There were also several smaller rooms, which Marjorie explained were fainting rooms, where in earlier days in Europe, ladies could rest and loosen their corsets. There was also a large series of pantries and service rooms, where food had obviously been sent up from the kitchen, but not prepared. In a modern world, one could turn the pantries into kitchens, since no one today would want their kitchen in the basement. People no longer had dozens of servants to run food and trays up and down the stairs. There was a row of dumbwaiters, and when Sarah opened one of them to inspect it, one of the ropes broke in her hands. There was no sign of rodents or damage in the house. Things had not been chewed, nothing was damp or mildewed. Stanley's monthly cleaning crew had kept it clean, but there were obvious signs nonetheless of the ravages of time. They also found six bathrooms on the main floor, four of them in marble, for guests, and two simpler tiled ones, obviously for servants. The back stairs area for the huge staff of domestics they must have had was vast.
By then, they were ready to move upstairs. Sarah knew there was an elevator in the house, but Stanley had never used it. It had long since been sealed off, as even he acknowledged that it would be far too dangerous for current use. Until his legs had finally failed him completely, he had valiantly marched up and down the back stairs. And once he could no longer walk, he never came downstairs.
Marjorie and Sarah made their way cautiously toward the grand staircase that ran up the center of the house, admiring every inch and detail around them as they went, floors, marquetry, boiseries, moldings, windows, and chandeliers. The ceiling over the grand staircase was three stories high. It ran up the main body of the house. Above it was the attic where Stanley had lived, and below it the basement. But the staircase itself, in all its grandeur and elegance, took up a vast amount of space in the central part of the house.
The carpeting on it was faded and threadbare but looked as though it was Persian, and the fittings holding the carpet in place were exquisite antique bronze, with small cast antique lion's heads at the end of each rod. Every detail of the house was exquisite.
On the second floor, they found two more splendid living rooms, a day parlor facing the garden, a card room, a conservatory, where the grand piano had once been, and finally the ballroom they had both heard about. It was in fact an exact replica of the Hall of Mirrors in Versailles, and utterly beyond belief. As Sarah pulled the curtains back yet again, as she had in almost every room, she nearly cried. She had never seen anything so beautiful in her life. She couldn't even imagine now why Stanley had never used the house. It was much too beautiful to stand empty all these years, unloved. But grandeur on that scale, and elegance of the kind they were seeing, had clearly not been his thing. Only money was, which suddenly struck her as sad. She finally understood now what he had been saying to her. Stanley Perlman had not wasted his life, but in so many important ways, it had passed him by. He hadn't wanted the same thing to happen to her, and now she could see why. This house was the symbol of everything he had owned but never really had. He had never loved it or enjoyed it, or allowed himself to expand into a bigger life. The maid's room where he had spent three-quarters of a century was the symbol of his life, and everything he'd never had, neither companionship, nor beauty, nor love. Thinking about it made Sarah sad. She understood it better now.
As they reached the third floor, they were faced with enormous double doors at the head of the grand staircase. Sarah thought they were locked at first. She and Marjorie pulled and tugged and nearly gave up, when they suddenly sprang open, and revealed a suite of rooms so beautiful and welcoming, they had obviously been the master suite. Here the walls were painted a faded, barely discernible pale powder pink. The bedroom was a confection worthy of Marie Antoinette. It looked down onto the garden. There was a sitting room, a series of dressing rooms, and two extraordinary marble bathrooms, each one larger than Sarah's apartment, that had obviously been built for Lilli and Alexandre. The fixtures were exquisite, the floor in hers pink marble, and in his beige marble, of a quality worthy of the Uffizi in Florence.
There were once again two small sitting rooms on the same floor, flanking the entrance to the master suite, and on the opposite side of the house what must have been the nursery for their two children, obviously one for a girl and the other a boy. There were beautiful painted tiles in their dressing rooms and bathrooms, with flowers and sailboats on them. Each child had had a large bedroom, with big, sunny windows. There was an enormous playroom for both of them, and several smaller rooms that must have been for the governesses and maids who tended to their every need. And as she looked around with tender amazement, something occurred to Sarah. She turned and asked Marjorie a question.
“When Lilli vanished, did she take her children with her? If she did, no wonder it broke Alexandre's heart.” The poor man must have lost not only his beautiful young wife but the boy and girl who had lived here, and on top of it, his money. It would have been enough to destroy anyone, particularly a man, to lose so much and have to give all this up.
“I don't think she took the children with her,” Marjorie said pensively, wondering the same thing herself. “The story I read about them, and the house, didn't say much about it. It said that she ‘vanished.’ I didn't get the impression they vanished with her.”
“What do you suppose happened to them, and to him?”
“God knows. Apparently, he died relatively young, of grief, they implied. It said nothing about his family. And I think the family died out. There is no prominent family in San Francisco by that name anymore. Maybe they went back to their roots in France.”
“Or maybe they all died,” Sarah said, sounding sad.
After they left the nursery, Sarah led Marjorie to the back stairs and the attic floor she was so familiar with from her many visits to Stanley. She stood in the hallway with her eyes cast down, while Marjorie inspected the rooms without her. She didn't want to see the room where Stanley had lived. Sarah knew it would make her too sad. All that had mattered to her, of him, was in her heart and her head. She didn't need to see his room, or the bed where he had died, and never wanted to again. What she had loved of him, she had taken with her. The rest was unimportant. She was reminded of the Saint-Exupéry book The Little Prince, which she had always loved. Her favorite quote from it was “What is essential in life is invisible to the eyes, and only seen by the heart.” She felt that way about Stanley. He was forever in her heart. He had been a great gift in her life during the three years of their friendship. She would never forget him.
Marjorie followed her back down the stairs to the third floor again, and reported that there were twenty small servants' rooms on the attic floor. She said that if several of the walls between them were knocked down, a new owner could get several good-size bedrooms out of them, and there were six working bathrooms, although the ceilings were much lower than on the three main floors below.
“Do you mind if I walk back through the house again and make some notes and sketches?” Marjorie asked politely. They were both in awe of what they'd seen. It was totally overwhelming. Neither of them had ever before seen such beauty, and exquisite detail and workmanship except in museums. The master craftsmen who had built the house had all come from Europe. Marjorie had read that in the story. “I'll send someone in to do official plans, and photographs of course, if you let us sell it for you. But I'd like to have a few quick sketches to remind myself of the shape of the rooms, and number of windows.”