“Yes; but I want to know whether you seriously think that there is any foundation of fact beneath these fancies. Is it not all a department of poetry; a curious dream with which man has indulged himself?”
“I can only say that it is no doubt better for the great mass of people to dismiss it all as a dream. But if you ask my veritable belief—that goes quite the other way. No; I should not say belief, but rather knowledge. I may tell you that I have known cases in which men have stumbled quite by accident on certain of these ‘processes,’ and have been astonished by wholly unexpected results. In the cases I am thinking of there could have been no possibility of ‘suggestion’ or subconscious action of any kind. One might as well suppose a schoolboy ‘suggesting’ the existence of Æschylus to himself, while he plods mechanically through the declensions.
“But you have noticed the obscurity,” Ambrose went on, “and in this particular case it must have been dictated by instinct, since the writer never thought that her manuscripts would fall into other hands. But the practice is universal, and for most excellent reasons. Powerful and sovereign medicines, which are, of necessity, virulent poisons also, are kept in a locked cabinet. The child may find the key by chance, and drink herself dead; but in most cases the search is educational, and the phials contain precious elixirs for him who has patiently fashioned the key for himself.”
“You do not care to go into details?”
“No, frankly, I do not. No, you must remain unconvinced. But you saw how the manuscript illustrates the talk we had last week?”
“Is this girl still alive?”
“No. I was one of those who found her. I knew the father well; he was a lawyer, and had always left her very much to herself. He thought of nothing but deeds and leases, and the news came to him as an awful surprise. She was missing one morning; I suppose it was about a year after she had written what you have read. The servants were called, and they told things, and put the only natural interpretation on them—a perfectly erroneous one.
“They discovered that green book somewhere in her room, and I found her in the place that she described with so much dread, lying on the ground before the image.”
“It was an image?”
“Yes, it was hidden by the thorns and the thick undergrowth that had surrounded it. It was a wild, lonely country; but you know what it was like by her description, though of course you will understand that the colours have been heightened. A child’s imagination always makes the heights higher and the depths deeper than they really are; and she had, unfortunately for herself, something more than imagination. One might say, perhaps, that the picture in her mind which she succeeded in a measure in putting into words, was the scene as it would have appeared to an imaginative artist. But it is a strange, desolate land.”
“And she was dead?”
“Yes. She had poisoned herself—in time. No; there was not a word to be said against her in the ordinary sense. You may recollect a story I told you the other night about a lady who saw her child’s fingers crushed by a window?”
“And what was this statue?”
“Well, it was of Roman workmanship, of a stone that with the centuries had not blackened, but had become white and luminous. The thicket had grown up about it and concealed it, and in the Middle Ages the followers of a very old tradition had known how to use it for their own purposes. In fact it had been incorporated into the monstrous mythology of the Sabbath. You will have noted that those to whom a sight of that shining whiteness had been vouchsafed by chance, or rather, perhaps, by apparent chance, were required to blindfold themselves on their second approach. That is very significant.”
“And is it there still?”
“I sent for tools, and we hammered it into dust and fragments.”
“The persistence of tradition never surprises me,” Ambrose went on after a pause. “I could name many an English parish where such traditions as that girl had listened to in her childhood are still existent in occult but unabated vigour. No, for me, it is the ‘story’ not the ‘sequel,’ which is strange and awful, for I have always believed that wonder is of the soul.”
The Devil in Manuscript
By
Nathaniel Hawthorne
On a bitter evening of December, I arrived by mail in a large town, which was then the residence of an intimate friend, one of those gifted youths who cultivate poetry and the belles-lettres, and call themselves students at law. My first business, after supper, was to visit him at the office of his distinguished instructor. As I have said, it was a bitter night, clear starlight, but cold as Nova Zembla,—the shop-windows along the street being frosted, so as almost to hide the lights, while the wheels of coaches thundered equally loud over frozen earth and pavements of stone. There was no snow, either on the ground or the roofs of the houses. The wind blew so violently, that I had but to spread my cloak like a main-sail, and scud along the street at the rate of ten knots, greatly envied by other navigators, who were beating slowly up, with the gale right in their teeth. One of these I capsized, but was gone on the wings of the wind before he could even vociferate an oath.
After this picture of an inclement night, behold us seated by a great blazing fire, which looked so comfortable and delicious that I felt inclined to lie down and roll among the hot coals. The usual furniture of a lawyer’s office was around us,—rows of volumes in sheepskin, and a multitude of writs, summonses, and other legal papers, scattered over the desks and tables. But there were certain objects which seemed to intimate that we had little dread of the intrusion of clients, or of the learned counsellor himself, who, indeed, was attending court in a distant town. A tall, decanter-shaped bottle stood on the table, between two tumblers, and beside a pile of blotted manuscripts, altogether dissimilar to any law documents recognized in our courts. My friend, whom I shall call Oberon,—it was a name of fancy and friendship between him and me,—my friend Oberon looked at these papers with a peculiar expression of disquietude.
“I do believe,” said he, soberly, “or, at least, I could believe, if I chose, that there is a devil in this pile of blotted papers. You have read them, and know what I mean,—that conception in which I endeavored to embody the character of a fiend, as represented in our traditions and the written records of witchcraft. Oh, I have a horror of what was created in my own brain, and shudder at the manuscripts in which I gave that dark idea a sort of material existence! Would they were out of my sight!”
“And of mine, too,” thought I.
“You remember,” continued Oberon, “how the hellish thing used to suck away the happiness of those who, by a simple concession that seemed almost innocent, subjected themselves to his power. Just so my peace is gone, and all by these accursed manuscripts. Have you felt nothing of the same influence?”
“Nothing,” replied I, “unless the spell be hid in a desire to turn novelist, after reading your delightful tales.”
“Novelist!” exclaimed Oberon, half seriously. “Then, indeed, my devil has his claw on you! You are gone! You cannot even pray for deliverance! But we will be the last and only victims; for this night I mean to burn the manuscripts, and commit the fiend to his retribution in the flames.”
“Burn your tales!” repeated I, startled at the desperation of the idea.