In the end Naomi went in and sat with Sally until she was asleep.
Yet when Sally woke in the morning and found herself alone and weighed whether she would flee from the capital, she found that even more she wanted to meet up with Charlie on any terms. The things Naomi had told her altered to a near-tolerable level her own truth and her accepted version. There was no doubt that something had healed in her during her profound night’s sleep, as she lay deeper than the Archimedes for hours on end—looking up to a descending hull and horses and bandaged men from her finally ascendant angle. As she washed herself that morning she felt that she was simply one more woman of distinct crimes and valors. She thought, Yes, I shall have breakfast with my sister.
Charlie Condon—arriving from the Métro and presenting himself at the front desk in his trench coat—was much enthused to meet Naomi when Sally introduced her. He still had that look of unbreakability and had taken on the same kind of agelessness as Naomi.
I remember you, he said, when you seemed so much older and grander at school.
Again, plain conversation shone in the air. Charlie asked if Naomi and Ian—who had not yet arrived—would like to come with them to the galleries. First stop, the Louvre, he said, and then a few other places after lunch. We’ll have buckets of fun.
Naomi explained that there was an appointment they had to get to. Charlie said then he had made a dinner reservation at a restaurant another officer had recommended to him.
He’s good at reservations, said Sally.
Charlie thought he and Sally might go there and dine in the officer’s honor, for the poor fellow had “taken a knock,” as soldiers said—had been lethally wounded. Charlie sat down at a table just inside the door of the nurses’ hostel, pulled out his fountain pen and wrote the name of the restaurant. L’Arlésienne.
Within walking distance, he said, scrawling the address.
He and Sally emerged into the street now. On the walk towards the Palais Royal and on to the Louvre, he told her, We’re going to see the old rebels before lunch. After lunch we’ll see the young rebels.
He hoped aloud that it was possible to get at least a sense of the place in three hours or so. Fra Filippo Lippi first. Titian and El Greco—Titian born earlier and a breaker of the mold. In this place Condon reduced them to something like acquaintances who happened to dispense their thunderbolts of color and light. And that was it, as he pointed out. Yet he had read a tract about art being tone and said he’d been annoyed by it and felt that if he’d followed it he would be hamstrung. But light. To transform color into light—that remained the chief doctrine.
They went to Velásquez and Goya. There was one more recent artist he loved—Delacroix. Sally did not tell him that—with other nurses—she had once walked past Delacroix with barely a glance. She wondered if she would ever get sick of his discourses. Why would she when she wanted him to have the chance to continue them for a lifetime? He didn’t preach or lecture though. He carried his knowledge with a sort of boyish excitement instead of with vanity. He was an enthusiast. His eyes shone. If there was a percentage of vanity it was the appropriate one. The major percentage was of delight.
He took her to a room she had not known existed, and in it they found the world encompassed in the space of a small meadow. Entranced, Charlie pointed to the way yellow was applied throughout the compass of the huge Delacroix canvas called The Women of Algiers. She saw then The Shipwreck of Don Juan. It gave her pause. Yet it was somehow a consolation for the Archimedes. At the one time it reduced the Archimedes to the scale of other tragedy while expanding it to the size of the globe. Delacroix’s self-portrait looked out at her with certainty and penetration. Charlie and Delacroix and the rest—she believed—were conspirators at the business of rescuing her as they had rescued others as well—unworthy and lucky people had walked this trail, salon to salon.
From them she was fortified for a momentous lunchtime.
At this hour of Sally’s highest eagerness, Naomi and Ian sat again on facing benches in the plain Friends meeting house with Mr. Sedgewick and his committee members, the meeting having begun with the usual period of silent prayer and reflection. Was it that her sense of the world had swung so thoroughly in the same direction as that of Ian, or was it a genuine spiritual instinct of her own, which made her feel that she could inhabit this silence very comfortably and that God—who was not in the war—was in the silence? Other religions began with certainties and pronounced them from the start of their rituals. The Friends seemed to have no certainties and humbly waited for the voice to emerge. These people did not seem to anticipate or even feel sure that anything would grace them with a visit. That attracted her. She had never been in an uncertain church before.
It had then been like last time. Madame Flerieu spoke first, addressing God—as Naomi could now both sense and tell from the French she knew—and then beginning to discuss “these two young persons.” Then Mr. Sedgewick spoke—also in French. He remained sitting with his face forward, his eyes placid and fixed on no one at first. Then his gaze settled wistfully on Naomi before moving across the room to take in Ian.
He said to Ian, Forgive us for speaking in French. Madame Flerieu wishes you to know that she does not ask these questions out of malice or judgement. She wishes to know more clearly than last time whether Friends are granted military exemption from conscription in Australia, and if they are granted exemption, then—so to speak—why you find yourself here?
Ian showed no irritation, though even Naomi could see there had been an edge to Madame Flerieu’s earlier speech and was not convinced there was no judgement there.
He had made his religious position known to the recruiters, he said, but he must also make one other thing clear—he had not been conscripted. The Australian army did not have conscription as a policy. The idea of compulsory enlistment had been twice voted down by the people. So he wore this uniform voluntarily. He and Miss Durance, he said, had earlier discussed the question of whether they succored men who were finished with fighting and were forever on their way out of battle, or whether they helped repair them so they could be sent back into the field. The generals wished the latter. But the horror of wounds ensured that to a large extent their work was with the former—healing those who would never be able to soldier again.
He was not evading the question or the responsibility, he said. But many Friends were merchants, engaged in shipping and purchase and sale. Were they sure that all their contracts were with men not engaged in business to do with the war? In matters of business, any Friend would do his utmost to ensure the probity of their dealings, but it could not always be proven. Is the help that those Friends who are not in uniform give to the unfortunate throughout the world not influenced by the same uncertainty? That they might—by their compassionate service of food and other forms of succor—help strengthen soldiers for the fight and preserve unjust governments from the discontent of the populace?
Madame Flerieu had seemed to an anxious Naomi near unanswerable. But in the field of discourse—as strange an image as it might be—Naomi thought he was putting Madame Flerieu to the sword. And he was not finished.
Our work cannot always be perfected, he continued. Did I become a medical orderly from vanity? It is possible, since the vain always deny their conceit. But I became one as a Friend too. As for Miss Durance—though as shocked by war as I am—she was not a Friend when this war began and may not ever become one. She was not in her soul in 1914 subject to the same restrictions as I was. She operated within her conscience. What more can be asked?