21
Don parked at the end of the line of cars. His chest felt tight with excitement the way it had on his first date with Susie back in college. The barn ahead glowed from within, as if some wondrous miracle was occurring among the hay bales and tractors.
As he got his guitar from the trunk, he impulsively picked up a couple of rocks from the gravel road. He stuck them in his pocket without really knowing why.
He heard the trilling, winding melody of a reel from inside the building. Fiddles, acoustic guitars, harmonicas, and mandolin melded in the tune. He smiled and hummed along, knowing the song even though he didn’t consciously recognize it.
A bunch of kids sat around a campfire down the hill from the barn. A beautiful girl danced in low-slung jeans and a red bra as drummers provided a low, steady rhythm. One of the boys strummed a guitar and sang something Don recognized:
Don stopped in the middle of the road. How did he know this stuff? Ever since digging his guitar out of the closet, he’d been surrounded by music, all of it beautiful, all of it somehow known. He had no trouble picking up the melodies, and even lyrics he was certain he’d never heard before felt like old rhymes learned in childhood. His trade, his skill was with words, cold and analytical descriptions of events denuded of any excess passion or meaning; so where did this passion come from?
A sudden burst of doubt made him look back at his car, then at the barn. He recalled Fred the blogger’s insinuations about the Tufa, and his own Internet surfing for confirmation. He’d uncovered no link at all between the Tufa and fairies, which didn’t surprise him. Still, he had learned that the true fairy folk, the Tuatha De Danaan, were considered anything but Tinker Bell–ish sprites. They were dangerous, and humans encountered them at their peril. And there were two perpetually warring tribes, the Seelie and the Unseelie. Some people said the same about the Tufa.
He shook it off. He wasn’t here just to have fun, he reminded himself. He needed to find Bronwyn Hyatt and arrange an interview. He’d come this far; he might as well see it through.
An older man sat outside the side door, apparently collecting admission. He smiled as Don approached. “Howdy, neighbor. Beautiful evening, isn’t it?”
“It is,” Don agreed.
The man held out a cigar box. “Pay the toll, then rock and roll.”
Don reached for his wallet, then happened to glance into the box. It contained no money, only stones of various sizes. Don put the rocks from his pocket in with them.
The man scrutinized him. “You’re kin to Bengenaria Oswald, ain’t you, son?”
Don blinked in surprise. “Yeah. She was my great-grandmother. She was from Needsville.”
“Fine woman,” he said sadly. “Sang like the wind. Shame she had to leave.”
Like Chloe Hyatt, the man didn’t look old enough to have known Great-grandma Benji. Don smiled nervously. “Never knew her myself. Nice to hear such good things.”
Suddenly a ragged voice cried, “Hey! Hey, you!”
Don turned. A figure lumbered out of the dark woods, across the open space around the barn. Don reflexively raised his guitar case as a shield. Then he recognized the man.
“Holy shit, am I glad to see you,” Fred Blasco gasped. He was covered in dirt and scratches, and his face gleamed with unaccustomed sweat. He still clutched the laptop to his chest, and used his free hand to lean on Don’s shoulder while he took big gulps of air. “You’re that guy from the newspaper office, aren’t you?”
“Yeah…,” Don said, and tried to move away. He knew with utter certainty that Blasco should not be here. But Blasco’s meaty hand tightened its grip.
“Look, I’ve been wandering in the woods since it got dark,” Blasco said. “I got lost trying to find that goddamned town, and then I ran out of gas. I tried to go cross-country to a gas station, but once I got into the woods, I got all turned around, and couldn’t get a signal on my cell.” He opened his phone and scowled. “Still nothing. Dammit!” Then he saw the man beside the door. “Hi. Is there a working phone or a wireless connection here?”
“This-here’s a barn,” the old man said. “We don’t let the cows have e-mail or long distance, as a rule.”
The door opened, and two big young men, both with black hair, emerged in a blast of fiddle music. The door closed, silence returned, and one of them said, “Having a problem, Uncle Node?” They regarded both Don and Blasco with suspicion.
“This fella seems lost,” the man called Uncle Node said with a nod at Blasco. “Can you help him find his way?”
“Wow, you’re all Tufa People, aren’t you?” Blasco said between wheezes. “Is this one of the places where you have your ceremonies? Any chance I could watch?”
“What’s he talking about?” one of the young men asked.
“I think he’s a little disoriented,” Uncle Node said.
“We’ll orient him right up, then,” the other young man said. “Come on, friend.”
The two of them guided Blasco down the gravel road into the night. Blasco protested, “Wait, fellas, really, I want to see what goes on….” His voice quickly faded.
“Friend of yours?” Uncle Node asked Don.
Don shook his head. “He came by my office today. He’s one of those Internet bloggers. Had some weird ideas about where the Tufa come from. I told him to go home.”
“Good advice.”
Don’s eyes narrowed. “For me, too?”
Uncle Node laughed. “No, son, I’m sorry. We don’t get too many people just wandering up here. No, you’re Benji Oswald’s great-grandson, you’re family. Get on in there.”
Don took a breath, mentally crossed his fingers, and opened the door.
The stage immediately drew his eye. A banjo picker, two fiddlers, and a girl hunched over an electric piano played a rip-snorting version of “The Queen of Argyll.” The man singing was tall, thin, and dressed at least fifty years out of date. Along the wall lay a pile of instrument cases, some open and empty, others closed while their owners waited their turn. A girl in a cowboy hat and long denim skirt leaned against one of the old amplifier speakers and tuned her acoustic guitar, apparently oblivious of the music surging out around her.
He took in the rest of the room. The most striking thing about the crowd, he realized, was its amazing homogeneity: like him, everyone in sight had black hair and perfect white teeth. The room buzzed with energy, and with sudden urgency he wanted to be a part of it. He worked his way toward the stage.
A young man with a ponytail, his chin sporting a neat goatee, suddenly blocked his path. “Hey,” he said over the music. “Don’t believe we’ve met. Andy Silliphant.”
“Don Swayback,” he said as they shook hands. The music suddenly finished, and the two men awkwardly waited for the applause to end. When it did, Don added, “It’s my first time here.”
He expected some suspicion, maybe a question or two, but Andy merely grinned. “Well, then, let me show you around.” He tapped the guitar case. “You here to play, I take it?”
“Maybe.” He knew he should also ask about Bronwyn Hyatt, but at the moment it felt unbelievably rude. “I sure would like to try.”
Andy laughed. “You’ll be all right. Come on, let me introduce you to some folks.”
He met a dozen musicians of all ages, all with the same Tufa look, all apparently without any suspicion of this stranger. The last was a slender woman with long braids, one upper arm wrapped with a snake tattoo. “We’ve met before,” he said.