Supposedly a groom was detailed to ride with Marina for her safety. Supposedly, in fact, a groom was to lead her horse (as if she was a toddler on a pony) in a parody of riding. In actuality, the stableman took one look at her firm and expert seat, her easy control of the reins, and the way in which she could handle every beast in the stables (not that there were any horses that Marina would call troublesome) and snorted with contempt at the very idea. “I’m shorthanded enough as ‘tis,” he said, “‘thout sending out one on fool’s errands. The day Hugh Roeswood’s daughter needs to be in leading-strings is the day they put me to pasture.”
So Marina (whether or not Arachne was aware of it) rode alone, and for the last week, she had gone out every day for at least an hour.
She was learning the paths and the lanes around Oakhurst slowly, for the horse that the stableman assigned to her was a placid little mare, disinclined to move out of a walk unless there was a powerful incentive. But the old hunter that Marina used to ride at Blackbird Cottage was the same, and on the whole, she would rather ride a sedate and predictable horse than a spirited, but unpredictable one.
She took great pleasure in her riding habit, of black wool and trimmed with fur, not the least because it came with a riding-corset that allowed her almost as much freedom as going uncorseted. She needed it; she needed her riding-cloak as well, for it was cold, with snow lying deeply on the fields, and especially in the lee of the banks and hedges. There might be more snow some time soon, though for now, nothing much had come from the cloud-covered sky.
Her rides had taken her down to the vicarage on two visits so far—not too often, and only by invitation, which Mr. Davies had been punctilious about sending up to the house after his teatime visit the Monday afternoon following her foray to church. In fact, she would be going there today on a third visit, this time with a peculiar bag slung over her shoulder.
She’d seen this bag in the gun room—dragged there by Reggie so that he could boast about previous triumphs in the field—and rather thought it was a falconer’s game bag. Whatever its original purpose in life, it was now a carryall when she went riding, as it sat very nicely on her hip and was large enough to carry almost anything. Today it held copies of her embroidery patterns, tracing paper, her spare pricking-wheel, and pounce bags of chalk and charcoal.
Whenever Margherita (or Sebastian, at her behest) had created an embroidery pattern, Marina had made a copy; she had an entire portfolio of them now. The vicar had asked for her suggestions for items for the parish booth at the annual May Day Fair on her first visit. She suspected that he hoped for items from Oakhurst for the jumble table, but she knew that her mother had contributed a great many white elephants over the years to little purpose. Marina had a better idea, and had asked him to gather the materials—and people—she needed to make it work.
When she arrived at the vicarage, she left her horse tied up at the gate, for she didn’t expect to be very long. At her request, the vicar had gathered the women of the Parish Society together, and at her entrance into his rather bare parlor, a dozen pairs of curious eyes turned toward her. She smiled, and received some smiles, some nods, and one or two wary looks in return as he introduced her.
Following her instructions, he had arranged for a worktable in the middle of the room, and supplied some scrap fabric, which lay atop it. The worktable looked to be purloined from the kitchen and the ladies of the parish sat around it on a motley assortment of chairs, none new, most ancient. A cheerful fire in the fireplace warmed the air sufficiently that they had dispensed with their coats and cloaks, but all had kept their bonnets on, and a wide variety of hat ornaments bobbed in her direction.
“Good afternoon, ladies!” she said cheerfully. “I’m sure you know that I’m Marina Roeswood. I hope you don’t mind my putting myself forward like this; Mr. Davies thought, because I was fostered with the Tarrants of Blackbird Cottage, who are well-known artists, I might have some original ideas for the goods for this year’s parish booth—and as a matter of fact, I do.”
With no further preamble, she took her supplies from the falconer’s bag and proceeded to show the women how a professional seamstress, embroideress, or modiste transferred an embroidery pattern from paper to fabric. They watched with amazement as she ran the pricking-wheel over the penciled design, then laid the now-perforated paper on a piece of fabric and used the pounce-bag along the lines of the design, tapping it expertly and firmly on the paper.
“There, you see?” she said, removing the paper to show the design picked out in tiny dots of white chalk. “Now, the last step is to baste the lines of the design before the chalk brushes off, and there you are! On dark fabric, you use a chalk-bag; on light, a charcoal-bag. And this system allows you to use the pricked pattern over and over, as many times as you like, doesn’t mark the fabric, and is a great deal less fussy than sewing over the paper pattern.”
The vicar proclaimed himself astonished. The women—the wives and daughters of the shopkeepers and the well-to-do farmers—were delighted. As with most amateur embroideresses, they had either stitched through a paper pattern, forcing them to use it only once, or had drawn their patterns inaccurately on the fabric itself when the fabric was too dark or thick to use as tracing paper. Many a fine piece of cambric or silk had been ruined this way when the marks made by the pencil wouldn’t come out—many lovely designs had been executed off center or lopsided.
“And these are all very new and fashionable designs, similar to the ones that Messrs. Morris & Co. is producing, but quite original,” she told them, spreading out the sheets of patterns before their eyes. “My Aunt Margherita Tarrant is known all over England for her art-embroidery, and has produced lovely things with these designs for some of the best homes in London and Plymouth.”
That won them over, completely, and with these new designs and tools, there was great excitement over what manner of things might be made. Marina helped them to parcel out patterns, tracing them so that more than one copy could be dispensed, and running the wheel over them since there was only the one wheel to share among the lot of them. As they worked, they were happily discussing fire screens, cushions, antimacassars, and any number of other delights. No one else would have anything like this in the three other parish booths from the churches that regularly had booths at the May Day Fair. Every one of these ladies would make something that she would like to have in her own home. In fact, it wouldn’t surprise Marina in the least to discover that each would make two projects at a time—one to sell and one to keep. As that cheerful fire further warmed the room, the ladies warmed to Marina—who had, of course, seen exactly the items that had been originally made with these patterns, and was ready to offer advice as to materials and color schemes. Mr. Davies beamed on them all impartially; from the scent of baking, his old housekeeper was making ginger biscuits to serve the ladies for tea.
But the spicy scent perfumed the air in a way that shook her unexpectedly with memories of home, and suddenly, she couldn’t bear to be there—among strangers—
“Have I left you with enough to occupy you, ladies?” she asked, quickly, around a rising lump in her throat. “For I believe my guardian will be expecting me back—”
By this time, the gossip was flying thick and fast as well as discussion of fabrics and colors and stitches, but it stopped dead at her question. The ladies looked at one another, and the eldest, old Mrs. Havershay, took it upon herself to act as spokeswoman. “Thank you, Miss! We’re ever so much obliged to you,” she said, managing to sound both autocratic (which she was, as acknowledged leader of her circle) and grateful at the same time.