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Some of the shoals bear the names of the creatures of air and water that visit them—Shark, Sheepshead, Bird. To visit Bird Shoal, one goes out by boat through channels winding through the Town Marsh of Beaufort and comes ashore on a rim of sand held firm by the deep roots of beach grasses—the landward border of the shoal. The burrows of thousands of fiddler crabs riddle the muddy beach on the side facing the marshes. The crabs shuffle across the flats at the approach of an intruder, and the sound of many small chitinous feet is like the crackling of paper. Crossing the ridge of sand, one looks out over the shoal. If the tide still has an hour or two to fall to its ebb, one sees only a sheet of water shimmering in the sun.

On the beach, as the tide falls, the border of wet sand gradually retreats toward the sea. Offshore, a dull velvet patch takes form on the shining silk of the water, like the back of an immense fish slowly rolling out of the sea, as a long streak of sand begins to rise into view.

On spring tides the peak of this great sprawling shoal rises farther out of the water and is exposed longer; on the neaps, when the tidal pulse is feeble and the water movements sluggish, the shoal remains almost hidden, with a thin sheet of water rippling across it even at the low point of the ebb. But on any low tide of the month, in calm weather, one is able to wade out from the sand-dune rim over immense areas of the shoal, in water so shallow and so glassy clear that every detail of the bottom lies revealed.

Even on moderate tides I have gone so far out that the dry sand rim seemed far away. Then deep channels began to cut across the outlying parts of the shoal. Approaching them, I could see the bottom sloping down out of crystal clarity into a green that was dull and opaque. The steepness of the slope was accentuated when a little school of minnows flickered across the shallows and down into the darkness in a cascade of silver sparks. Larger fish wandered in from the sea along these narrow passages between the shoals. I knew there were beds of sun ray clams down there on the deeper bottoms, with whelks moving down to prey on them. Crabs swam about or buried themselves to the eyes in the sandy bottoms; then behind each crab two small vortices appeared in the sand, marking the respiratory currents drawn in through the gills.

Where water—even the shallowest of layers—covered the shoal, life came out of hiding. A young horseshoe crab hurried out into deeper water; a small toadfish huddled down in a clump of eelgrass and croaked an audible protest at the foot of a strange visitor in his world, where human beings seldom intrude. A snail with neat black spirals around its shell and a matching black foot and black, tubular siphons—a banded tulip shell—glided rapidly over the bottom, tracing a clear track across the sand.

Here and there the sea grasses had taken hold—those pioneers among the flowering plants that are venturing out into salt water. Their flat leaf blades pushed up through the sand and their interlacing roots lent firmness and stability to the bottom. In such glades I found colonies of a curious, sand-dwelling sea anemone. Because of their structure and habits, anemones require some firm support to grip while reaching into the water for food. In the north (or wherever there is firm bottom) they grasp the rocks; here they gain the same end by pushing down into the sand until only the crown of tentacles remains above the surface. The sand anemone burrows by contracting the downward-pointing end of its tube and thrusting downward, then as a slow wave of expansion travels up the body, the creature sinks into the sand. It was strange to see the soft tentacle-clusters of the anemones flowering here in the midst of the sands, for anemones seem always to belong to the rocks; yet buried in this firm bottom doubtless they were as secure as the great plumose anemone blooming on the wall of a Maine tide pool.

Here and there over the grassy parts of the shoal the twin chimneys of the parchment worm’s tubes protruded slightly above the sand. The worm itself lives always underground, in a U-shaped tube whose narrowed tips are the animal’s means of contact with the sea. Lying in its tube, it uses fanlike projections of the body to keep a current of water streaming through the dark tunnel of its home, bringing it the minute plant cells that are its principal food, carrying away its waste products and in season the seeds of a new generation.

The whole life of the worm is so spent except for the short period of larval life at sea. The larva soon ceases to swim and, becoming sluggish, settles to the bottom. It begins to creep about, perhaps finding food in the diatoms lying in the troughs of the sand ripples. As it creeps it leaves a trail of mucus. After perhaps a few days the young worm begins to make short, mucus-coated tunnels, burrowing into thick clumps of diatoms mixed with sand. From such a simple tunnel, extending perhaps several times the length of its body, the larva pushes up extensions to the surface of the sand, to create the U-shape. All later tunnels are the result of repeated remodelings and extensions of this one, to accommodate the growing body of the worm. After the worm dies the limp, empty tubes are washed out of the sand and are common in the flotsam of the beach.

At some time almost all parchment worms acquire lodgers—the small pea crabs whose relatives inhabit the burrows of the ghost shrimps. Often the association is for life. The crabs, lured by the continuous stream of food-laden water, enter the worm tube while young, but soon become too large to leave by the narrow exits. Nor does the worm itself actually leave its tube, although occasionally one sees a specimen with a regenerated head or tail—mute evidence that it may emerge enough to tempt a passing fish or crab. Against such attacks it has no defense, unless the weird blue-white light that illuminates its whole body when disturbed may sometimes alarm an enemy.

Other little protruding chimneys raised above the surface of the shoal belonged to the plumed or decorator worm, Diopatra. These occurred singly, instead of in pairs. They were curiously adorned with bits of shell or seaweed that effectively deceived the human eye, and were but the exposed ends of tubes that sometimes extended down into the sand as much as three feet. Perhaps the camouflage is effective also against natural enemies, yet to collect the materials that it glues to all exposed parts of its tube, the worm has to expose several inches of its body. Like the parchment worm, it is able to regenerate lost tissues as a defense against hungry fish.

As the tide ebbed away, the great whelks could be seen here and there gliding about in search of their prey, the clams that lay buried in the sands, drawing through their bodies a stream of sea water and filtering from it microscopic plants. Yet the search of the whelks was not an aimless one, for their keen taste sense guided them to invisible streams of water pouring from the outlet siphons of the clams. Such a taste trail might lead to a stout razor clam, whose shells afford only the scantiest covering for its bulging flesh, or to a hard-shell clam, with tightly closed valves. Even these can be opened by a whelk, which grips the clam in its large foot and, by muscular contractions, delivers a series of hammer blows with its own massive shell.

Nor does the cycle of life—the intricate dependence of one species upon another—end there. Down in dark little dens of the sea floor live the enemies of the whelks, the stone crabs of massive purplish bodies and brightly colored crushing claws that are able to break away the whelk’s shell, piece by piece. The crabs lurk in caves among the stones of jetties, in holes eroded out of shell rock, or in man-made homes such as old, discarded automobile tires. About their lairs, as about the abodes of legendary giants, lie the broken remains of their prey.