“I won’t have my hand held,” said Jimmy, of course. “I’m not a kid.”
“Well, Cathy will. Poor little Cathy! Nice brother Jerry’ll hold poor Cathy’s hand.”
Gerald’s bitter sarcasm missed fire here, for Cathy gratefully caught the hand he held out in mockery. She was too miserable to read his mood, as she mostly did. “Oh, thank you, Jerry dear,” she said gratefully; “you are a dear, and I will try not to be frightened.” And for quite a minute Gerald shamedly felt that he had not been quite, quite kind.
So now, leaving the growing goldness of the sunrise, the four went down the stone steps that led to the underground and underwater passage, and everything seemed to grow dark and then to grow into a poor pretence of light again, as the splendour of dawn gave place to the small dogged lighting of the bicycle lamp. The steps did indeed lead to a passage, the beginnings of it choked with the drifted dead leaves of many old autumns. But presently the passage took a turn, there were more steps, down, down, and then the passage was empty and straight—lined above and below and on each side with slabs of marble, very clear and clean. Gerald held Cathy’s hand with more of kindness and less of exasperation than he had supposed possible.
And Cathy, on her part, was surprised to find it possible to be so much less frightened than she expected.
The flame of the bull‘s-eye threw ahead a soft circle of misty light—the children followed it silently. Till, silently and suddenly, the light of the bull’s-eye behaved as the flame of a candle does when you take it out into the sunlight to light a bonfire, or explode a train of gunpowder, or what not. Because now, with feelings mixed indeed, of wonder, and interest, and awe, but no fear, the children found themselves in a great hall, whose arched roof was held up by two rows of round pillars, and whose every corner was filled with a soft, searching, lovely light, filling every cranny, as water fills the rocky secrecies of hidden sea-caves.
“How beautiful!” Kathleen whispered, breathing hard into the tickled ear of her brother, and Mabel caught the hand of Jimmy and whispered, “I must hold your hand—I must hold on to something silly, or I shan’t believe it’s real.”
For this hall in which the children found themselves was the most beautiful place in the world. I won’t describe it, because it does not look the same to any two people, and you wouldn’t understand me if I tried to tell you how it looked to any one of these four. But to each it seemed the most perfect thing possible. I will only say that all round it were great arches. Kathleen saw them as Moorish, Mabel as Tudor, Gerald as Norman, and Jimmy as Churchwarden Gothic. (If you don’t know what these are, ask your uncle who collects brasses, and he will explain, or perhaps Mr. Millar will draw the different kinds of arches for you.11) And through these arches one could see many things—oh! but many things. Through one appeared an olive garden, and in it two lovers who held each other’s hands, under an Italian moon; through another a wild sea, and a ship to whom the wild, racing sea was slave. A third showed a king on his throne, his courtiers obsequious about him; and yet a fourth showed a really good hotel, with the respectable Ugly-Wugly sunning himself on the front doorsteps. There was a mother, bending over a wooden cradle. There was an artist gazing entranced on the picture his wet brush seemed to have that moment completed, a general dying on a field where Victory had planted the standard he loved, and these things were not pictures, but the truest truths, alive, and, as anyone could see, immortal.
Many other pictures there were that these arches framed. And all showed some moment when life had sprung to fire and flower—the best that the soul of man could ask or man’s destiny grant. And the really good hotel had its place here too, because there are some souls that ask no higher thing of life than “a really good hotel.”
“Oh, I am glad we came; I am, I am!” Kathleen murmured, and held fast to her brother’s hand.
They went slowly up the hall, the ineffectual bull’s-eye, held by Jimmy, very crooked indeed, showing almost as a shadow in this big, glorious light.
And then, when the hall’s end was almost reached, the children saw where the light came from. It glowed and spread itself from one place, and in that place stood the one statue that Mabel “did not know where to find”—the statue of Psyche. They went on, slowly, quite happy, quite bewildered. And when they came close to Psyche they saw that on her raised hand the ring showed dark.
Gerald let go Kathleen’s hand, put his foot on the pediment, his knee on the pedestal. He stood up, dark and human, beside the white girl with the butterfly wings.
“I do hope you don’t mind,” he said, and drew the ring off very gently. Then, as he dropped to the ground, “Not here,” he said. “I don’t know why, but not here.”
And they all passed behind the white Psyche, and once more the bicycle lamp seemed suddenly to come to life again as Gerald held it in front of him, to be the pioneer in the dark passage that led from the Hall of——, but they did not know, then, what it was the Hall of.
Then, as the twisting passage shut in on them with a darkness that pressed dose against the little light of the bicycle lamp, Kathleen said, “Give me the ring. I know exactly what to say.”
Gerald gave it with not extreme readiness.
“I wish,” said Kathleen slowly, “that no one at home may know that we’ve been out tonight, and I wish we were safe in our own beds, undressed, and in our nightgowns, and asleep.”
And the next thing any of them knew, it was good, strong, ordinary daylight—not just sunrise, but the kind of daylight you are used to being called in, and all were in their own beds. Kathleen had framed the wish most sensibly. The only mistake had been in saying “in our own beds,” because, of course, Mabel’s own bed was at Yalding Towers, and to this day Mabel’s drab-haired aunt cannot understand how Mabel, who was staying the night with that child in the town she was so taken up with, hadn’t come home at eleven, when the aunt locked up, and yet she was in her bed in the morning. For though not a clever woman, she was not stupid enough to be able to believe any one of the eleven fancy explanations which the distracted Mabel offered in the course of the morning. The first (which makes twelve) of these explanations was The Truth, and of course the aunt was far too clever to believe That!
CHAPTER XI
It was show-day at Yalding Castle, and it seemed good to the children to go and visit Mabel, and, as Gerald put it, to mingle unsuspected with the crowd; to gloat over all the things which they knew and which the crowd didn’t know about the castle and the sliding panels, the magic ring and the statues that came alive. Perhaps one of the pleasantest things about magic happenings is the feeling which they give you of knowing what other people not only don’t know but wouldn’t, so to speak, believe if they did.
On the white road outside the gates of the castle was a dark spattering of breaks and wagonettes and dog-carts. Three or four waiting motor-cars puffed fatly where they stood, and bicycles sprawled in heaps along the grassy hollow by the red brick wall. And the people who had been brought to the castle by the breaks and wagonettes, and dog-carts and bicycles and motors, as well as those who had walked there on their own unaided feet, were scattered about the grounds, or being shown over those parts of the castle which were, on this one day of the week, thrown open to visitors.
There were more visitors than usual today because it had somehow been whispered about that Lord Yalding was down, and that the holland covers were to be taken off the state furniture so that a rich American who wished to rent the castle, to live in, might see the place in all its glory.
It certainly did look very splendid. The embroidered satin, gilded leather and tapestry of the chairs, which had been hidden by brown holland, gave to the rooms a pleasant air of being lived in. There were flowering plants and pots of roses here and there on tables or window-ledges. Mabel’s aunt prided herself on her tasteful touch in the home, and had studied the arrangement of flowers in a series of articles in Home Drivel called “How to Make Home High-class on Nine-pence a Week.”