The Vale of the White Horse by Sharyn McCrumb
Sharyn McCrumb is the author of the Appalachian Ballad series, which includes the New York Times bestsellers She Walks These Hills, The Hangman's Beautiful Daughter, and The Ballad of Frankie Silver. Her novel The Rosewood Casket is currently in production for a feature film adaptation, and forthcoming novels include The Devil Amongst the Lawyers, and a book co-authored with NASCAR driver Adam Edwards called Faster Pastor. McCrumb has been honored with the Library of Virginia Award and her book, St. Dale, received the Book of the Year Award from the Appalachian Writers Association. In 2008, she was also presented with the Virginia Women of History Award.
The Uffington White Horse is a giant prehistoric chalk carving cut into the bedrock of a hillside in southern England. McCrumb says that she is fascinated by British folklore and prehistoric landmarks, and when she visited Wiltshire and saw the Horse, she knew that she wanted to incorporate it into a story someday. "The Vale of the White Horse" is the result.
This story is one of those rare ones in which we get to see the great detective Sherlock Holmes from the point of view of someone other than Watson. Of this character, the author explains, "Grisel Rountree is the English counterpart of a favorite character from my Ballad novels, the Appalachian wise woman Nora Bonesteel." She adds that the story is inspired in part by "my resentment of the urban know-it-alls who think that country people are less intelligent or sophisticated than city dwellers. I enjoyed making Grisel Rountree every bit as astute and eccentric as Holmes."
Grisel Rountree was the first to see that something was strange about the white chalk horse.
As she stood on the summit of the high down, in the ruins of the hill fort that overlooked the dry chalk valley, she squinted at the white shape on the hillside below, wondering for a moment or two what was altered. Carved into the steep slope across the valley, the primitive outline of a white horse shone in the sunshine of a June morning. Although Grisel Rountree had lived in the valley all seven decades of her life, she never tired of the sight of the ancient symbol, large as a hayfield, shining like polished ivory in the long grass of early summer.
The white horse had been old two thousand years ago when the Romans arrived in Britain, and the people in the valley had long ago forgotten the reason for its existence, but there were stories about its magic. Some said that King Arthur had fought his last battle on that hill, and others claimed that the horse was the symbol for the nearby Wayland Smithy, the local name for a stone chamber where folk said that a pagan god had been condemned to shoe the horses of mortals for all eternity.
Whatever the truth of its origins, the village took a quiet pride in its proximity to the great horse. Every year when the weather broke, folk would make an excursion up the slope to clean the chalk form of the great beast, and to pull any encroaching weeds that threatened to blur the symmetry of its outline. They made a day of it, taking picnic lunches and bottles of ale, and the children played tag in the long grass while their elders worked. When Grisel was a young girl, her father had told her that the chalk figure was a dragon whose imprint had been burned into the hill where it had been killed by St. George himself. When she became old enough to go to the village dances, the laughing young men had insisted that the white beast was a unicorn, and that if a virgin should let herself be kissed within the eye of the chalk figure, the unicorn would come to life and gallop away. It was a great jest to invite the unmarried lasses up to the hill "to make the unicorn run," though of course it never did.
Nowadays everyone simply said the creature was a horse, though they did allow that whoever drew it hadn't made much of a job of it. It was too stretched and skinny to look like a proper horse, but given its enormous size, perhaps the marvel was that the figure looked like anything at all.
The hill fort provided the best view of the great white horse. Anyone standing beside the chalk ramparts of the ancient ruins could look down across the valley and see the entire figure of the horse sprawled out below like the scribble of some infant giant. Grisel Rountree did not believe in giants, but she did believe in tansy leaves, which was why she was up at the hill fort so early that morning. A few leaves of tansy put in each shoe prevented the wearer from coming down with ague. Although she seldom had the ague Grisel Rountree considered it prudent to stock up on the remedy as a precaution anyhow. Besides, half the village came to her at one time or another to cure their aches and pains, and it was just as well to be ready with a good supply before winter set in.
She had got up at first light, fed the hens and did the morning chores around her cottage, and then set off with a clean feed sack to gather herbs for her remedies and potions. She had been up at the ruins when the clouds broke, and a shaft of sunlight seemed to shine right down on the chalk horse. She had stopped looking for plants then, and when she stood up to admire the sight, she noticed it.
The eye of the great white horse was red.
"Now, there's a thing," she said to herself.
She shaded her eyes from the sun and squinted to get a clearer image of the patch of red, but she still couldn't make it out. The eye did not appear to have been painted. It was more like something red had been put more or less in the space where the horse's eye ought to be, but at this distance, she couldn't quite make out what it was. She picked up the basket of herbs and made her way down the slope. No use hurrying-it would take her at least half an hour to cross the valley and climb the hill to the eye of the white horse. Besides, since whatever-it-was in the eye was not moving, it would probably be there whenever she reached it.
"It'll be goings-on, I'll warrant," she muttered to herself, picturing a courting couple fallen asleep in their trysting place. Grisel Rountree did not hold with "goings-on," certainly not in broad daylight at the top of a great hill before God and everybody. She tried to think of who in the village might be up to such shenanigans these days, but no likely couple came to mind. They were all either past the point of outdoor courting or still working up to it.
Out of ideas, she plodded on. "Knowing is better than guessing," she muttered, resolving to ignore the twinge of rheumatism that bedeviled her joints with every step she took. The walk would do her good, she thought, and if it didn't, there was always some willow tea back in the cottage waiting to be brewed.
Half an hour later, the old woman had crossed the valley and reached the summit where the chalk horse lay. Now that she was nearer she could see that the splash of red she had spotted from afar was a bit of cloth, but it wasn't lying flat against the ground like a proper cape or blanket should. She felt a shiver of cold along her backbone, knowing what she was to find.
In the eye of the white horse, Grisel knelt beside the scarlet cloak spread open on the ground. She wore a look of grim determination, but she would not be shocked. She had been midwife to the village these forty years, and she laid out the dead as well, so she'd seen the worse, taken all round. She lifted the edge of the blanket and found herself staring into the sightless eyes of a stranger. A moment's examination told her that the man was a gentleman-the cut of his blood-stained clothes would have told her that, but besides his wardrobe, the man had the smooth hands and the well-kept look of one who has been waited on all his life. She noted this without any resentment of the differences in their stations: such things just were.
The man was alive, but only just.
"Can you tell me who did this to you?" she said, knowing that this was all the help he could be given, and that if there were time for only one question, it should be that. The rest could be found out later, one way or another.