“Am Gestade Palästinas, auf und nieder, Tag um Tag…” Georg began.
“That’s it! I remember it now. Do you know the whole poem?”
“No, but I remember a Saracen maiden who follows a man to London, and then, lost in the crowds of the city, calls out ‘Gilbert’ and finds him. The man had been captured in one of the Crusades, and she had freed him. She only knew two English words: ‘Gilbert’ and ‘London.’ The poem says that love will cross the seas even with only two words. We learned it at school.”
“Well, let’s drink to that,” Cope said, raising his glass. “Now, let me see the picture.”
Lucy gave him the photo.
“What’s that poem about?” she asked Georg. “I didn’t quite understand.” She spoke in a soft American English, as if chewing on a potato. Georg told her about the poem and about Conrad Ferdinand Meyer and about his grandparents, who had lived by the lake in Zurich.
“I recognize the face,” Cope said suddenly. “That girl used to be in my workshop, but I just can’t remember her name.” He continued studying the photograph. “I’m not sure who might know. I never kept records. I have a good eye for faces and have never had trouble remembering who was paid up and who still owed me-not to mention that I always gave the students in my class new names.”
“Yes, they’re names that suit them,” Lucy said. “Calvin still does that, and most of the actors like it, and then keep it as a stage name.”
“But I know that you don’t like the name I gave you,” Cope said to her, “and autumn wouldn’t pick a fight with beautiful spring over a name, would he, which is why you are Lucy, nothing but Lucy, forever Lucy.” He laughed, but Georg wasn’t sure if there might be a touch of poison in his joviality.
The Châteaubriand arrived, was carved up, and served.
“Do you perhaps remember any of the other members of the workshop from back then?”
“No, I’m sorry, I can’t recall anyone. It’s been five or six years. You’re lucky I have such a good memory for faces, since this picture here is quite bad-was it you who took it? It’s no use. I’m sorry, but you’ll have to follow the example of the Saracen maiden. You crossed the ocean and came to New York convinced you’d find her, and now you’ll have to walk the streets of New York with the same conviction.”
Georg thought that sounded snide. Was Cope’s joviality indeed poisoned? Was he somehow irritated? Georg glanced out of the window. It wasn’t raining anymore, but the red-haired man was still standing in the doorway across the street. They ate in silence.
“Are you working on a new piece?” Georg asked in order to start a conversation.
“Why do you want to know? What do you know about the theater? What is all this? Goddamn it, nothing but idiots everywhere! First Goldberg, then Sheldon, and now this crazy lovebird from Europe!” Cope’s voice had gotten louder.
The waiter was more amused than put out, and seemed to be used to Cope’s scenes. Lucy put down her knife and fork, took a hairpin out of her bag, gathered her long, thick brown hair with both hands into a bun, and stuck it fast.
“Let’s go, I’ve had enough of this!” Cope shouted. “Waiter! Put the meal on my tab!” He jumped up and hurried down the stairs.
“It was nice meeting you,” Lucy said with a smile. “Can you write your name down? I can send you a ticket for opening night. I wouldn’t take any of this too seriously.”
Georg sat alone at the table in front of all the full plates. The waiter took the bottle out of the ice bucket and poured more wine. Georg ate the entire Châteaubriand and all the side orders and finished the bottle. The waiter brought him an espresso without asking if he wanted one and Georg ordered a brandy. He was celebrating. Françoise really had been in New York.
24
GEORG HAD NEVER BEEN SHADOWED BEFORE. Was it a coincidence that the red-haired man he’d seen from the restaurant window was now also strolling around the skating rink at Rockefeller Center? Georg stopped in front of boutiques, seeking the reflection of the street in the display windows, sometimes quickly glancing back. He knew this from the movies. He went into a bookstore and stood in the aisles, blindly leafing through books. It didn’t work: he could only keep the street in sight by standing next to the cashier. He went outside. It had started to rain again. There was a light gray haze around the tops of the skyscrapers, projectors throwing streams of light into the low-hanging clouds. Raindrops fell on his glasses. He looked up and felt as if he were soaring into a deep and starry sky, like the crane shot at the opening of some movies. The traffic was heavy, with a swarm of yellow cabs and crowds of people walking fast. Somebody bumped into him and he almost fell. He turned around, and though he didn’t see who had run into him, he caught sight of the red-haired man, who was now only a few yards behind him-he too without an umbrella, his wet hair plastered to his head.
Late in the afternoon of the following day Georg saw the young man again. He had been looking through old telephone directories for a bona fide Kramsky, perhaps a friend, a relative, or even a former coworker whose name Françoise might have borrowed. He hadn’t found anything. At five o’clock he had left the New York Public Library on Forty-second Street and walked uptown. Where should he look next? The theater workshops at the cathedral changed every year, but perhaps some of the participants signed up several years in a row. He could ask the members of the current workshop if anyone had been a member of a previous one and might know someone who had been a member of an even earlier one, who, in turn, might know someone who had… On Madison Avenue Georg eyed the expensive trifles that filled the display windows of the boutiques: flowers, paintings, jewelry, toys, antiques, expensive carpets. The women with their elegant clothes and comportment looked at him coldly, as if they were gingerly picking up some bauble, glancing at it, and casting it aside.
A bus stop sign listed a bus that went past Georg’s place. He turned to look if he could see a bus coming, and saw the redhead again. He was on the other side of the street, and turned to look at a store window. The bus arrived, but the redhead made no sign of getting on too. For as long as Georg could see him from the bus, the man was still looking into the shop windows.
People were getting on and off, people were shopping, a fire hydrant was being given a fresh coat of paint, store shutters were being repaired, a car was being unloaded, two people were embracing next to a waiting cab. Georg saw all this but didn’t take it in. It was all about winners and losers. He and those like him stood on one side: amateurs, fools, and losers; on the other side were the professionals who were part of the world of big business, international politics, organized crime, and the secret service: the world of success. Still, like anyone who reads the newspapers, he had seen enough politicians and businessmen trip and fall over their lies and blunders. But what intimidated him about the redhead’s shadowing him was how amateurishly he seemed to go about it.
The bus went up Madison Avenue and turned left. He had a hard time finding his bearings. At the next bus stop he saw on his left the bleak northern end of Central Park, and on his right a row of bricked-up, dilapidated mansions that had once been beautiful. Black children were playing in the rays of an early streetlight. A girl of about ten seemed to be putting on some kind of show: she struck poses like a star, limped like an old woman, scolded a little boy as if she were his mother, and strutted about like a macho guy putting the moves on a beautiful woman. She dropped the act, but the bus moved on and Georg couldn’t see what she did next.
25
WHEN GEORG OPENED THE DOOR to his apartment, he heard music, voices, and laughter. Two children were playing in the hall, and there were some people sitting in the living room, though most of the guests had crowded into the kitchen. Larry had given a lecture on Kafka in America that had been very well received, and was now throwing a party for his friends and his colleagues from the German Department.