“Eh, the baby! The good Goddess save us all! What with seeing you, Merlin, I'd forgotten all about him! Come near the fire, girl, don't stand there in the draught. Come to the fire, and let me see him...Eh, the lamb, the bonny lamb...”
Brand touched my arm, grinning. “And now, what with seeing him, she'll forget everything else, my lord. It's lucky she got the supper ready for you before she got a sight of the baby. Sit you down here. I'll serve you myself.”
Moravik had made a rich mutton stew, satisfying and very hot. The mutton of the Breton salt flats is as good even as anything we get in Wales. There were dumplings with the stew, and good new bread hot from the oven. Brand brought a jug of red wine, very much better than anything we can make at home. He waited on us while Moravik busied herself with Branwen and the baby, whose whimpering had broken now into lusty crying, only to be stilled by Branwen's breast. The fire blazed and crackled, the room was warm and smelled of good food and wine, the firelight traced the shape of the girl's cheek, and the baby's head. I became conscious of someone watching me, and turned my head to see Ralf's eyes on my face. He opened his mouth as if to speak, but at that moment some clamour from the outer room made Brand set the wine-jug down on the table, excuse himself quickly to me, and hurry out. He left the door slightly ajar. Beyond it I could hear voices raised in what sounded like persuasion or argument. Brand answered, quietly, but the clamour persisted.
He came back into the room, looking worried, and shut the door behind him. “My lord, there's those outside who saw you come in, and saw you'd a harp with you. Now, well, it's only natural, my lord, they want a song. I tried to argue them out of it, said you were tired, and had come a long way, but they insisted. Said they'd pay for your supper, between them, if the song was a good one.”
“Well,” I said, “why not let them?”
His mouth dropped open. “But — sing to them? You?”
“Don't you hear anything in Brittany?” I asked him. “I really am a singer. And it wouldn't be the first time I've earned my fee.”
From her place near Branwen beside the fire, Moravik looked up quickly. “Here's a new start! Potions and such I knew about, learned from that old hermit above the mill, and even magic — ” crossing herself. “But music? Who taught you?”
“Queen Olwen taught me the notes,” I said, adding, to Brand, “That was my grandfather's wife, a Welsh girl who sang like a laverock. Then later when I was here in Brittany with Ambrosius I learned from a master. You may have heard him, perhaps? An old blind singer, who had travelled and made music in every country in the world.”
Brand nodded as if he knew the man I spoke of, but Moravik looked doubtfully at me, tut-tutting, and shaking her head. I suppose no one who has reared a boy from babyhood, and not seen him since his twelfth year, ever thinks he can be a master at anything. I grinned at them. “Why, I played in front of King Hoel, back there in Kerrec. Not that he's anything of a judge, but Ralf has heard me, too. Ask him, if you think I can't earn my supper.”
Brand said doubtfully; “But you'll not want to be singing to the likes of them, my lord?”
“Why not? A travelling minstrel sings where he's hired to sing. And that's what I am, while I'm in Less Britain.” I got to my feet. “Ralf, bring me the harp. Finish the wine yourself, and then get to bed. Don't wait for me.”
I went out into the tavern's public room. This had filled up now; there were about twenty men there, crowded in the smoky warmth. When I went in there were shouts of “The singer, the singer!” and “A tale, a tale!”
“Make room for me then, good people,” I said. A stool was vacated for me near the fire, and someone poured me a cup of wine. I sat down and began to tune the harp. They fell still, watching me.
They were simple folk, and such folk like tales of marvels. When I asked them what they would have, they asked for this tale and that of gods and battles and enchantments, so in the end — my mind, I think, on the child sleeping in the next room — I gave them the story of Macsen's Dream. This is as much a tale of magic as any of the rest, though its hero is the Roman commander Magnus Maximus, who was real enough. The Celts call him Macsen Wledig, and the legend of Macsen's Dream was born in the singing valleys of Dyfed and Powys, where every man claims Prince Macsen as his own, and the stories have gone from mouth to mouth until, if Maximus himself appeared to tell them the truth, no one would believe him. It's a long story, the Dream, and every singer has his own version of it. This is the one I sang that night:
Macsen, Emperor of Rome, went hunting, and being tired in the heat of the day lay down to sleep on the banks of the great river that flows towards Rome, and he dreamed a dream.
He dreamed that he journeyed along the river towards its source, and came to the highest mountain in the world; and from there followed another fair flowing river through the rich fields and broad woodlands till he reached the mouth of the river, and there at its mouth was a city of turrets and castles crowded round a fair harbour. And in that harbour lay a ship of gold and silver with no man on board, but with all sails set and shivering to the wind out of the east. He crossed a gangplank made of the white bone of a whale, and the ship sailed.
And soon, after a sunset and a sunset, he came to the fairest island of all the world, and leaving the ship, he traversed the island from sea to sea. And there on the western shore he saw an island at hand across a narrow strait. And on the near shore where he stood was a fair castle, with an open gate. Then Macsen entered the castle and found himself in a great hall with golden pillars, and walls dazzling with gold and silver and precious stones. In that hall two youths sat playing chess on a silver board, and near them an old man in an ivory chair carved chessmen for them out of crystal, But Macsen had no eyes for all this splendour. More beautiful than silver and ivory and precious stones was a maiden, who sat still as a queen in her golden chair. The moment the Emperor saw her he loved her, and, raising her, he embraced her and begged her to be his wife. But in the very moment of the embrace he woke, and found himself in the valley outside Rome, with his companions watching him.
Then Macsen leaped to his feet and told his dream; and messengers were sent the length and breadth of the world, to find the land he had traversed, and the castle with the beautiful maiden. And after many months, and a score of false journeys, one man found them, and came home to tell his master. The island, most beautiful in all the world, was Britain, and the castle by the western sea was Caer Seint, by Segontium, and the island across the shining strait was Mona, isle of druids. So Macsen journeyed to Britain, and found everything just as he had dreamed it, and requested the hand of the maiden from her father and her brothers, and made her his Empress. Her name was Elen, and she bore Macsen two sons and a daughter, and in her honour he built three castles, in Segontium, Caerleon and Maridunum, which was called Caer Myrddin in honour of the god of high places.
Then, because Macsen stayed in Britain and forgot Rome, they made a new emperor in Rome, who set his standard on the walls and defied Macsen. So Macsen raised an army of the Britons, and, with Elen and her brothers at his side, set out for Rome; and he conquered Rome. Thereafter he stayed in Rome, and Britain saw him no more, but Elen's two brothers took the British forces back to their homes, and to this day the seed of Macsen Wledig reigns in Britain.
When I had done, and the last note had hummed away to nothing in the smoky stillness, there was a roar of applause, cups thumping on the tables, and rough voices calling for more music, and more wine. Another cupful was pressed on me, and while I drank and rested before singing again, the men went back to talking among themselves, but softly, lest they disturb the singer's thoughts.