Holmes bent and stroked the canvas stretched between the legs of the coffee-table. It made that odd hoarse purring noise.
"Lady Hull," Lestrade went on, "may expect to spend the next five years of her life in Beechwood Manor, more commonly known to the inmates as Poxy Palace… although, having met the lady, I rather suspect she will find another way out. Her husband's laudanum would be my guess."
"All because Jory Hull missed a clean strike," Holmes remarked, and sighed. "If the old man had had the common decency to die silently, all would have been well. Jory would, as Watson says, have left by the window, taking his canvas with him, of course… not to mention his trumpery shadows. Instead, he raised the house. All the servants were in, exclaiming over the dead master. The family was in confusion. How shabby their luck was, Lestrade! How close was the constable when Stanley summoned him?"
"Closer than you would believe," Lestrade said. "Hurrying up the drive to the door, as a matter of fact. He was passing on his regular rounds, and heard a scream from the house. Their luck was shabby."
"Holmes," I said, feeling much more comfortable in my old role, "how did you know a constable was so nearby?"
"Simplicity itself, Watson. If not, the family would have shooed the servants out long enough to hide the canvas and 'shadows.'"
"Also to unlatch at least one window, I should think," Lestrade added in a voice uncustomarily quiet.
"They could have taken the canvas and the shadows," I said suddenly.
Holmes turned toward me. "Yes."
Lestrade raised his eyebrows.
"It came down to a choice," I said to him. "There was time enough to burn the new will or get rid of the hugger-mugger… this would have been just Stephen and Jory, of course, in the moments after Stephen burst in the door. They-or, if you've got the temperature of the characters right, and I suppose you do, Stephen-decided to burn the will and hope for the best. I suppose there was just enough time to chuck it into the stove."
Lestrade turned, looked at it, then looked back. "Only a man as black as Hull would have found strength enough to scream at the end," he said.
"Only a man as black as Hull would have required a son to kill him," Holmes rejoined.
He and Lestrade looked at each other, and again something passed between them, some perfectly silent communication from which I myself was excluded.
"Have you ever done it?" Holmes asked, as if picking up on an old conversation.
Lestrade shook his head. "Once came damned close," he said. "There was a girl involved, not her fault, not really. I came close. Yet… that was only one."
"And here there are four," Holmes returned, understanding him perfectly. "Four people ill-used by a villain who should have died within six months anyway."
At last I understood what they were discussing.
Holmes turned his gray eyes on me. "What say you, Lestrade? Watson has solved this one, although he did not see all the ramifications. Shall we let Watson decide?"
"All right," Lestrade said gruffly. "Just be quick. I want to get out of this damned room."
Instead of answering, I bent down, picked up the felt shadows, rolled them into a ball, and put them in my coat pocket. I felt quite odd doing it: much as I had felt when in the grip of the fever which almost took my life in India.
"Capital fellow, Watson!" Holmes cried. "You've solved your first case, become an accessory to murder, and it's not even tea-time! And here's a souvenir for myself-an original Jory Hull. I doubt it's signed, but one must be grateful for whatever the gods send us on rainy days." He used his penknife to loosen the artist's glue holding the canvas to the legs of the coffee-table. He made quick work of it; less than a minute later he was slipping a narrow canvas tube into the inner pocket of his voluminous greatcoat.
"This is a dirty piece of work," Lestrade said, but he crossed to one of the windows and, after a moment's hesitation, released the locks which held it and opened it half an inch or so.
"Say it's dirty work undone," Holmes said in a tone of almost hectic gaiety. "Shall we go, gentlemen?"
We crossed to the door. Lestrade opened it. One of the constables asked him if there was any progress.
On another occasion Lestrade might have shown the man the rough side of his tongue. This time he said shortly, "Looks like attempted robbery gone to something worse. I saw it at once, of course; Holmes a moment later."
"Too bad!" the other constable ventured.
"Yes," Lestrade said, "but at least the old man's scream sent the thief packing before he could steal anything. Carry on."
We left. The parlour door was open, but I kept my head down as we passed it. Holmes looked, of course; there was no way he could not have done. It was just the way he was made. As for me, I never saw any of the family. I never wanted to.
Holmes was sneezing again. His friend was twining around his legs and miaowing blissfully. "Let me out of here," he said, and bolted.
An hour later we were back at 221B Baker Street, in much the same positions we had occupied when Lestrade came driving up: Holmes in the window-seat, myself on the sofa.
"Well, Watson," Holmes said presently, "how do you think you'll sleep tonight?"
"Like a top," I said. "And you?"
"Likewise, I'm sure," he said. "I'm glad to be away from those damned cats, I can tell you that."
"How will Lestrade sleep, d'you think?"
Holmes looked at me and smiled. "Poorly tonight. Poorly for a week, perhaps. But then he'll be all right. Among his other talents, Lestrade has a great one for creative forgetting."
That made me laugh.
"Look, Watson!" Holmes said. "Here's a sight!" I got up and went to the window, somehow sure I would see Lestrade riding up in the wagon once more. Instead I saw the sun breaking through the clouds, bathing London in a glorious late-afternoon light.
"It came out after all," Holmes said. "Marvellous, Watson! Makes one happy to be alive!" He picked up his violin and began to play, the sun strong on his face.
I looked at his barometer and saw it was falling. That made me laugh so hard I had to sit down. When Holmes asked-in tones of mild irritation-what the matter was, I could only shake my head. I am not, in truth, sure he would have understood, anyway. It was not the way his mind worked.
The Horror of the Many Faces by Tim Lebbon
Tim Lebbon's latest novel is Bar None, a novel of "chilling suspense, apocalyptic beauty and fine ales." Other recent work includes The Island, and forthcoming is an original 30 Days of Night novel, which is due out early next year, as is Tell My Sorrows to the Stones, a collaboration with Christopher Golden. Lebbon is a New York Times bestselling author, and the winner of the Stoker Award, and three British Fantasy Awards.
Our next tale is the first of three in this volume to come to us from Shadows Over Baker Street, a book of stories that blend the world of Sherlock Holmes with the Cthulhu Mythos of H. P. Lovecraft. Lovecraft was perhaps the most influential horror writer of the twentieth century. He was a scholar of weird fiction, having written a pioneering survey called Supernatural Horror in Literature, and his own groundbreaking fiction appeared mostly in the pulp magazine Weird Tales. For centuries horror stories had been bound up with notions of eternal damnation, and Lovecraft, a committed philosophical materialist, felt that such notions had become hokey and shopworn. Edwin Hubble's startling discovery that our galaxy was just one of billions had inspired Lovecraft to write a new kind of horror story-tales set in a vast, incomprehensible universe, where human beings were tiny and insignificant, and in danger at any moment of being snuffed out by vast, uncaring forces. Holmes says, "When you eliminate the impossible, whatever remains, however improbable, must be the truth." Lovecraft felt that the truth would drive us to insanity. Where these two worldviews collide, our next story begins.