During our few hours of leisure, I slipped away from the endless talk of Byzantine artifacts to see some real ones in the magnificent art museum. There I picked up a pamphlet for a small literary museum and library downtown, whose name I’d heard years before from my father, and whose collection I had reason to know about. It was as important a site for Dracula scholars-whose numbers, of course, have swelled considerably since my father’s first investigations-as many archives in Europe. There, I recalled, a researcher might see Bram Stoker’s notes forDracula, culled from sources at the British Museum Library, and an important medieval pamphlet, as well. The opportunity was irresistible. My father had always wanted to visit this collection; I would spend an hour there for his sake. He had been killed by a land mine in Sarajevo more than ten years before, working to mediate Europe’s worst conflagration in decades. I hadn’t known for nearly a week; the news, when it found me, had left me marooned in silence for a year. I still missed him every day, sometimes every hour.
That was how I came to find myself in a small, climate-controlled room in one of the city’s nineteenth-century brownstones, handling documents that breathed not only a distant past but also the urgency of my father’s researches. The windows looked out on a couple of feathery street trees and across to more brownstones, their elegant facades unsullied by any modern additions. There was only one other scholar in the small library that morning, an Italian woman who whispered into her cell phone for a few minutes before opening someone’s handwritten diaries-I tried not to crane at them-and beginning to read. When I had settled myself with a notebook and a light sweater against the air-conditioning, the librarian brought me first Stoker’s papers and then a small cardboard box bound with ribbon.
Stoker’s notes were a pleasant diversion, a study in chaotic note taking. Some were written in a cramped hand, some typed on ancient onionskin. Among them lay newspaper clippings about mysterious events and leaves from his personal calendar. I thought how my father would have enjoyed this, how he would have smiled over Stoker’s innocent dabbling in the occult. But after half an hour I put them carefully aside and turned to the other box. It held one slim volume, bound in a neat, probably nineteenth-century cover-forty pages printed on nearly unblemished fifteenth-century parchment, a medieval treasure, a miracle of movable type. The frontispiece was a woodcut, a face I knew from my long travail, its great eyes, wide and yet somehow sly, looking piercingly out at me, the heavy mustache drooping over a square jaw, the long nose fine and yet menacing, the sensual lips just visible.
It was a pamphlet from Nuremberg, printed in 1491, and it told of Dracole Waida’s crimes, his cruelty, his bloodthirsty feasts. I could make out, from their familiarity to me, the first lines of the medieval German: “In the Year of Our Lord 1456, Drakula did many terrible and curious things.” The library had provided a translation sheet, in fact, and there I reread with a shudder some of Dracula’s crimes against humanity. He had had people roasted alive, he had flayed them, he had buried them up to their necks, he had impaled infants on their mothers’ breasts. My father had examined other such pamphlets, of course, but he would have valued this one for its astounding freshness, the crispness of its parchment, its nearly perfect condition. After five centuries, it looked newly printed. Its very purity unnerved me, and after a while I was glad to put it away and tie the ribbon again, wondering a little why I’d wanted to see the thing in person. That arrogant stare fixed me until I shut the book on it.
I collected my belongings, then, with a feeling of pilgrimage completed, and thanked the kind librarian. She seemed pleased by my visit; this pamphlet was one of her favorite items among their holdings; she had written an article on it herself. We parted with cordial words and a handshake and I went downstairs to the gift shop, and from there out to the warm street, with its smells of car exhaust and lunch to be had somewhere nearby. The very contrast between the purified air inside the museum and the bustle of the city outside made the oak door behind me look forbiddingly sealed, so that it startled me all the more to see the librarian hurrying out of it. “I think you forgot these,” she said. “Glad I caught you.” She gave me the self-conscious smile of one who returns to you a treasure-wouldn’t want to lose this-your wallet, your keys, a fine bracelet.
I thanked her and took the book and notebook she handed me, startled again, nodding my acquiescence, and she disappeared into the old building as quickly as she’d descended on me. The notebook was mine, certainly, although I thought I’d packed it safely in my briefcase before leaving. The book was-I can’t say now what I actually thought it was, in that first moment, only that the cover was a rubbed old velvet, very, very old, and that it was both familiar and unfamiliar under my hand. The parchment inside had none of the freshness of the pamphlet I’d examined in the library-despite the emptiness of its pages, it reeked of centuries of handling. The ferocious single image at the center was open in my hand before I could stop myself, closed again before I could look at it long.
I stood perfectly still on the street, while a feeling of unreality broke over me; the cars, passing, were just as solid as before, a car horn honked somewhere, a man with a dog on a leash was trying to get around me, between me and the ginkgo tree. I looked quickly up at the museum windows, thinking of the librarian, but they reflected only the houses opposite. No lace curtain moved there, either, and no door closed quietly as I looked around. Nothing was wrong on this street.
In my hotel room, I set my book on the glass-topped table and washed my face and hands. Then I went to the windows and stood looking out over the city. Down the block I could see the patrician ugliness of Philadelphia City Hall, with its statue of peace-loving William Penn balanced on top. From here the parks were green squares of treetops. Light glanced off the bank towers. Far to my left I could see the federal building that had been bombed the month before, the red-and-yellow cranes grappling with the debris in its center, and could hear the roar of rebuilding.
But it was not this scene that filled my gaze. I was thinking, in spite of myself, of another one, which I seemed to have watched before. I leaned against the window, feeling the summer sun, feeling oddly safe despite my great height from the ground, as if unsafety lay for me in a completely different realm.
Iwas imagining a clear autumn morning in 1476, a morning just cool enough to make mist rise from the surface of the lake. A boat runs aground at the edge of the island, below the walls and domes with their iron crosses. There is the gentle scraping of a wooden bow on rocks, and two monks hurry out from beneath the trees to pull it ashore. The man who steps out of it is alone, and the feet he sets on the stone embankment are clad in finely made boots of red leather, each with a sharp spur clamped to it. He is shorter than both of the young monks but seems to tower over them. He is dressed in purple and red damask under a long black velvet cloak, which is pinned across his broad chest with an elaborate brooch. His hat is a pointed cone, black with red feathers fastened to the front. His hand, heavily scarred across the back, fiddles with the short sword at his belt. His eyes are green, preternaturally large and wide-set, his mouth and nose cruel, and his black hair and mustache show coarser white strands.