He grappled with it, hurling it from him. It was only a pram, never mind, he must catch up with Maud. But a white featureless head nodded towards him on a scrawny neck, craning out from beneath the hood; a head that slipped awry, rolling loose on its neck, as the strings that tied it came unknotted. It was only a guy begging pennies for cut-price fireworks. Before he realised that, Dutton had overbalanced away from it into the road, in front of a released car.
There was a howl of brakes, another, a tinkle of glass. Dutton found himself staring up from beneath a front bumper. Wheels blocked his vision on either side, like huge oppressive earmuffs. People were shouting at each other, someone was shouting at him, the crowd was chattering, laughing. When someone tried to help him to his feet he kicked out and clung to the bumper. Nothing could touch him now, he was safe, they wouldn't dare to. Eventually someone took hold of his arm and wouldn't let go until he stood up. It was Constable Wayne.
"Come on, Billy," Wayne said. "That's enough for today. Go home."
"I won't go home!" Dutton cried in panic.
"Do you mean to tell me you're sending him home and that's all?" a woman shouted above the clamour of her jacketed Pekinese. "What about my headlight?"
"I'll deal with him," Wayne said. "My colleague will take your statements. Don't give me any trouble, Billy," he said, taking a firmer hold on Dutton's arm.
Dutton found himself being marched along the street, towards his room. "I'm not going home," he shouted.
"You are, and I'll see that you do." A fire engine was elbowing its way through the traffic, braying. In the middle of a side street, between walls that quaked with the light of a huge bonfire, children were stoning firemen.
"I won't," Dutton said, pleading. "If you make me I'll get out again. I've drunk too much. I'll do something bad, I'll hurt someone."
"You aren't one of those. Go home now and sleep it off. You know we've no room for you on Saturday nights. And tonight of all nights we don't want to be bothered with you."
They had almost reached the house. Wayne gazed up at the dormant bonfire on the waste ground. "We'll have to see about that," he said. But Dutton hardly heard him. As the house swayed towards him, a rocket exploded low and snatched the house forward for a moment from the darkness. In the old woman's room, at the bottom of the windowpane, he saw a metal bar: the handle of a pram.
Dutton began to struggle again. "I'm not going in there!" he shouted, searching his mind wildly for anything. "I killed that old woman! I knocked her head in, it was me!"
"That's enough of that, now," Wayne said, dragging him up the steps. "You're lucky I can see you're drunk."
Dutton clenched the front door-frame with both hands. "There's something in there!" he screamed. "In her room!"
"There's nothing at all," Wayne said. "Come here and I'll show you." He propelled Dutton into the hall and, switching on his torch, pushed open the old woman's door with his foot. "Now, what's in here?" he demanded. "Nothing."
Dutton looked in, ready to flinch. The torch-beam swept impatiently about the room, revealing nothing but dust. The bed had been pushed beneath the window during the police search. Its headrail was visible through the pane: a metal bar.
Dutton sagged with relief. Only Wayne's grip kept him from falling. He turned as Wayne hurried him towards the stairs, and saw the mouth of darkness just below the landing. It was waiting for him, its lips working. He tried to pull back, but Wayne was becoming more impatient. "See me upstairs," Dutton pleaded.
"Oh, it's the horrors, is it? Come on now, quickly." Wayne stayed where he was, but shone his torch into the mouth, which paled. Dutton stumbled upstairs as far as the lips, which flickered tentatively towards him. He heard the constable clatter up behind him, and the darkness fell back further. Before him, sharp and bright amid the darkness, was his door.
"Switch on your light, be quick," Wayne said.
The room was exactly as Dutton had left it. And why not? he thought, confident all at once. He never locked it, there was nothing to steal, but now the familiarity of everything seemed welcoming: the rumpled bed; the wardrobe, rusted open and plainly empty; the washbasin; the grimy coinmeter. "All right," he called down to Wayne, and bolted the door. He stood for a long time against the door while his head swam slowly back to him. The wind reached for him through the wide-open window. He couldn't remember having opened it so wide, but it didn't matter. Once he was steady he would close it, then he'd go to bed. The blankets were raised like a cowl at the pillow, waiting for him. He heard Constable Wayne walk away. Eventually he heard the children light the bonfire.
When blackening tatters of fire began to flutter towards the house he limped to close the window. The bonfire was roaring; the heat collided with him. He remembered with a shock of pleasure that the iron bar was deep in the blaze. He sniffed and groped vainly for his handkerchief as the smoke stung his nostrils. Never mind. He squinted at the black object at the peak of the bonfire, which the flames had just reached. Then he fell back involuntarily. It was the pram.
He slammed the window. Bright orange faces glanced up at him, then turned away. There was no mistaking the pram, for he saw the photograph within the hood strain with the heat, and shatter. He tested his feelings gingerly and realised he could release the thoughts he'd held back, at last. The pursuit was over. It had given up. And suddenly he knew why.
It had been the old woman's familiar. He'd known that as soon as Betty had mentioned the idea, but he hadn't dared think in case it heard him thinking; devils could do that. The old woman had taken it out in her pram, and it had stolen food for her. But it hadn't lived in the pram. It had lived inside the old woman. That was what he'd seen in her room, only it had got out before the police had found the body.
He switched off the light. The room stayed almost as bright, from the blaze. He fumbled with his buttons and removed his outer clothes. The walls shook; his mouth was beginning to taste like dregs again. It didn't matter. If he couldn't sleep he could go out and buy a bottle. Tomorrow he could cash his book. He needn't be afraid to go out now.
It must have thrown itself on the bonfire because devils lived in fire. It must have realised at last that he wasn't like the old woman, that it couldn't live inside him. He stumbled towards the bed. A shadow was moving on the pillow. He baulked, then he saw it was the shadow of the blanket's cowl. He pulled the blanket back.
He had just realised how like the hood of a pram the shape of the blanket had been when the long spidery arms unfolded from the bed, and the powerful claws reached eagerly to part him.
The Companion (1976)
When Stone reached the fairground, having been misdirected twice, he thought it looked more like a gigantic amusement arcade. A couple of paper cups tumbled and rattled on the shore beneath the promenade, and the cold insinuating October wind scooped the Mersey across the slabs of red rock that formed the beach, across the broken bottles and abandoned tyres. Beneath the stubby white mock turrets of the long fairground facade, the shops displayed souvenirs and fish and chips. Among them, in the fairground entrances, scraps of paper whirled.
Stone almost walked away. This wasn't his best holiday. One fairground in Wales had been closed, and this one certainly wasn't what he'd expected. The guidebook had made it sound like a genuine fairground, sideshows you must stride among not looking in case their barkers lured you in, the sudden shock of waterfalls cascading down what looked like painted cardboard, the shots and bells and wooden concussions of target galleries, the girls' shrieks overhead, the slippery armour and juicy crunch of toffee-apples, the illuminations springing alight against a darkening sky. But at least, he thought, he had chosen his time well. If he went in now he might have the fairground almost to himself.