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Bidderdale was not altogether impressed.

‘Some dramatic authors wouldn’t so very much mind spending eternity poring over a book of contemporary press-cuttings,’ he observed.

The Fiend, laughing unpleasantly, lowered his voice.

‘The letter “S” is missing.’

For the first time Bidderdale realised that he was in Hell.

The Achievement of the Cat

In the political history of nations it is no uncommon experience to find States and peoples which but a short time since were in bitter conflict and animosity with each other, settled down comfortably on terms of mutual goodwill and even alliance. The natural history of the social developments of species affords a similar instance in the coming-together of two once warring elements, now represented by civilised man and the domestic cat. The fiercely waged struggle which went on between humans and felines in those far-off days when sabre-toothed tiger and cave lion contended with primeval man, has long ago been decided in favour of the most fitly equipped combatant◦– the Thing with a Thumb◦– and the descendants of the dispossessed family are relegated today, for the most part, to the waste lands of jungle and veld, where an existence of self-effacement is the only alternative to extermination. But the felis catus, or whatever species was the ancestor of the modern domestic cat (a vexed question at present), by a masterstroke of adaptation avoided the ruin of its race, and ‘captured’ a place in the very keystone of the conqueror’s organisation. For not as a bond-servant or dependent has this proudest of mammals entered the human fraternity; not as a slave like the beasts of burden, or a humble camp-follower like the dog. The cat is domestic only as far as suits its own ends; it will not be kennelled or harnessed nor suffer any dictation as to its goings out or comings in. Long contact with the human race has developed in it the art of diplomacy, and no Roman Cardinal of mediaeval days knew better how to ingratiate himself with his surroundings than a cat with a saucer of cream on its mental horizon. But the social smoothness, the purring innocence, the softness of the velvet paw may be laid aside at a moment’s notice, and the sinuous feline may disappear, in deliberate aloofness, to a world of roofs and chimney-stacks, where the human element is distanced and disregarded. Or the innate savage spirit that helped its survival in the bygone days of tooth and claw may be summoned forth from beneath the sleek exterior, and the torture-instinct (common alone to human and feline) may find free play in the death-throes of some luckless bird or rodent. It is, indeed, no small triumph to have combined the untrammelled liberty of primeval savagery with the luxury which only a highly developed civilisation can command; to be lapped in the soft stuffs that commerce has gathered from the far ends of the world, to bask in the warmth that labour and industry have dragged from the bowels of the earth; to banquet on the dainties that wealth has bespoken for its table, and withal to be a free son of nature, a mighty hunter, a spiller of life-blood. This is the victory of the cat. But besides the credit of success the cat has other qualities which compel recognition. The animal which the Egyptians worshipped as divine, which the Romans venerated as a symbol of liberty, which Europeans in the ignorant Middle Ages anathematised as an agent of demonology, has displayed to all ages two closely blended characteristics◦– courage and self-respect. No matter how unfavourable the circumstances, both qualities are always to the fore. Confront a child, a puppy, and a kitten with a sudden danger; the child will turn instinctively for assistance, the puppy will grovel in abject submission to the impending visitation, the kitten will brace its tiny body for a frantic resistance. And disassociate the luxury-loving cat from the atmosphere of social comfort in which it usually contrives to move, and observe it critically under the adverse conditions of civilisation◦– that civilisation which can impel a man to the degradation of clothing himself in tawdry ribald garments and capering mountebank dances in the streets for the earning of the few coins that keep him on the respectable, or non-criminal, side of society. The cat of the slums and alleys, starved, outcast, harried, still keeps amid the prowlings of its adversity the bold, free, panther-tread with which it paced of yore the temple courts of Thebes, still displays the self-reliant watchfulness which man has never taught it to lay aside. And when its shifts and clever managings have not sufficed to stave off inexorable fate, when its enemies have proved too strong or too many for its defensive powers, it dies fighting to the last, quivering with the choking rage of mastered resistance, and voicing in its death-yell that agony of bitter remonstrance which human animals, too, have flung at the powers that may be; the last protest against a destiny that might have made them happy◦– and has not.

The Old Town of Pskoff

Russia at the present crisis of its history not unnaturally suggests to the foreign mind a land pervaded with discontent and disorder and weighed down with depression, and it is certainly difficult to point to any quarter of the Imperial dominions from which troubles of one sort or another are not reported. In the Novoe Vremya and other papers a column is now devoted to the chronicling of disorders as regularly as a British news-sheet reports sporting events. It is the more agreeable therefore occasionally to make the acquaintance of another phase of Russian life where the sombreness of political mischance can be momentarily lost sight of or disbelieved in. Perhaps there are few spots in European Russia where one so thoroughly feels that one has passed into a new and unfamiliar atmosphere as the old town of Pskoff, once in its day a very important centre of Russian life. To the average modern Russian a desire to visit Pskoff is an inexplicable mental freak on the part of a foreigner who wishes to see something of the country he is living in; Petersburg, Moscow, Kieff, perhaps, and Nijni-Novgorod, or the Finnish watering-places if you want a country holiday, but why Pskoff? And thus happily an aversion to beaten tracks and localities where inspection is invited and industriously catered for turns one towards the old Great Russian border town, which probably gives as accurate a picture as can be obtained of a medieval Russian burgh, untouched by Mongol influence, and only slightly affected by Byzantine-imported culture.

The little town has ample charm of situation and structure, standing astride of a bold scarp of land wedged into the fork of two rivers, and retaining yet much of the long lines of ramparts and towers that served for many a hundred years to keep out Pagan Lithuanians and marauding Teuton knights. The powers of Darkness were as carefully guarded against in those old days as more tangible human enemies, and from out of thick clusters of tree-tops there still arise the white walls and green roofs of many churches, monasteries, and bell-towers, quaint and fantastic in architecture, and delightfully harmonious in colouring. Steep winding streets lead down from the rampart-girt heart of the town to those parts which lie along the shores of the twin rivers, and two bridges, one a low, wide, wooden structure primitively planted on piles, give access to the further banks, where more towers and monasteries, with other humbler buildings, continue the outstraggling span of the township. On the rivers lie barges with high masts painted in wonderful bands of scarlet, green, white, and blue, topped with gilded wooden pennons figured somewhat like a child’s rattle, and fluttering strips of bunting at their ends. Up in the town one sees on all sides quaint old doorways, deep archways, wooden gable-ends, railed staircases, and a crowning touch of pleasing colour in the sage green or dull red of the roofs. But it is strangest of all to find a human population in complete picturesque harmony with its rich old-world setting. The scarlet or blue blouses that are worn by the working men in most Russian towns give way here to a variety of gorgeous-tinted garments, and the women-folk are similarly gay in their apparel, so that streets and wharves and market-place glow with wonderfully effective groupings of colour. Mulberry, orange, dull carmine, faded rose, hyacinth purple, greens, and lilacs and rich blues mingle their hues on shirts and shawls, skirts and breeches and waistbands. Nature competing with Percy Anderson was the frivolous comment that came to one’s mind, and certainly a mediaeval crowd could scarcely have been more effectively staged. And the business of a town in which it seemed always market day went forward with an air of contented absorption on the part of the inhabitants. Strings of primitively fashioned carts went to and from the riverside, the horses wearing their bits for the most part hung negligently under the chin, a fashion that prevails in many parts of Russia and Poland.