He relaxed his embrace and put her bare arms around him as if to make her embrace him. And she did, gently. He lay still, his eyes closed. He was warmly drowsy, in a sort of mindless rapture. He seemed to have awakened to the feeling of wellbeing, of good fortune, that came to the old men who frequented the house. Did the sadness, ugliness, dreariness of old age leave the old men, where they filled with the blessings of young life? There could be for an old man worn to the point of death no time of greater oblivion than when he lay enveloped in the skin of a young girl. But was it without feelings of guilt that the old men paid money for young girls actually add to the pleasure? As if, forgetting himself, he had forgotten that the girl was a sacrifice, he felt for her toes with his foot. It was only her toes that he had not already touched. They were long and supple. As with her fingers, every joint bent and unbent freely, and in that small detail the lure of the strange in the girl came over to Eguchi. He wondered what he should say, where he should touch, to get an answer from her.
"You aren't dreaming any more? Dreaming that your mother went away?" He probed into the hollows along her spine. She shook her shoulders and again turned face down. It seemed to be a position she liked. She turned toward Eguchi again. With her right hand she gently held the edge of the pillow, and her left arm rested in Eguchi's face. But she said nothing. Her soft breath came warmly to him. She moved the arm on his face, evidently seeking a more comfortable position. He took it in both hands and put it over his eyes. Her long fingernails cut gently into the lobe of the ear. Her wrist bent over his right eye, its narrowest part pressing down the eyelid. Wanting to keep it there, he held it in place with his hands. The scent that came through to his eyes was new to him again, and it brought rich new fantasies. Just at this time of ear, two or three winter peonies blooming in the warm sun, under the high stone fence of an old temple in Yamato. White camellias in the garden near the veranda of the Shisendo. In the spring, wistaria and white rhododendrons in Nara. The 'petal dropping' camellia, filling the garden of the Camellia temple in Kyoto.
That was it. The flowers brought memories of his three married daughters. They were flowers he had seen on trips with the three, or with one of them. Now wives and mothers, they probably did did not have such vivid memories themselves. Eguchi remembered well, and sometimes spoke of the flowers to his wife. She apparently did not feel as far from the daughters, now that they were married, as did Eguchi. She was still close to them, and need not dwell so on memories of flowers seen with them. And there were flowers from trips when she had not been along.
Far back in the eyes on which the girl's had rested, he let the images of flowers come up and fade away, fade away and come up. And feelings returned of the days when, his daughters married, he had been drawn to other young girls. It seemed to him that the girl tonight was one of them. He released her arm, but it lay quiet over his eyes. Only his youngest daughter had been on a farewell trip he had taken with her a fortnight before she was married. The image of the camellia was specially strong. The marriage of his youngest daughter had been the most painful, Two youths had been in competition for her, and in the course of the competition she had lost her virginity. The trip had been a change of scenery, to revive her spirits.
Camellias are said to be bad luck because the flowers drop whole from the stem, like severed heads. But the double blossoms on this great tree, which was four hundred years old and bloomed in five different colours, fell petal by petal. Hence it was called the 'petal dropping' camellia.
"When they were thickest… " said the young wife of the priest to Eguchi "… we gather up five or six baskets a day."
The massing of flowers on the great camellia was less beautiful in the full sunlight, he was told, than with the sunlight behind it. Eguchi and his youngest daughter were sitting on the western veranda, and the sun was sinking behind the three. They were looking into the sun. But the thick leaves and the clusters of flowers did not let the sunlight through. It sank into the camellia, as if the evening sun itself were hanging on the edges of the shadow. The Camellia Temple was in a noisy, vulgar part of the city, and there was nothing to see in the garden besides the camellia. Eguchi's eyes were filled with it, and he did not hear the noise of the city.
"It is in fine bloom." he said to his daughter.
"Sometimes when you get up in the morning there are so many petals that you can't see the ground…" said the young wife, leaving Eguchi and his daughter.
Were there five colours on the one tree? He could see red camellias and white, and camellias with crinkled petals. But Eguchi was not particularly interested in verifying the number of colours. He was quite caught up in the tree itself. It was remarkable that a tree four hundred years old could produce such a richness of blossoms. The whole of the evening light was sucked into the camellia, so that the inside of the tree must be warm with it. Although he could feel no wind, a branch at the edge would rustle from time to time.
It did not seem that his youngest daughter was as lost in the famous tree as Eguchi himself. There was no strength in her eyes. Perhaps she was less gazing at the tree than looking into herself. She was his favourite among his daughters, and she had the willfulness of a youngest child, even more so now that her sisters were married. The older girls had asked their mother, with some jealousy if Eguchi did not mean to keep the youngest at home and bring a bridegroom into the family of her. His wife had passed the remark on to him. His youngest daughter had grown up a bright and lively girl. It seemed to him unwise for her to have so many men friends, and them again she was liveliest when she was surrounded by men. But that there were among them all two whom she liked was clear to her parents, and especially to her mother, who saw a good deal of them. One of them had taken her virginity. For a time she was silent and moody even in the security of the house, and she seemed impatient and irritable when, for instance, she was changing clothes. Her mother sensed that something had happened. She asked about it in a casual fashion, and the girl showed little hesitation in making her confession. The young man worked in a department store and had a rented room. The girl seemed to have gone meekly home with him.
"Is he the one you mean to marry?"
"No, Absolutely no." replied the girl, leaving her mother in some confusion.
The mother was sure that the youth had had his way by force. She talked the mother over with Eguchi. For Eguchi it was as though the jewel in his hand had been scarred. He was still more shocked when he learned that the girl had rushed into betrothal with the other suitor.
"What do you think?" asked Eguchi's wife, leaning tensely toward him. "Is it all right?"
"Was she told the man she's engaged too?" Eguchi's voice was sharp "Has she?"
"I wonder. I didn't ask. I was too surprised myself. Shall I ask?"
"Don't bother."
"Most people seem to think it's best not to tell the man you're going to marry. It's safest to be quiet. But we aren't all alike. She may suffer her whole life through if she doesn't tell him."
"But we haven't decided that she has our permission."
It did not, of course, seem natural to Eguchi that a girl accosted by one young man should suddenly become engaged to another. He knew that both were fond of his daughter. Well acquainted with both, he had thought that either would do for her. But was not this sudden engagement a rebound from the shock? Had she not turned to the second young man in bitterness, resentment, chagrin? Was she not, in the turmoil of her disillusionment with the one, throwing herself at the other? A girl like his youngest daughter might very well turn the more ardently to one young man from having been molested by another. They need not, perhaps, reprove her for an unworthy act of revenge and self-abasement.