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Scott and the Inspector entered; Scott held the door politely. The class stood, raising chalk-dust and a cobweb from John's blazer, which was grey with wisps, he saw. But then so was the Inspector's pinstripe suit: even the orange handkerchief in his top pocket. "Dave, sir--Mr. Ford--was cried John, and vomited into his open desk. "My God!" shouted Scott. "Please, Mr. Scott," said the Inspector in a voice light yet clinging as cobwebs, "the boy's ill. He looks frightened. I'll take him downstairs and arrange something for him."

"Shall I wait?" hissed Scott.

"Better start your class, Mr. Scott. I'll have time to find out all I want to know about them."

Bare corridors. Leaping tiles smelling of polish. A strap cracking. Somewhere, laughter. A headlong latecomer who gaped at John and the figure leading him by the wrist. The tuning of the school orchestra. The dining-room, bare tables, metal plates. The cloakroom, racks of coats stirring in a draught. "I don't think we can entrust you to anyone else's care," said the Inspector.

The gates, deserted. They turned towards the pillared pub, the side street. There was still time. The fingers on his wrist were no longer fingers. The eyes were veiled as the pool. Two women with wheel-baskets were approaching. But his mouth was already choked closed by fear. They passed on towards the side street. Yet his ears were clear, and he heard the comment one woman made.

"Did you see that? I'll wager another case of 'unwillingly to school'!"

The Guy (1973)

You can't hide from Guy Fawkes Night. This year as usual I played Beethoven's Fifth to blot out sound and memory, turned it loud and tried to read, fought back faces from the past as they appeared. In September and October the echoes of lone fireworks, the protests of distant startled dogs, the flopping faceless figures propped at bus-stops or wheeled in prams by children, had jarred into focus scenes I'd thought I had erased. Finally, as always, I stood up and succumbed. Walking, I saw memories, fading like the exploding molten claws upon the sky. On waste ground at the edge of Lower Brichester a gutted bonfire smouldered. Children stood about it, shaking sparklers as a dog shakes a rat. Then wood spat fire and flared; a man dragged off his boy to bed. Defined by flame, the child's face fell in upon itself like a pumpkin wizening from last week's Hallowe'en. He sobbed and gasped, but no words came. And I remembered.

A papier-mache hand, a burning fuse, a scream that never came-- But the memory was framed by the day's events; the houses of the past, my own and Joe Turner's, were overlaid by the picture I'd built up from behind my desk that morning, the imagined home of the boy who'd stood before me accused of setting fireworks in a car's exhaust pipe: drunken father, weak wife, backgarden lavatory, all the trimmings--I could see it clearly without having seen it. My parents hadn't liked my change of ambition from banker to probation officer; faced with the choice, I'd left them. "Don't you know they all carry razors these days?" my father had protested round his pipe. "Get yourself a little security. Then you can help them if you must. Look at your mother--don't you think the clothes she gives away mean anything?" Referred to, my mother had joined in. "If you deal with such people all day, Denis, you'll become like them." The same prejudices at which I'd squirmed when I was at schooclass="underline" when the Turners moved into our road.

Joe Turner was in the class next door to me; he'd started there that term when the Turners had come up from Lower Brichester. Sometimes, walking past their house, I'd heard arguments, the crash of china, a man's voice shouting "Just because we've moved in with the toffs, don't go turning my house into Buckingham Palace!" That was Mr Turner. One night I'd seen him staggering home, leaning on our gate and swearing; my father had been ready to go out to him, but my mother had restrained him. "Stay in, don't lower yourself." She was disgusted because Mr Turner was drunk; I'd realised that but couldn't see how this was different from the parties at our house, the Martini bottles, the man who'd fallen into my bedroom one night and apologised, then been loudly sick on the landing. I was sorry for Mr Turner because my parents had instantly disliked him. "I don't object to them as people. I don't know them, not that I want to," my father had said. "It's simply that they'll bring down the property values for the entire street if they're not watched." "Have you seen their back garden?" my mother responded. "Already they've dumped an old dresser out there." "Perhaps they're getting ready for a bonfire," I suggested. "Well, remember you're to stay away," my mother warned. "You're not to mix with such people." I was fourteen, ready to resent such prohibitions. And of course I was to have no bonfire; it might dull the house's paint or raze the garden. Instead, a Beethoven symphony for the collection I didn't then appreciate. "Why not?" I complained. "I go to school with him." "You may," my father agreed, "but just because the school sees fit to lower its standards doesn't mean we have to fall in with the crowd." "I don't see what's wrong with Joe," I said. A look spoke between my parents. "Someday," said my mother, "when you're older--was

There was always something about Joe they wouldn't specify. I thought I knew what they found objectionable; the acts schoolboys admire are usually deplored by their parents. Joe Turner's exploits had taken on the stature of legend for us. For example, the day he'd sworn at a teacher who'd caned him, paying interest on his words. "Some night I'll get him," Joe told me walking home, spitting further than I ever could. Or the magazines he showed us, stolen from his father as he said: he told terrifying stories of his father's buckled belt. "I Kept the U.S. Army Going," by a Fraulein; my vocabulary grew enormously in two months, until the only time my father ever hit me. I felt enriched by Joe; soon it was him and me against the teachers, running from the lavatories, hiding sticks of chalk. Joe knew things; the tales of Lower Brichester he told me as we walked home were real, not like the jokes the others told, sniggering in corners; Joe didn't have to creep into a corner to talk. In the two months since he'd run after me and parodied my suburban accent until we'd fought and become inseparable, he showed me sides of life I never knew existed. All of which helped me to understand the people who appear before my desk. Even the seat behind my desk belongs to Joe as much as to me; it was Joe who showed me injustice.

It was late October, two weeks before the bonfire, that fragments of the picture began to fit together. From my window, writing homework, I'd watched early rockets spit a last star and fall far off; once I'd found a cardboard cylinder trodden into the pavement. That was magic: not the Beethoven. So that when Joe said "I bet you won't be coming to my bonfire," I flared up readily. "Why shouldn't I?" I attacked him, throwing a stone into someone's garden.

"Because your parents don't like us." He threw a stone and cracked mine open.

"We're us," I said loyally. "I'll be coming. What's the matter, don't you like it up here in Brichester?"

"It's all right. My father didn't want to move. I couldn't care less, really. It was my mother. She was scared."

I imagined I knew what he meant: stones through the front windows, boys backing girls into alleys, knives and bottles outside the pubs; I'd probably have been as scared. But he continued "She didn't want to live where my brother was."

We ran from a stretched rain and stood beneath an inscribed bus-shelter; two housewives disapproved of us and brought umbrellas down like shields. "Where's your brother now? In the Army?" In those days that was my idea of heroism.

"He was younger than me. He's dead." The umbrellas lifted a little, then determinedly came down.