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"Mr. Morrison," he said. "I have a tape I want you to listen to."

Morrison was nervous, but not yet frightened. There'd been a couple of threats back at the house, but not of violence. If he didn't come with them, they'd said, he would be dismissed on the spot, and AmMath would sue him for violating company security policies, industrial espionage, and theft of trade secrets. He wouldn't work for a serious company again, they told him.

The threats resonated. If they fired him, and sued him, nobody would hire him again. Trust was all-important, when a company gave a man root in its computer system. When you were that deep in the computers, everything was laid bare Everything. On the other hand, if he could talk with them, maybe he could deal. He might lose this job, but they wouldn't be suing him. They wouldn't go public.

So he went with them. He and the escort drove in his car"So we don't have to drag your ass all the way back here," the security guy saidwhile the second security agent said he'd be following. He hadn't yet shown up.

So Morrison stood, nervously, shoulders slumped, like a peasant dragged before the king, as Corbeil pushed an audiotape into a tape recorder. He recognized the voice: Terrence Lighter. "John, what the hell are you guys doing out there? This geek shows up on my doorstep."

Shit: they had him.

He decided to tough it out. "I came across what I thought was anomalous worknothing to do with Clipper, but it was obviously top secret and the way it was being handled. it shouldn't have been handled that way," Morrison told Corbeil. He was standing like a petitioner, while Corbeil sat in a terminal chair. "When I was working at the Jet Propulsion Laboratory, I was told that if I ever found an anomaly like that, I should report it at least two levels up, so that it couldn't be hidden and so that security problems could be fixed."

"So you went to Lighter?"

"I didn't think I had a choice. And you should remember that I did talk to Lighter," Morrison said. "Now, I think, we should give the FBI a ring. See what they say."

"You silly cunt." Corbeil slipped a cell phone from a suit pocket, punched a button, waited a few seconds, then asked, "Anything?" Apparently not. He said, "Okay. Drop the disks. We're gonna go ahead on this end."

Corbeil's security agent, who'd been waiting patiently near the door, looked at his watch and said, "If we're gonna do it, we better get it done. Goodie's gonna be starting up here in the next fifteen minutes and I gotta run around the building and get in place."

Corbeil gave Morrison a long look, and Morrison said, "What?"

Corbeil shook his head, got up, stepped over to the security agent, and said, "Let me."

The agent slipped out his.40 Smith and handed it to Corbeil, who turned and pointed it at Morrison.

"You better tell us what you did with the data or you're gonna get your ass hurt real bad," he said quietly.

"Don't point the gun at me; don't point the gun." Morrison said.

Corbeil could feel the blood surging into his heart. He'd always liked this part. He'd shot the Iraqi colonels and a few other ragheads and deer and antelope and elk and javelina and moose and three kinds of bear and groundhogs and prairie dogs and more birds than he could count; and it all felt pretty good.

He shot Morrison twice in the chest. Morrison didn't gape in surprise, stagger, slap a hand to his wounds, or open his eyes wide in amazement. He simply fell down.

"Christ, my ears are ringing," Corbeil said to the security agent. He didn't mention the sudden erection. "Wasn't much," he said. "Nothing like Iraq."

But his hand was trembling when he passed over the gun. The agent had seen it before, hunting on the ranch.

"Let's get the other shot done," the agent said.

"Yes." They got the.38 from a desk drawer, wrapped Morrison's dead hand around it, and fired it once into a stack of newspapers.

"So you better get going," Corbeil said. "I'll dump the newspapers."

"I'll be to Goodie's right. That's your left," the agent said.

"I know that," Corbeil said impatiently.

"Well, Jesus, don't forget it," the agent said.

"I won't forget it," Corbeil snapped.

"Sorry. But remember. Remember. I'll be to your left. And you gotta reload now, and take the used shell with you."

"I'll remember it all, William. This is my life as much as it is yours."

"Okay." The agent's eyes drifted toward the crumbled form of Morrison. "What a schmuck."

"We had no choice; it was a million-to-one that he'd find that stuff," Corbeil said. He glanced at his watch: "You better move."

Larry Goodie hitched up his gun belt, sighed, and headed for the elevators. As he did, the alarm buzzed on the employees' door and he turned to see William Hart checking through with his key card.

"Asshole," Goodie said to himself. He continued toward the elevators, but slower now. Only one elevator ran at night, and Hart would probably want a ride to the top. As Hart came through, Goodie pushed the elevator button and found a smile for the security man.

"How's it going, Larry?" Hart asked.

"Slow night," Goodie said.

"That's how it's supposed to be, isn't it?" Hart asked.

"S'pose," Goodie said.

"When was the last time you had a fast night?"

Goodie knew he was being hazed and he didn't like it. The guys from TrendDirect were fine. The people with AmMath, the people from "Upstairs," were assholes. "Most of 'em are a little slow," he admitted. "Had some trouble with the card reader that one time, everybody coming and going."

The elevator bell dinged at the tenth floor and they both got off. Goodie turned left, and Hart turned right, toward his office. Then Hart touched Goodie's sleeve and said, "Larry, was that lock like that?"

Goodie followed Hart's gaze: something wrong with the lock on Gerald R. Kind's office. He stepped closer, and looked. Somebody had used a pry-bar on the door. "No, I don't believe it was. I was up here an hour ago," Goodie said. He turned and looked down the hall. The lights in the security area were out. The security area was normally lit twenty-four hours a day.

"We better check," Hart said, dropping his voice.

Hart eased open the office door, and Goodie saw that another door, on the other side, stood open. "Quiet," Hart whispered. He led the way through the door, and out the other side, into a corridor that led to the secure area. The door at the end of the hall was open, and the secure area beyond it was dark.

"Look at that screen," Hart whispered, as they slipped down the hall. A computer screen had a peculiar glow to it, as if it had just been shut down. "I think there's somebody in there."

"I'll get the lights," Goodie whispered back. His heart was thumping; nothing like this had ever happened.

"Better arm yourself," Hart said. Hart slipped an automatic pistol out of a belt holster, and Goodie gulped and fumbled out his own revolver. He'd never actually drawn it before.

"Ready?" Hart asked.

"Maybe we ought to call the cops," Goodie whispered.

"Just get the lights," Hart whispered. He barely breathed the words at the other man. "Just reach through, the switch is right inside."

Goodie got to the door frame, reached inside with one hand, and somebody screamed at him: "NO!"

Goodie jerked around and saw a ghostly oval, a face, and then WHAM! The flash blinded him and he felt as though he'd been hit in the ribs with a ball bat. He went down backwards, and saw the flashes from Hart's weapon straight over his head, WHAM WHAM WHAM WHAM.

Goodie didn't count the shots, but his whole world seemed to consist of noise; then the back of his head hit the carpet and his mouth opened and he groaned, and his body was on fire. He lay there, not stirring, until Hart's face appeared in his line of vision: "Hold on, Larry, goddamnit, hold on, I'm calling an ambulance. Hold on."