The idea drew him to picture her doatingly in her young matronly bloom ten years after marriage: without a touch of age, matronly wise, womanly sweet: perhaps with a couple of little ones to love, never having known the love of a man.
To think of a girl like Clara Middleton never having at nine-and-twenty, and with two fair children! known the love of a man or the loving of a man, possibly, became torture to the Colonel.
For a pacification he had to reconsider that she was as yet only nineteen and unmarried.
But she was engaged, and she was unloved. One might swear to it, that she was unloved. And she was not a girl to be satisfied with a big house and a high-nosed husband.
There was a rapid alteration of the sad history of Clara the unloved matron solaced by two little ones. A childless Clara tragically loving and beloved flashed across the dark glass of the future.
Either way her fate was cruel.
Some astonishment moved De Craye in the contemplation of the distance he had stepped in this morass of fancy. He distinguished the choice open to him of forward or back, and he selected forward. But fancy was dead: the poetry hovering about her grew invisible to him: he stood in the morass; that was all he knew; and momently he plunged deeper; and he was aware of an intense desire to see her face, that he might study her features again: he understood no more.
It was the clouding of the brain by the man's heart, which had come to the knowledge that it was caught.
A certain measure of astonishment moved him still. It had hitherto been his portion to do mischief to women and avoid the vengeance of the sex. What was there in Miss Middleton's face and air to ensnare a veteran handsome man of society numbering six-and-thirty years, nearly as many conquests? "Each bullet has got its commission." He was hit at last. That accident effected by Mr. Flitch had fired the shot. Clean through the heart, does not tell us of our misfortune, till the heart is asked to renew its natural beating. It fell into the condition of the porcelain vase over a thought of Miss Middleton standing above his prostrate form on the road, and walking beside him to the Hall. Her words? What have they been? She had not uttered words, she had shed meanings. He did not for an instant conceive that he had charmed her: the charm she had cast on him was too thrilling for coxcombry to lift a head; still she had enjoyed his prattle. In return for her touch upon the Irish fountain in him, he had manifestly given her relief And could not one see that so sprightly a girl would soon be deadened by a man like Willoughby? Deadened she was: she had not responded to a compliment on her approaching marriage. An allusion to it killed her smiling. The case of Mr. Flitch, with the half wager about his reinstation in the service of the Hall, was conclusive evidence of her opinion of Willoughby.
It became again necessary that he should abuse Willoughby for his folly. Why was the man worrying her? In some way he was worrying her.
What if Willoughby as well as Miss Middleton wished to be quit of the engagement?…
For just a second, the handsome, woman-flattered officer proved his man's heart more whole than he supposed it. That great organ, instead of leaping at the thought, suffered a check.
Bear in mind that his heart was not merely man's, it was a conqueror's. He was of the race of amorous heroes who glory in pursuing, overtaking, subduing: wresting the prize from a rival, having her ripe from exquisitely feminine inward conflicts, plucking her out of resistance in good old primitive fashion. You win the creature in her delicious flutterings. He liked her thus, in cooler blood, because of society's admiration of the capturer, and somewhat because of the strife, which always enhances the value of a prize, and refreshes our vanity in recollection.
Moreover, he had been matched against Willoughby: the circumstance had occurred two or three times. He could name a lady he had won, a lady he had lost. Willoughby's large fortune and grandeur of style had given him advantages at the start. But the start often means the race — with women, and a bit of luck.
The gentle check upon the galloping heart of Colonel De Craye endured no longer than a second — a simple side-glance in a headlong pace. Clara's enchantingness for a temperament like his, which is to say, for him specially, in part through the testimony her conquest of himself presented as to her power of sway over the universal heart known as man's, assured him she was worth winning even from a hand that dropped her.
He had now a double reason for exclaiming at the folly of Willoughby. Willoughby's treatment of her showed either temper or weariness. Vanity and judgement led De Craye to guess the former. Regarding her sentiments for Willoughby, he had come to his own conclusion. The certainty of it caused him to assume that he possessed an absolute knowledge of her character: she was an angel, born supple; she was a heavenly soul, with half a dozen of the tricks of earth. Skittish filly was among his phrases; but she had a bearing and a gaze that forbade the dip in the common gutter for wherewithal to paint the creature she was.
Now, then, to see whether he was wrong for the first time in his life! If not wrong, he had a chance.
There could be nothing dishonourable in rescuing a girl from an engagement she detested. An attempt to think it a service to Willoughby faded midway. De Craye dismissed that chicanery. It would be a service to Willoughby in the end, without question. There was that to soothe his manly honour. Meanwhile he had to face the thought of Willoughby as an antagonist, and the world looking heavy on his honour as a friend.
Such considerations drew him tenderly close to Miss Middleton. It must, however, be confessed that the mental ardour of Colonel De Craye had been a little sobered by his glance at the possibility of both of the couple being of one mind on the subject of their betrothal. Desirable as it was that they should be united in disagreeing, it reduced the romance to platitude, and the third person in the drama to the appearance of a stick. No man likes to play that part. Memoirs of the favourites of Goddesses, if we had them, would confirm it of men's tastes in this respect, though the divinest be the prize. We behold what part they played.
De Craye chanced to be crossing the hall from the laboratory to the stables when Clara shut the library-door behind her. He said something whimsical, and did not stop, nor did he look twice at the face he had been longing for.
What he had seen made him fear there would be no ride out with her that day. Their next meeting reassured him; she was dressed in her riding-habit, and wore a countenance resolutely cheerful. He gave himself the word of command to take his tone from her.
He was of a nature as quick as Clara's. Experience pushed him farther than she could go in fancy; but experience laid a sobering finger on his practical steps, and bade them hang upon her initiative. She talked little. Young Crossjay cantering ahead was her favourite subject. She was very much changed since the early morning: his liveliness, essayed by him at a hazard, was unsuccessful; grave English pleased her best. The descent from that was naturally to melancholy. She mentioned a regret she had that the Veil was interdicted to women in Protestant countries. De Craye was fortunately silent; he could think of no other veil than the Moslem, and when her meaning struck his witless head, he admitted to himself that devout attendance on a young lady's mind stupefies man's intelligence. Half an hour later, he was as foolish in supposing it a confidence. He was again saved by silence.