Klaus and Sunny helped their sister through the door and locked it behind them. Except for a small window in the corner, the closet looked identical to the one where Klaus and Sunny had hidden to decipher the anagram in the patient list. It was a small room, with only one flickering lightbulb hanging from the ceiling, and there were a row of white medical coats hanging from hooks, a rusty sink, huge cans of alphabet soup, and small boxes of rubber bands, but as the two younger Baudelaires looked at these supplies, they did not look like devices for translating anagrams and impersonating medical professionals. Klaus and Sunny looked at all these objects, and then at their older sister. To their relief, Violet's face was a bit less pale, and her eyes were a bit less confused, which was a very good sign. The eldest Baudelaire needed to be as awake as she could be, because the items in the closet were looking less and less like supplies, and more and more like materials for an invention.
Chapter Thirteen
When Violet Baudelaire was five years old, she won her first invention contest with an automatic rolling pin she'd fashioned out of a broken window shade and six pairs of roller skates. As the judges placed the gold medal around her neck, one of them said to her, "I bet you could invent something with both hands tied behind your back," and Violet smiled proudly. She knew, of course, that the judge did not mean that he was going to tie her up, but merely that she was so skilled at inventing that she could probably build something even with substantial interference, a phrase which here means "something getting in her way."
The eldest Baudelaire had proved the judge right dozens of times, of course, inventing everything from a lockpick to a welding torch with the substantial interference of being in a hurry and not having the right tools. But Violet thought she had never had as much substantial interference as the lingering effects of anesthesia as she squinted at the objects in the supply closet and tried to focus on what her siblings were saying.
"Violet," Klaus said, "I know that the anesthesia hasn't completely worn off, but we need you to try to invent something."
"Yes," Violet said faintly, rubbing her eyes with her hands. "I ... know."
"We'll help you all we can," Klaus said. "Just tell us what to do. The fire is consuming this entire hospital, and we have to get out of here quickly."
"Rallam," Sunny added, which meant "And Olaf's associates are chasing us."
"Open ... the window," Violet said with difficulty, pointing to the window in the corner.
Klaus helped Violet lean against the wall, so he could step over to the window without letting her fall. He opened the window and looked outside. "It looks like we're on the third floor," he said, "or maybe the fourth. There's smoke in the air, so it's hard to tell. We're not so high up, but it's still too far to jump."
"Climb?" Sunny asked.
"There's an intercom speaker right below us," Klaus said. "I suppose we could hang on to that and climb down to the bushes below, but we'd be climbing in front of a huge crowd. The doctors and nurses are helping the patients escape, and there's Hal, and that reporter from The Daily Punctilio and--"
The middle Baudelaire was interrupted by a faint sound coming from outside the hospital.
"We are Volunteers Fighting Disease, And we're cheerful all day long. If someone said that we were sad, That person would be wrong."
"And the Volunteers Fighting Disease," Klaus continued. "They're waiting at the entrance to the hospital, just like Mattathias told them to. Can you invent something to fly over them?"
Violet frowned and closed her eyes, standing still for a moment as the volunteers continued singing.
"We visit people who are sick, And try to make them smile, Even if their noses bleed, Or if they cough up bile."
"Violet?" Klaus asked. "You're not falling asleep again, are you?"
"No," Violet said. "I'm . . . thinking. We need ... to distract . . . the crowd . . . before we ... climb down."
The children heard a faint roar from beyond the closet door. "Kesalf," Sunny said, which meant "That's Olaf's associate. It sounds like it's entering the Ward for People with Nasty Rashes. We'd better hurry."
"Klaus," Violet said, and opened her eyes. "Open those boxes . . . of rubber bands. Start to string . . . them together... to make ... a cord."
"Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon."
Klaus looked down and watched the volunteers giving balloons out to the hospital patients who had been evacuated from the hospital. "But how will we distract the crowd?" he asked.
"I ... don't know," Violet admitted, and looked down at the floor. "I'm having . . . trouble focusing my . . . inventing skills."
"Help," Sunny said.
"Don't cry for help, Sunny," Klaus said. "No one will hear us."
"Help," Sunny insisted, and took off her white medical coat. Opening her mouth wide, she bit down on the fabric, ripping a small strip off the coat with her teeth. Then she held up the strip of white cloth, and handed it to Violet.
"Ribbon," she said, and Violet gave her a weary smile. With unsteady fingers, the eldest Baudelaire tied her hair up to keep it out of her eyes, using the thin strip of fabric instead of a hair ribbon. She closed her eyes again, and then nodded.
"I know . . . it's a bit silly," Violet said. "I think ... it did help, Sunny. Klaus . . . get to work ... on the rubber bands. Sunny--can you open . . . one of those cans of soup?"
"Treen," Sunny said, which meant "Yes-- I opened one earlier, to help decode the anagrams."
"Good," Violet replied. With her hair up in a ribbon--even if the ribbon was spurious--her voice sounded stronger and more confident. "We need ... an empty can ... as quickly as ... possible."
"We visit people who are ill, And try to make them laugh, Even when the doctor says He must saw them in half. We sing and sing all night and day, And then we sing some more. We sing to boys with broken bones And girls whose throats are sore."
As the members of V.F.D. continued their cheerful song, the Baudelaires worked quickly. Klaus opened a box of rubber bands and began stringing them together, Sunny began to gnaw at the top of a can of soup, and Violet went to the sink and splashed water on her face to try to make herself as alert as possible. Finally, by the time the volunteers were singing "Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon." Klaus had a long cord of rubber bands curled at his feet like a snake, Sunny had taken the top off a can of soup and was pouring it down the sink, and Violet was staring anxiously at the bottom of the closet door, from which a very thin wisp of smoke was crawling out.
"The fire is in the hallway," Violet said, as the children heard another roar from the hallway, "and so is Olaf's henchperson. We have only a few moments."
"The cord is all ready," Klaus said, "but how can we distract the crowd with an empty soup can?"
"It's not an empty soup can," Violet said, "not anymore. Now it's a spurious intercom. Sunny, poke one hole in the bottom of the can."
"Pietrisycamollaviadelrechiotemexity," Sunny said, but she did as Violet asked and poked her sharpest tooth through the bottom of the can.
"Now," Violet said, "you two hold this near the window. Don't let the crowd see it. They have to think my voice is coming out of the intercom."
Klaus and Sunny held the empty soup can near the window, and Violet leaned in and stuck her head inside it, as if it were a mask. The eldest Baudelaire took a deep breath to gather her courage, and then she began to speak. From inside the can her voice sounded scratchy and faint, as if she were talking with a piece of aluminum foil over her mouth, which was precisely how she wanted to sound.