Two shelves were filled with religious esoterica. Some of the titles were familiar, others I took down to glance at, putting them away again when they confirmed my expectations. Two volumes suggested a closer look; they went into the rucksack with Testimony. A book by Crowley I left where it was.
The desk was little used, although some notes and a list of book titles confirmed that the letter Damian showed us in Sussex had been written by Yolanda.
The sound of Holmes' second interruption broke the stillness of the house: the clanging of the brass bell; constabulary footsteps; two minutes of raised voices as he sent this persistent drunk on his way; the PC's footsteps returning.
Holmes would watch for the signal that I was outside and safe; when it did not come, he would wait twenty minutes, then ring a third time. Past that, he risked arrest for disturbing the peace of the irritated PC: If I wasn't out by then, we had agreed, I should be on my own.
A narrow cupboard beside the bookshelf that held religious works revealed a white robe with the Children of Lights emblem embroidered on the left breast. I measured the garment's length with my eyes: It might come to my own shins, which suggested that, unless Damian wore it short like an undergraduate's gown, this belonged to Yolanda. There was no gold ring, but there was one oddity: a small, very shadowy painting of an old man in a cloak and a wide-brimmed hat dipped low over his left eye: Damian's work. Woden again? Why hang it inside of the cupboard? I lifted it from its hook to check the back, but could see nothing unusual about it. Perhaps Yolanda had liked it but Damian considered it a muddy failure, and did not want it displayed in the open? A puzzle.
I gently closed the cupboard door and slid the rucksack onto my shoulders, then disassembled the blockade on the door and eased it open.
No glowering PC awaited me.
Moving along the edge of the hallway to lessen the chance of squeaks underfoot, I explored the other doors, putting my head inside each room and giving a brief shot from the torch to tell me what it contained. The Adlers' bedroom was the room whose dim light I had seen from the garden, from a fixture high on a wall that looked as if it stayed on all of the time. They had a single wide bed, a table on either side with reading lights. Her bed-side table had a drawer with several hand-lotions and nail files. His table held a framed photograph of Yolanda in a traditional high-necked Chinese dress, looking less at home than she had in the Western dress of the other photo.
Next door was Yolanda's dressing room, with a variety of colourful, fashionable clothing. Not a flower in sight, I noticed: Yolanda had died wearing Millicent Dunworthy's taste.
Damian's wardrobe was not quite what I had expected, for it showed an awareness of style not reflected by what he had worn to Sussex. I wondered if he had chosen those scruffy clothes to underscore his Bohemian identity, or as a statement that he didn't care what Holmes saw him in.
Between the dressing rooms were a sumptuous bath and a modern lavatory, with a medicine cabinet that contained a number of packets with Chinese labels, some corked bottles containing unlabelled herbs, and a few modern nostrums that suggested Damian had suffered from a chest cold and Yolanda occasionally required a pill against female aches. Then another bedroom, this one fitted out as a nursery.
Dolls, books-a lot of books-and a basket of brightly coloured toys. A diminutive enamel-ware tray with a miniature tea-set for four, missing one cup but otherwise perfect, and perfectly exquisite. A neatly made bed, a diminutive wardrobe. But the walls were the reason the room pulled me in: Damian had painted them.
Even under the fitful gaze of my torch, the walls were incredible. The room seemed to be atop a hill, with a blue sky broken by the occasional puffy cloud overhead, a changing landscape stretching out in all directions, and a green carpet underfoot to remind one of grass: One half expected a fresh breeze on one's face. To the north stood a city on a bay, its boats suggesting a location considerably farther east than London: Shanghai, perhaps? Then came a tropical beach, with coconut palms and birds too exotic even for Nature. Farmland came to the south, more French than English, with a small, Tuscan-looking hill town in the distance. That gave way to jungle, with monkeys and a sharp-eyed parrot watching over the child's cot. Everything there looked real enough to walk to.
It must have taken him weeks.
I would happily have stood there for an hour-would very happily have curled up to sleep in that tiny bed-had I not heard the third and final ring of the doorbell. Reluctantly, I pulled myself out of the room and padded down the hallway to the sound of loud constabulary curses from downstairs.
I waited until he had yanked open the front door and was shouting at Holmes before I trotted down the stairs and through the kitchen. Holmes was apologising loudly, sounding for all the world like a sobering drunk. “The wife says I should bring you these, she baked them this afternoon, and tell you I'm sorry to disturb you. She's right, I don't know what I was thinking, I ought to know my own front door and this surely isn't it.”
In the face of open apology accompanied by a tray of biscuits (brought for the purpose, freshly baked by Mycroft's invisible kitchen) the constable's righteous anger deflated. I passed out of the kitchen door and let the latch lock behind me, scaling the wall and dropping the block of rope-bound wood into the nearest ash can before the PC had dunked his first biscuit.
Holmes was waiting at the agreed-to spot; the tension left his shoulders when I rounded the corner.
“The constable was in the kitchen when I got there,” I explained. “I didn't think it a good idea to pick the lock with him drinking tea ten feet away.”
“I should have expected that he would settle there,” he said.
“In any case, I have the book, and a couple of others. And I found a white robe like the one Miss Dunworthy wore the other night, far too short for Damian. But-when you were there, did you see the child's room?”
“Briefly.”
“Extraordinary, isn't it?”
“My… son.” He hesitated; this was the second time, in all these years, that I had heard him say that phrase. Now he repeated it, saying quietly, “My son loves his daughter.”
27
Second Birth: Many go through life born but once,
scarcely aware of good and evil. Those who are born
anew-spiritual birth-take their first step outside
of the Garden when they perceive the difference
between good and evil
Testimony, III:1
HALFWAY THROUGH TUESDAY AFTERNOON, I LOOKED up from the final page of Testimony and noticed how very empty Mycroft's flat was. I had slept late and came out of the guest room to find both Holmes and Mycroft away, Mycroft to the office where he had worked for most of his life, and Holmes, as a terse note on the dining table informed me, “Gone to Cerne Abbas.” Mycroft's housekeeper, Mrs Cowper (whose odd hours I never could predict), made me breakfast and then left me to my work. Since one or the other of the men had taken with them the list of forty-seven names from Millicent Dunworthy's ledger, my work consisted of the book I had stolen the night before.
My formal training, the field in which I had spent much of the past seven years, was in the analysis of theological texts. Thus I approached Testimony the way I would any unfamiliar manuscript: a quick skim followed by a closer read, making note of themes, idiosyncrasies, and references I wished to hunt down.
Six hours and a whole lot of words later, I closed the cover and my attempt at scholarly detachment faltered. I looked at the symbol on the book's cover, and saw a tattoo on a dead woman's belly. I went to make myself a cup of tea, and thought I heard something move in the back of the apartment. When I looked into Mycroft's study to see, I then thought I heard the front door open and close. I checked that it was locked, and started to go through the entire flat. When I caught myself stooping to look under a bed, I loudly said a rude word and left, taking with me nothing but the key.