entangled like a bristling brownish nest above his skull, Thirsk crossed to the mahogany cabinet to pour himself what he hoped might prove to be some peace of mind. While he served himself he peered at his visitor, little of whom was to be seen outside the heavy brown ankle-length overcoat except a wrinkled knotted face and gnarled hands, which ornamented the ends of the arms of the chair. Thirsk could think of no reason why any of this should bother him, but - together with the smell of the office, which was no longer quite or only that of new books -it did, so that he fed himself a harsh gulp of Scotch before marching around his desk to plant himself in his extravagant leather chair. It wasn't too late for him to declare that he didn't see salesmen without an appointment, but instead he heard himself demanding, 'So tell me why we should do business.'

'For you to say, Mr Thirsk.'

'No reason unless you're offering me a better deal than the bunch who printed all these books.'