But when Quinten appeared in the doorway, on tiptoe, his hands still above his head on the door handle, something changed in the stiff professor, too. When he was sitting reading in his rocking chair — he was always reading — he put the book away, folded his pale hands on his lap, and looked at the approaching child. Unlike the Spiers' apartment, where everything was furnished with precious antiques, the room here had the character of outgrown student quarters, up to and including the worn Persian carpets, the old desk, the worn brown leather armchairs, and even a half-disintegrated hockey stick in an umbrella stand. Although it was a second house, the long wall opposite the windows was covered with bookcases up to the ceiling. Here and there were framed architectural drawings, most of them a little lopsided, but Quinten's first port of call was always a large, framed etching, which was on the floor against the bookshelf.
Once Themaat had knelt down beside him and told him that it was an obelisk:
"Say it after me: obelisk." And when Quinten said nothing: "You must regard it as a petrified sunbeam. It's in Rome, near the Lateran, that palace here on the right, the place where the popes resided in the Middle Ages. Can you see all those signs that have been carved in the shaft? That means that they are actually chiseled into light. Can you see all those birds? They're Egyptian hieroglyphics. I think your father can read those — at least he could before he started wasting his time with politics. You take after your father, Q. The emperor Augustus had wanted to take that monster to Rome, but an unfavorable augury prevented him from doing so. Three hundred years later the emperor Constantine didn't bother about that; he was the man who introduced Christianity. Look, there's almost no pavement. That print was made in the eighteenth century; today it's a very busy place, with hundreds of scooters and honking cars. In that building behind is the former private chapel of the pope, the Sancta Sanctorum, and also the Scala Santa, the holy staircase of Pontius Pilate's palace in Jerusalem, up which Jesus Christ walked. At least so it's said. There are still bloodstains on the steps. You're only allowed to climb it on your knees."
"What on earth are you saying to that little mite?" asked Elsbeth, looking up from her magazine. "You must be out of your mind."
"A person is never too young to learn."
Then Quinten was off again. Via a door next to the staircase, he went to the cellar, which extended on either side of a low passageway under the whole castle. There was suddenly an even deeper silence than above — perhaps because it was emphasized by the echoing sound of drips, which, somewhere far off, at long intervals, fell into a puddle.
The musty passageway was almost completely dark; scarcely any light penetrated into the compartments through the small, high windows, almost black with dirt. Some of them were still half full of coal, which was no longer used; others were packed with hundreds of empty bottles, discarded furniture and gardening equipment, broken carriages, bicycles without wheels. Washrooms, rinsing rooms, pantries, larders — everything full of the debris of decades. The great kitchen, where for centuries staff had bustled about, until they dragged themselves exhausted up the back stairs to the attic late at night, and lay desolately in the deep gloom.
Cracked draining boards, disconnected water pipes, and tiles that had been prised up. The kitchen dumbwaiter to the dining room, where Mr. Spier's living room now was, had plunged to the bottom of the shaft with its ropes broken.
Quinten crept into it, wrapped his hands around his knees, and stared into the darkness.
38. The Grave
A few weeks before Quinten's third birthday, which in 1971 fell at Whitsun, there came a proud moment for Onno. At the insistence of Helga he had found time to pay a visit to Drenthe — in an official car, although that was not entirely proper; he had picked up Helga from her home. There was no question of them living together; neither he nor she wanted that. He had resumed his visits to the Unicorn, although now without plastic bags full of laundry, and it sometimes seemed to him that his episode with Ada came from a novel he had once read, in which Quinten was also a character.
The high point of his friendship with Max also belonged to the vanished 1960s; it too was bathed in the melancholy light of memory. He had the beginnings of a middle-age spread and wore a dark-blue suit, but with dandruff on his collar and mostly with a tail of his shirt hanging out of his trousers, so that a segment of his white belly was visible. He always had an inappropriate tie and socks that were too short — all those disasters that Max called his "Social-Democrat lack of style."
They were approaching forty now, but they no longer celebrated their joint conception on the day of the Reichstag fire, because that was also the day of Ada's accident and her father's death. Helga sometimes accompanied Onno to official receptions or dinners, although she usually did not feel like it, so he had to pester her first. But that endeared her to him; it proved that she did not care about the dubious glamour of his position but about him.
Sophia's mother was also at Groot Rechteren. Onno had greeted Quinten by putting his hand on his crown, raising his eyes heavenward, and saying, "A wise son gladdens his father's heart." Precisely because he in fact no longer thought of Quinten when there was no reason, he did not really know what sort of tone to take with him. During lunch in the kitchen— fried eggs with ham, milk, fruit, everything local — Max sat like a paterfamilias opposite Sophia at the short end of the table; on his right sat old Mrs. Haken and Onno, on his left Helga with Quinten. The driver had also been invited, but he preferred to stay on the forecourt and eat the sandwiches he had brought.
"A Christian Democrat who knows his place," Onno had said. "The real mechanisms of oppression are not outside human beings but in them — and that's just as well. Recently far too many of them have disappeared, and we shall pay for it yet."
"Well, well," said Max. "Strong language for a progressive politician."
"External behavior without inner behavior is not possible. That cannot be replaced by the police — you'd need two policemen per individual for that: one for the day and one for the night. But who would guard the police, then?"
"What would you say to God?" asked Max, laughing. And then he said to Helga, "Is your companion really becoming such a reactionary?"
Before she could answer, Onno said: "It's all far more hopeless than you lot think. But please don't let's talk about it, because then I'd prefer to go."
Suddenly Max heard a tone in his voice that he didn't recognize.
"Are you leaving already?" asked Mrs. Haken. "You've only just come."
"No, Granny. I'm staying for a little while."
Helga inquired about Max's work. He knew that she did this out of politeness; he still had the same stiff relationship with her. Obviously she would never forgive him for the role that he had played in her life — first when without realizing it he had broken up her relationship with Onno, and then when he had restored it, again without realizing it. When he had first heard that they were back together again, thanks to the landing on the moon, he had a momentary feeling that nothing had changed; but he only had to look at Quinten and Sophia to see that this was not the case.
Westerbork, he said, was operating better than expected; all his colleagues throughout the world envied him the research he was able to do. In reply to a question from Onno, he said that after all kinds of violent evictions and conflicts with the police, the last Ambonese family had gone; there were scarcely any reminders left of the Schattenberg estate, and hence of the transit camp at Westerbork. In order to prevent their return — that is, the return of the Moluccans — all the huts had been demolished; the barrier had also gone. Against his will, by the way, but the survivors wanted it, so what else could he do? Even the rails had been removed; only a rotten buffer was still there. He had, however, thought of something for the last Day of Commemoration, on the eve of the fourth of May; a couple of hundred visitors always came then. He had devised a small computer program that caused all twelve mirrors to bend meekly toward the ground, which happened down to the thousandth of a second at eight o'clock; they stayed in that position for the two minutes' silence and then turned heavenward again.