Again Fischer didn’t know. But by now he was taking notes on Post-it slips from the little square holder on Proffit’s desk.
“Did she own or rent the place in Georgetown?”
“Owned. I think.”
“Well, find out!” said Proffit. “We don’t want some nosy landlord traipsing through the place looking at things until we’ve had a chance to do it ourselves. Did she have anybody else in the firm she trusted, any associates?”
“She wanted to hire an assistant. You said no.”
“I know what I said. Was there anybody in the office she confided in?”
“I didn’t follow her into the ladies’ room, if that’s what you mean. Vicki Preebles was her secretary. I assume if she trusted anybody it would have been her.”
“Was Preebles upset by the news? Serna’s death, I mean?”
“Sure. Wouldn’t you be? She wanted to stay and help out, but I told her to take a couple days off. I felt it was the thing to do,” said Fischer. “We can wait a respectful period and then debrief her. See what Serna may have told her. If anybody knows anything, I suspect it’s her.”
“Hmmm.”
“And I changed the locks on Serna’s office just like you said.”
“Good.” Proffit thought to himself that if Cyril Fischer ever got disbarred, perhaps he could make a living as a locksmith.
FOUR
Her principal value rested not in her ability to kill her victims, though she was proficient in this. Her usefulness flowed from her knowledge of forensic science and, in particular, trace evidence, hair and fibers, minute particles of dirt, pollen, and other microscopic bits of information that could compromise a job. Sometimes she worked alone and sometimes with others to make sure they made no mistakes and left no telltale signs behind.
You could call her a hired mercenary, but of a special kind. She seldom, if ever, worked in a war zone; almost always in developed countries, Western Europe, the first world nations of Asia, the Middle East, and the Americas.
Governments and large corporations hired her because they knew her skills and could afford the price of her services. She spoke several languages, Spanish, Portuguese, French, a smattering of German along with some Russian. Her English, though fluent, if you listened closely, carried a hint of what sounded like a Spanish trill, so that you might mistake her background as Latin American if you didn’t know better.
Ana Agirre was Basque, born in the Pyrenees Mountains between France and Spain. Her great-grandfather died in the bombing of Guernica by the Germans in 1937 during the Spanish Civil War, a travesty made famous by Picasso’s painting of the same name. Both her father and her mother worked in the Basque underground before the end of the Franco regime and then afterward, part of the ETA, the Basque separatist movement. Her mother died smuggling explosives during an ETA mission in Barcelona. Her father was taken prisoner. She never saw him again. At the time Ana was eight.
Raised by her maternal grandmother, she excelled in school, particularly in science. She graduated from secondary school a year ahead of her classmates. Given her family background and the fear of retaliation by the Spanish government, Ana was sent to college in Paris. She could have taken courses preparing her for medical school or any of the research fields. Instead, she chose criminalistics and later took a job in the crime lab of the Police Nationale, successor to the fabled Sûreté. The French didn’t seem to care about her family’s background. In fact, some voiced sympathy for the Basque people and their repression under Franco. There she learned and refined her forensic skills.
One would have thought she was on a mission to rehabilitate her family so earnestly did she study, absorbing everything she saw and learned with the zeal of a monk. What she masked was anger, anger at the world for having taken from her the one person in her life who she loved more than life itself, her mother. It was a painful loss, one she could never get over. It came to her in her nightmares, the brilliant flash of fire, the sensation of heat and the shattering sound of the explosion that ripped her mother to pieces. Though she had not witnessed it, she had now seen enough to know what it would have been like, the aftermath of a blast from nearly two kilos, four pounds, of RDX, what the American military called C-4 and the British termed PE-4.
Since she was ten, when she had overheard the whispered conversations of her aunts and uncles in the parlor of her grandmother’s house, Ana had known that her mother’s coffin, buried in the graveyard of the small church in their village, was empty. There was no body inside. After the blast, police and firefighters had found nothing except bits of charred fabric from her mother’s clothing, none of them larger than a few centimeters in size. They determined the source of the explosion from chemical tests at the site.
C-4 was stable. It smelled like motor oil and had the pliable texture of children’s clay. But when subjected to heat or the shock produced by a detonator, it would explode with a fiery ear-shattering blast that could level half a city block.
Ana concluded that the bomb must have already been armed with a detonator when whoever made it handed it to her mother. It went off on a quiet street in a Barcelona suburb. The only victims were her mother and Ana, who was left to fend for herself.
She remained with the Paris crime lab for six years before moving on to a private laboratory that contracted its services to the French military. There she came in contact with representatives for corporate mercenaries who ultimately hired her as an independent contractor. Ana set up her own business. For large fees, sometimes seven figures, she asked no questions and did whatever was asked of her.
Want to burn down a building? Ana would provide you with an incendiary device that would completely consume itself in the flames. Investigators might find the precise location where the fire originated, and if they had sufficient equipment they might sniff out the chemical accelerants. But as to any other evidence, there would be none.
With the money she earned, she purchased a small estate in the hills above the Côte d’Azur in the South of France. There she moved in her grandmother and one of her aging aunts.
While they quietly plied the garden and cooked, Ana traveled the world rendering advice to her corporate and government black-bag clients on how best to sanitize crime scenes, the proper clothing to wear to avoid leaving trace evidence, as well as ways and means to commit undetectable “accidents,” almost all of them fatal.
Drug overdoses were often the death of choice if for no other reason than that most people, including the authorities, believed that those who possessed power and wealth might also be possessed by powerful demons. If there was any hint of past drug use, police seldom looked too far in the direction of criminal homicide unless there was some reason to do so. Ana’s job was to make sure there was none. This was the kind of subtle refinement that the terrorist community was edging toward as a means of avoiding state-led military retribution whenever possible. If authorities could not prove an intentional killing, it was politically difficult to strike back. Yet the result was the same: an enemy was dead. There was a growing demand for Ana’s services, acts that seldom made bold headlines in newspapers and were a blip on the radar of networks and cable news stations.
At times she would render personal service, hands-on expertise, but that always required a substantially higher fee because of the risks involved.
As you might assume, one did not find a listing for Ana Agirre in any phone book or on the World Wide Web. To those who used her services, she was known as “L’architecte de la mort,” “the Architect of Death.” Jobs were always on a referral basis, from those she trusted and who had used her services previously. One always kept a low profile in her business.