These ruins, the smoky, flickering pallor of the sky… the eager eyes still following him as the creature calculated whether it could safely attack him. Bending, he picked up a hunk of concrete and chucked it at the burrow—a dense layer of organic and inorganic material packed tightly, glued in place by some sort of white slime. The creature had emulsified debris lying around, had reformed it into a usable paste. Must be a brilliant animal, he thought. But he did not care.
I’ve evolved, too, he said to himself. My wits are much clearer than they formerly were; I’m a match for you any time. So give up.
Evolved, he thought, but no better off then I was before the goddam Emergency; I sold TV sets then and now I sell electronic vermin traps. What is the difference? One’s as bad as the other. I’m going downhill, in fact.
A whole day wasted. In two hours it would be dark and he would be going to sleep, down in the cat-pelt-lined basement room which Mr. Hardy rented him for a dollar in silver a month. Of course, he could light his fat lamp; he could burn it for a little while, read a book or part of a book—most of his library consisted of merely sections of books, the remaining portions having been destroyed or lost. Or he could visit old Mr. and Mrs. Hardy and sit in on the evening transmission from the satellite.
After all, he had personally radioed a request to Dangerfield just the other day, from the transmitter out on the mudflats in West Richmond. He had asked for “Good Rockin’ Tonight,” an old-fashioned favorite which he remembered from his childhood. It was not known if Dangerfield had that tune in his miles of tapes, however, so perhaps he was waiting in vain. As he walked along he sang to himself:
It brought tears to his eyes to remember one of the old songs, from the world the way it was. All gone now, he said to himself. And what do we have instead, a rat that can play the nose flute, and not even that because the rat got run over.
I’ll bet the rat couldn’t play that, he said to himself. Not in a million years. That’s practically sacred music. Out of our past, that no brilliant animal and no funny person can share. The past belongs only to us genuine human beings.
While he was thinking that he arrived on San Pablo Avenue with its little shops open here and there, little shacks which sold everything from coat hangers to hay. One of them, not far off, was Hardy’s Homeostatic Vermin Traps, and he headed in that direction.
As he entered, Mr. Hardy glanced up from his assembly table in the rear; he worked under the white light of an arc lamp, and all around him lay heaps of electronic parts scavenged from every region of Northern California. Many had come from the ruins out in Livermore; Mr. Hardy had connections with State Officials and they had permitted him to dig there in the restricted deposits.
In former times Dean Hardy had been an engineer for an AM radio station; he was a slender, quiet-spoken elderly man who wore a sweater and necktie even now—and a tie was rare, in these times.
“They ate my horse.” Stuart seated himself opposite Hardy.
At once Ella Hardy, his employer’s wife, appeared from the living quarters in the rear; she had been fixing dinner. “You left him?”
“Yes,” he admitted. “I thought he was safe out on the City of Oakland public ferry pier; there’s an official there who—”
“It happens all the time,” Hardy said wearily. “The bastards. Somebody ought to drop a cyanide bomb under that pier; those war vets are down there by the hundreds. What about the car? You had to leave it.”
“I’m sorry,” Stuart said.
“Forget it,” Hardy said. “We have more horses out at our Orinda store. What about parts from the rocket?”
“No luck,” Stuart said. “All gone when I got there. Except for this.” He held up a handful of transistors. “The farmer didn’t notice these; I picked them up for nothing. I don’t know if they’re any good, though.” Carrying them over to the assembly table he laid them down. “Not much for an all-day trip.” He felt more glum than ever.
Without a word, Ella Hardy returned to the kitchen; the curtain closed after her.
“You want to have some dinner with us?” Hardy said, shutting off his light and removing his glasses.
“I don’t know,” Stuart said. “I feel strange.” He roamed about the shop. “Over on the other side of the Bay I saw something I’ve heard about but didn’t believe. A flying animal like a bat but not a bat. More like a weasel, very skinny and long, with a big head. They call them tommies because they’re always gliding up against windows and looking in, like peeping toms.”
Hardy said, “It’s a squirrel.” He leaned back in his chair, loosened his necktie. “They evolved from the squirrels in Golden Gate Park. I once had a scheme for them… they could be useful—in theory, at least—as message carriers. They can glide or fly or whatever they do for almost a mile. But they’re too feral. I gave it up after catching one.” He held up his right hand. “Look at the scar, there on my thumb. That’s from a tom.”
“This man I talked to said they taste good. Like old-time chicken. They sell them at stalls in downtown San Francisco; you see old ladies selling them cooked for a quarter apiece, still hot, very fresh.”
“Don’t try one,” Hardy said. “Many of them are toxic. It has to do with their diet.”
“Hardy,” Stuart said suddenly, “I want to get out of the city and out into the country.”
His employer regarded him.
“It’s too brutal here,” Stuart said.
“It’s brutal everywhere.” He added, “And out in the country it’s hard to make a living.”
“Do you sell any traps in the country?”
“No,” Hardy said. “Vermin live in towns, where there’s ruins. You know that. Stuart, you’re a woolgatherer. The country is sterile; you’d miss the flow of ideas that you have here in the city. Nothing happens, they just farm and listen to the satellite.”
“I’d like to take a line of traps out say around Napa and Sonoma,” Stuart persisted. “I could trade them for wine, maybe; they grow grapes up there, I understand, like they used to.”
“But it doesn’t taste the same,” Hardy said. “The ground is too altered.” He shook his head. “Really awful. Foul.”
“They drink it, though,” Stuart said. “I’ve seen it here in town, brought in on those old wood-burning trucks.”
“People will drink anything they can get their hands on now.” Hardy raised his head and said thoughtfully, “You know who has liquor? I mean the genuine thing; you can’t tell if it’s pre-war that he’s dug up or new that he’s made.”
“Nobody in the Bay Area.”
“Andrew Gill, the tobacco expert. Oh, he doesn’t sell much. I’ve seen one bottle, a fifth of brandy. I had one single drink from it.” Hardy smiled at him crookedly, his lips twitching. “You would have liked it.”
“How much does he want for it?”
“More than you have to pay.”
I wonder what sort of a man Andrew Gill is, Stuart said to himself. Big, maybe, with a beard, a vest… walking with a silver-headed cane; a giant of a man with wavy hair, imported monocle—I can picture him.
Seeing the expression on Stuart’s face, Hardy leaned toward him. “I can tell you what else he sells. Girly photos. In artistic poses—you know.”
“Aw Christ,” Stuart said, his imagination boggling; it was too much. “I don’t believe it.”
“God’s truth. Genuine pre-war girly calendars, from as far back as 1950. They’re worth a fortune, of course. I’ve heard of a thousand silver dollars changing hands over a 1963 Playboy calendar.” Now Hardy had become pensive; he gazed off into space.