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Darkness lay on most of the corridor. Dim red emergency lights shone at

each end of the hall, above the doors to the staircases.

Fifty feet away a pool of wan blue light marked the elevator alcove.

Except for the sound of their breathing, the fortieth floor was silent.

"I'm not a clairvoyant," she said, "but I don't like the way it feels. I

sense it, Graham. Something's wrong."

"In a building like this, the telephone lines are in the walls. Outside

of the building they're underground. All the lines are underground in

this city. How would he get to them?"

"I don't know. But maybe he knows."

"He'd be taking such a risk," Graham said. "He's taken risks before.

Ten times before."

"But not like this. We're not alone. The security guards are in the

building."

"They're forty stories below."

"A long way," he agreed. "Let's get out of here."

"We're probably being silly."

A haunted look filled his bright blue eyes.

"Probably."

"We're probably safe where we are."

"Probably."

"I'll grab our coats."

"Forget the coats." He took hold of her hand. "Come on. Let's get to

those elevators."

Bollinger needed eight shots to finish off Macdonald and Ott.

They kept ducking behind the furniture.

By the time he had killed them, the Walther PPK was no longer firing

silently. No silencer could function at peak efficiency for more than a

dozen shots; the baffles and wadding were compacted by the bullets, and

sound qscaped. The last three shots were like the sharp barks of a

medium-sized guard dog. But that didn't matter. The noise wouldn't

carry to the street or up to the fortieth floor.

I in the outer office of Cragmont Imports, he switched on a light.

He sat on a couch, reloaded the Walther's magazine, unscrewed the

silencer and put it into his pocket. He didn't want to risk fouling the

barrel with loose steel fibers from the silencer; besides, there was no

one left in the building to hear shots when he killed Harris and the

woman. And a shot fired on the fortieth floor would not penetrate walls

and windows and travel all the way down to Lexington Avenue.

He looked at his watch. 8:25.

He turned off the light, left Cragmont Imports, and went down the hall

to the elevator.

elevators served the fortieth floor, but none of them was working.

Connie pushed the call button on the last lift. When nothing happened,

she said, "The telephone, and now this."

In the spare yet harsh fluorescent light, Graham's laugh lines looked

deeper and sharper than usual; his face resembled that of a kabuki actor

painted to represent extreme anxiety. "We're trapped."

"it could be just an ordinary breakdown of some sort," she said.

"Mechanical failure. They might be making repairs right now."

"The telephones?"

"Coincidence. Maybe there's nothing sinister about it.

Suddenly the numerals above the elevator doors in front of them began to

light up, one after the other: 16 ... 17 ... 18 ... 19 ... 20....

"Someone's coming," Graham said.

A chill passed down her spine.

' 25 ... 26 ... 27....

Maybe it's the security guards," she said.

He said nothing.

She wanted to turn and run, but she could not move. The -numbers

mesmerized her.

... 30 ... 31 ... 32....

She thought of women lying in bloody bedclothes, women with their

throats cut and their fingers chopped off and their ears cut off ...

33....

"The stairs!" Graham said, startling her.

"Stairs?"

"The emergency stairs."

... 34....

"What about them?"

"We've got to go down."

"Hide out a few floors below?"

... 35....

"No. All the way down to the lobby."

"That's too far!"

"That's where there's help."

... 36....

"Maybe we don't need help."

"We need it," he said.

... 37....

"But your leg-"

"I'm not a complete cripple," he said sharply.

... 38....

He grabbed her by the shoulder. His fingers hurt her, but she knew he

wasn't aware of how fiercely he was gripping her. "Come on, Connie!"

... 39....

Frustrated with her hesitation, he gave her a shove, propelled her out

of the alcove. She stumbled, and for an instant she thought she would

fall. He kept her upright.

As they hurried down the dark corridor, she heard the elevator doors

open behind them.

When Bollinger came out of the elevator alcove he saw two people running

away from him. They -ere nothing but ghostly shapes, vaguely

silhouetted against the eerie glow of the red emergency light at the end

of the corridor.

Harris and the woman? he wondered. Have they been alerted? Do they

know who I am? How can they know?

"Mr. Harris?" Bollinger called.

They stopped two-thirds of the way down the hall, in front of the open

door to the Harris Publications suite. They turned toward him, but he

could not see their faces even with the red light spilling over their

shoulders.

"Mr. Harris, is that you?"

"Who are you?"

"Police," Bollinger said. He took a step toward them, then another. As

he molved he took the wallet with his badge from his inside coat pocket.

With the elevator light behind him, he knew they could see more than he

could.

"Don't come any closer," Harris said.

Bollinger stopped. "What's the matter?"

"I don't want you to come closer."

"Why?"

"We don't know who you are."

"I'm a detective. Frank Bollinger. We have an appointment for

eight-thirty. Remember?" Another step. Then another.

"How did you get up here?" Harris's voice was shrill.

He's scared to death, Bollinger thought. He smiled and said, "Hey,

what's going on with you? Why are you so uptight? You were expecting

me." Bollinger took slow steps, easy steps, so as not to frighten the

animals.

"How did you get up here?" Harris, asked again. "The elevators aren't

working."

"You're mistaken. I came up on an elevator." He held the badge in

front of him in his left hand, arm extended, hoping the light from

behind would gleam on the gold finish. He had covered perhaps a fifth

of the distance between them.

"The telephones are out," Harris said.

"They are?" Step. Step.

He put his right hand in his coat pocket and gripped the butt of the

pistol.

Connie couldn't take her eyes off the shadowy form moving steadily

toward them. To Graham she said softly, "You remember what you said on

the Prine show?"

"What?" His voice cracked.

Don't let the fear take you, she thought. Don't break down and leave me

to handle this alone.

She said, "In your vision you saw that the police know the killer well."

"What about it?"

"Maybe the Butcher is a cop."

'Christ, that's it!"

He spoke so softly that she could barely hear him.

Bollinger kept coming, a big man, bearish. His face was in shadow.

He had closed the distance between them by at least half.

"Stop right there," Graham said. But there was no force in his voice,

no authority.

Bollinger stopped anyway. "Mr. Harris, you're acting very strange. I'm

a policeman. You know ... you're acting as if you've just done

something that you want to hide from me." He took a step, another, a

third.

"The stairs?" Connie asked.

"No," Graham said. "We don't have enough of a lead. With my game leg,

he'd catch us in a minute."

"Mr. Harris?" Bollinger said. "What are you two saying? Please

don't whisper."

"Where then?" Connie whispered.

"The office."

He nudged her, and they ducked quickly into the Harris Publications