John Sandford
The Empress File
The second book in the Kidd and LuEllen series
Prologue
The heat was ferocious.
The odor of melting blacktop was thick in the air, like the stink of an oil slick, and the rare night walkers glistened with sweat. A time-and-temperature sign outside the state bank poked scarlet digits down the dark streets: 91, it said, and 11:04. Three doors north of the bank, a janitor at the Paramount Theater vacuumed the lobby in slow motion. The theater was air-conditioned. His home was not.
Across the street from the Paramount, a window dresser at Trent 's fussed with an abattoir of dismembered mannequins. He worked only nights, after curfew for children twelve and under. He was setting up the annual bathing suit display, and modern mannequins, the city council observed, had nipples.
In the window lights even the dummies looked hot.
With nightfall an army of insects marched out of the Mississippi river bottoms. Coffee brown beetles, some as long as a man's thumb, scuttled through the gutters. Hard-shelled June bugs ricocheted like stones off the storefront windows. Fuzzy-winged moths fluttered in the headlights of passing cars. They made yellow smears when they hit the windshields; the biggest ones had guts like baby birds, and blood.
The moths and the delicate green lacewings were the tragic stars of the night. By the hundreds of thousands they burned in the eerie violet halos of electronic insect traps. The lucky ones made it past the traps and found heaven in the parking lot lights at the E-Z Way. Under the brilliant floods they danced and died in midnight ecstasy. Their bodies littered the pavement like confetti.
Elvis Coultier loved the bugs. They made intricate patterns in the boring nightscape, like a living kaleidoscope. In some dumb way they brought him a breath of drama. Once a night, or sometimes twice, a luna moth would appear, huge, green, fragile. He would watch as it circled and climbed, danced, courting the light, and finally burned, fluttering like an autumn maple leaf to the parking lot.
He loved the bugs, but the heat was killing him. He couldn't breathe. His lungs felt as if they were packed with sponges. He had the doors and the big side window open as far as they would go, but never a breeze came in.
Elvis was the night manager at the E-Z Way, a fat young man given to tent-size sweatpants and novelty T-shirts. Tonight's had a tiger-striped cartoon cat, with the caption "I Love a Little Pussy." He'd dripped ketchup on the shirt while eating a hot dog, and five red splotches crossed the Pussy like bloody fingerprints. Elvis mopped his face with a rag he kept in the soda cooler. Reruns of The Mary Tyler Moore Show flickered on the portable TV bolted into one corner of the ceiling, but it was so hot that he'd lost the story line. Beige moths the size of penny-candy wrappers battered themselves against Mary's face.
The E-Z Way, the only all-night store in town, squatted beside the A amp;M Railroad tracks. Both whites from the east side and blacks from the west – anyone looking for milk or beer or cigarettes – patronized the place. "We get 'em all, sooner or later," Elvis liked to say.
At 11:04 Darrell Clark was Elvis's only customer. He stood in the back of the store, peering through the glass of an upright cooler. A dozen varieties of ice cream and sherbet were racked inside: vanilla, Dutch chocolate, strawberry, butter brickie, raspberry surprise, chocolate rocky road. Each name and each color photo evoked a memory of taste. Butter brickie and jamocha were out. Vanilla was good, but too. vanilla.
Darrell was dressed in Wal-Mart shorts and a brown short-sleeved polo shirt. The shirt was too small and fit his growing body like a second skin. His hair was close-cropped over his high forehead.
Darrell licked his lower lip every few seconds as he considered the beckoning flavors. After some thought he opened the cooler door, paused to let the cold air wash over him, shivered, selected a two-quart carton of the chocolate rocky road, and carried it to the counter. Elvis counted Darrell's handful of crumpled dollar bills, quarters, and dimes, rang up the sale, and slipped the ice cream into a brown paper bag.
"Now you haul ass, boy," Elvis told him. "That rocky road'll melt faster'n snot on a hot doorknob."
Darrell headed out the door on the run. The brown paper bag dangled from one hand, and his rubber flip-flops slapped on the blacktop as his long fourteen-year-old legs ate up the ground. He crossed the parking lot under the moth-shrouded pole lights and ran down the dirt-and-cinders path that paralleled the A amp;M tracks.
Two things were going through his head.
The first was the thought of the rocky road, cool and buttery in a blue plastic bowl. A good choice.
Behind that was an algorithm he had been toying with: a way to generate real-time fractal terrain at reasonable speeds on his Macintosh II personal computer.
Clarisse Barnwright, whom everybody, including herself, called Old Lady Barnwright, hobbled along Bluebell, a rubber-tipped cane held in one hand, her purse clutched in the other. She lived one block over from the tracks, on the white side of town. She'd spent her entire life in the neighborhood, born in a house not a hundred yards from the house where she expected to die. For thirty-nine years she'd beaten Latin and English into the thick heads of Longstreet's children. White children for the first twenty-seven years, a mix of black and white for the last twelve. Then she gave it up and sank gratefully into retirement.
Her husband's death preceded her retirement by a year. Some people thought that was why she quit. She couldn't face life and work without Albert, they said wisely.
They were wrong.
The fact was, Clarisse wasn't unhappy to see him go. Had, late on hot summer nights in the forties and fifties, lying in the same bed with him, sweaty and suffocating, listening to his burbling snorts and occasional farts, considered helping him along the Path to Glory. Might have done it, if she could have thought of a surefire way of not getting caught. The state had the electric chair, and no particular prejudice against using it on women.
Clarisse sighed as she thought about it. If Albert had lived, he'd have just sat around the house and complained. Complained about paint flaking off the siding, complained about the furnace, complained about the cracking sidewalks, complained about the cotton crop. Never complained about anything interesting.
Never complained about their sex life, for example. She might have been interested if one night he'd looked up and said, "Clare, just what do you know about this here cunny-lingus business?" Old Lady Barnwright cackled to herself. That probably would have finished her off.
Clarisse Barnwright lived inside her head. She was so preoccupied with her thoughts that she never heard the soft steps coming up behind.
Clayton Rand sat on his dark porch and watched Old Lady Barnwright coming down the sidewalk. A little late for the old lady, but she still got around good, considering her age. Hell, Clayton was sixty-four, and he'd had her as a teacher in eleventh and twelfth grades. Clayton fanned himself with the sports section of the Gazette, watching her hobble down the sidewalk. Wonder what she thinks about? Probably conjugating Latin verbs or something.
When he saw the shadow behind her, Clayton wanted to holler a warning, but his tongue got stuck, and nothing would come out of his mouth. He stood up with his mouth half open as the shadow grabbed the old lady's purse. She went ass over teakettle into the Carters' honeysuckle hedge, yelling her head off, while the shadow went sideways across the street, headed for the tracks. Clarisse Barnwright might have been an old lady, Clayton thought as he pulled open the screen door and reached for the phone, but there was nothing wrong with her lungs.
"Police emergency," Lucy answered in her best bubble gum voice. Lucy had wonderful cone-shaped tits and tended toward pink glitter lipstick and thin cotton sweaters. Clayton felt as if he'd sinned just calling her on the 911 line. "Is this an emergency?"