HEADQUARTERS of Austro-Hungarian army: Vienna (July 1914), →Przemysl (August 1914), Neu-Sandez/Neusandec (September 1914), →Teschen (November 1914), →Baden (January 1917): 177f, 222, 252, 272f, 482f, 531, 583.
HEDIN, Sven Anders von (1865–1962), Swedish writer, German sympathizer: 127.
HEINOLD, Baron Karl Heinold von Udynski (1862–1943), minister of the interior (1911–15): 35, 76.
HEINRICH FERDINAND, Archduke (1878–1969), captain of horse, relieved of duties on health grounds (1916): 276.
HEINRICHSHOF (Plan C4/C5), café opposite the →Opera: 102.
HEISSLER, Count Donat Johann Heissler von Heitersheim (1648–1696), founder of Dragoon Regiment Kaiser 11: 493.
HELLER, Hugo (1850–1923), bookseller, editor of periodical Wiener Buch- und Kunstschau: 45, 508.
“HE MADE A BRIDGE” →“Prince Eugene March”.
HENKEL, Max (1870–1941), German gynaecologist: 333f.
HERBSTMANÖVER (Autumn Manoeuvres, aka The Gay Hussars, 1909), operetta, music by Emmerich Kálmán (1882–1953) and libretto by Karl von Balonyi (1873–1926): 30, 170.
HERMANNSTADT (Map G4), mainly German-speaking city, in Hungarian Transylvania (with predominantly German-speaking and Romanian population) until 1918: 248.
HERTLING, Count Georg von (1843–1919), German chancellor and Prussian prime minister (November 1917–September 1918): 433f.
HERZBERG-FRÄNKEL, Siegmund (1857–1913), historian, lawyer, journalist: 44.
HETMAN, Pawel Petrovitch Scoropadski (1883–1945), Russian general, appointed “Hetman” (leader) after German intervention in Ukraine (April 1918): 431.
HIETZING, erstwhile summer retreat for the nobility, adjacent to →Schönbrunn: 190.
HINDENBURG, Paul von (1847–1934), German military commander who became a national hero after the battle of →Tannenberg (August 1914) and, with Ludendorff, head of what became in practice a military dictatorship (1916–18): 108, 133, 172, 174, 197, 247f, 259, 263f, 271, 290, 296, 299, 301, 303, 325, 326ff, 351ff, 401, 437, 458, 463, 468, 488, 503, 525.
HIRSCH, Julius Ferdinand (1874–1942), local news editor on →Neue Freie Presse: 200f, 233ff.
HIRSCHFELD, Ludwig (1882–1945), dramatist, feature writer, critic, and war correspondent for →Neue Freie Presse. The allusion in V, 30, is to Kraus’s critique in Die Fackel of October 1917 (F 462–71, 124–27) of a Hirschfeld article glamorizing the situation in war-torn →Lemberg, which had appeared in the Neue Freie Presse on 12 August: 470.
HOCHSINGER, Carl (1860–1942), physician: 234, 237.
HÖCKER, Paul Oskar (1865–1944), prolific German novelist, known for his war memoir An der Spitze meiner Kompagnie (1919): 126.
HOEHN, Maximilian von (1867–1940), major-general, acting head of →War Archive, head of →War Press Bureau: 481.
HOFBURG (Plan B3/B4), imperial palace: 186, 257, 448, 481.
HOFBURGTHEATER (commonly known as Burgtheater, Plan B3), court theatre on Franzensring, celebrated for ensemble performances of serious plays: 493.
HÖFER VON FELDSTURM, Franz (1861–1918), field marshal, signatory of official communiqués (→Lemberg): 102, 117, 131, 576.
HÖFER VON FELDSTURM, Irma (1865–1919), m. →Franz Höfer von Feldsturm, author of romantic novels In der engen Gasse (1911), Offizierstöchter (1912): 118, 493.
HOFMANNSTHAL, Hugo von (1874–1929), poet whose susceptibility to military heroism (→Prince Eugene essay, 1915) and propaganda for the Austrian cause provoked the satirist’s hostility: xix, 74, 107ff.
HOFRAT, official title awarded for distinguished public service.
HOHENLOHE, “Mappl”, possibly Prince Gottfried zu Hohenlohe-Langenburg (1860–1933), member of Upper House: 122.
“HONEY, HONEY, DON’T BE SO HARD” (“Weibi, Weibi, sei doch nicht so hart”), song, music by Karl Haupt (1876–1934) and text by Edmund Skurawy (1869–1933): 492.
HONORARY COUNSELLOR (Kaiserlicher Rat), title awarded to nonentities for supposed public service.
HOPFNER’S, fashionable restaurant in →Kärntnerstrasse (Plan C4): xii, xvii, 29, 30, 49, 171, 242, 319, 419.
HÖTZENDORF, Franz Conrad von (1853–1925, generally known as Conrad), Chief of Staff of Austro-Hungarian army (1906–11) and advocate of preemptive strike against →Serbia. Reappointed in 1912, he was responsible for Austro-Hungarian reverses that left them dependent on Germany; Supreme Commander on Italian front; dismissed in 1917 after disagreement with Emperor Karl I over war aims. His son, Lieutenant Herbert Conrad von Hötzendorf, died in battle (September 1914): 38, 63, 102, 129, 222f, 226, 271, 274, 278, 307, 325.
HOW THE ARMIES FIGHT (Mir kommt keiner aus!), comic detective film (Wiener Kunst-Film, 1917), featuring →Hubert Marischka: 584.
HUBERT SALVATOR, Archduke (1894–1971), son of →Franz Salvator, captain of horse: 276.
HUMORIST, Der, magazine dedicated to art and theatre: 102.
HUNGARIAN COMPROMISE (1867), transformed the Austrian Empire into Austria-Hungary (→Royal and Imperial) after defeat by Prussia at Battle of Königgrätz (1866). Control of foreign policy, finance, and the military remained in Vienna, but in other respects Hungary achieved parity: 80.
HUSARENBLUT (Blood of the Hussars, 1894), operetta, music by Hugo Felix (1866–1934) and libretto by Ignaz Schnitzer (1839–1921): 30, 54, 170, 448.
HYMN OF HATE →Ernst Lissauer.
“I’D RATHER BE SOZZLED”, refrain of Viennese song “Ja so a Räuscherl”, music and lyrics by Carl Lorens (1851–1909): 339.
I GAVE GOLD FOR IRON, appeal to support war effort by exchanging valuables for iron ring or brooch; subsequently an operetta →Viktor Léon: 59, 156, 295.
I HAD A LOYAL COMRADE (Ich hatte einen Kameraden), first line of “Der gute Kamerad”, poem by Ludwig Uhland (1809), set to music by Friedrich Silcher (1789–1862); and title of operetta (1914, →Viktor Léon): 59, 290, 313.
“I HAVE WEIGHED EVERYTHING IN THE BALANCE” (“Ich habe alles reiflich erwogen”), leitmotif, phrase derived from →Franz Joseph’s manifesto of 1914 justifying declaration of war, which becomes Grumbler’s “manifesto” (V, 54): 164, 165, 377, 379, 516.
“I HEAR, MY DEAR, YOU’RE A RACKETEER” (“Sie sind doch bekannt mein Lieber als Schieber, als Schieber”), polka from Der Bummelkompagnon in revue Das muss man seh’n (1907), music by Victor Hollaender (1866–1940) and lyrics by Julius Freund (1862–1914): 435.
IMPERIAL, hotel on Kärntnering (Plan C5), housing the Café Imperial frequented by Kraus after June 1914 (see →Pucher): 31, 169, 468.
IMPERIAL RIFLES (Kaiserjäger; →Kaiserjägertod), Tyrol mountain infantry, territorial reserve regiment, which suffered heavy casualties and defeats on the Eastern Front: 338f, 537.
“I’M UP ALL NIGHT CAROUSING” (“Weil ich ’n oller Dreher bin”), Viennese song, music by Johann Sioly (1843–1911) and lyrics by Ludwig Polhammer: 537.
“IN A WONDROUS COUNTRY INN” (“Bei einem Wirte wundermild”), folk song (1822), music by Josef Gersbach and words after poem “Einkehr” (1811) by Ludwig Uhland: 75.
“IN DER HEIMAT, IN DER HEIMAT, DA GIBT’S EIN WIEDERSEHN” (Back home is where we’ll meet again), refrain of prewar soldiers’ song “Nun geht’s ans Abschiednehmen” (cf. “Now is the hour when we must say goodbye”), published in John Meier, Das deutsche Soldatenlied im Felde (1916); →“Keep the home fires burning”: 57, 172, 242, 320, 418, 593.