None of which truly explains why, Niksar observes silently — as Arnem and Anselm receive the (admittedly confused) cheers of the troops during their crossing of the Run — the sentek has asked this disturbing old heretic along on an expedition of vital importance to the kingdom …
The march out of the city has been a lengthy one, however, even given its joyous nature; and no man in the ranks is inclined to dwell on the newcomer’s presence, nor to fix any save momentary attention on anything but the trail down the mountain and the adventure that lies beyond it. Were any one of them to persist in such curiosity, and to look, for instance, down at Killen’s Run as he passes over it, that man would see there, wedged in among the rocks and drifting sticks, the lower portion of a small human arm. The fetid, decaying skin is jaundiced, and drawn tight over the bones; large sores gape grotesquely in the lifeless tissue; and, as the Run laps at it, small pieces of flesh are torn away, disappearing amid the waters that rush to join the Cat’s Paw.
1:{xiv:}
The Bane foragers learn of their people’s fearsome hope—
and of the part that they are to play in realizing it …
Two small fires burn in three-foot holes chiseled long ago into the cold, smooth granite floor of the antechamber of the Den of Stone, offering some warmth but, together with a few torches mounted on the walls, far more light. Heldo-Bah and Veloc walk behind the Groba Elder and through a short stone passageway leading into this relatively small area, and they do so none too eagerly: both men are aware that their tale, while important, will as a matter of course be doubted by those awaiting them. Indeed, even before they enter the Den, the Elder turns on them suddenly and says: “I warn you two — the High Priestess sits with the Groba tonight, accompanied by two of her Lunar Sisters.” Tugging at his beard as he continues forward, the Elder adds, with a sense of gravity heightened by the crisis at hand, “Let us see how well you lie before those esteemed personages …” Then the older man pauses, commands the foragers to remain in the antechamber while he announces their arrival, and disappears down a second passageway that is longer and even darker than the first, and leads finally into the Den.
Heldo-Bah immediately begins to pace in fear. “Oh, sublime,” the gap-toothed forager noises. “Perfection! Did you hear, Veloc?”
The handsome Bane is wandering about the antechamber, admiring a series of ancient reliefs that are cut directly into the stone walls: scenes of exile and suffering, which eventually lead to happier images of homes being built and a tribe being formed. And in the background of each depiction looms the image of a fortress-capped mountain, a constant reminder of how consistently the people of Broken have tried to thwart the ambitions of the Bane — without success. Water that seeps down slowly from springs inside the stone walls and ceiling has covered the carvings with a light, black-green growth; while the motion of the water itself, along with the jumping light of the fires, makes the carvings seem alive.
“Did I hear what, Heldo-Bah?” Veloc asks, transparently blithe.
“Don’t — do not even attempt it,” barks Heldo-Bah. “You heard — the bloody High Priestess is there. We are dead men!”
“You overstate the issue,” Veloc says, maintaining his false air of calm. “She and I parted on congenial enough terms …”
“Oh, certainly — she rejected your application to be the blasted Bane historian out of hand, and sent us out into the Wood immediately! Very congenial!” Heldo-Bah paces anxiously. “It’s never made the slightest sense, Veloc. You try to seduce every woman in Okot, in Broken, and in every town between — and when a woman who might actually do us some good asks for you, what do you do? Refuse her!”
“I’m not some prized bull, to play stud to an overbearing young female whenever she goes into heat.”
“Absolutely absurd,” Heldo-Bah murmurs, shaking his head. “Utterly and completely—”
He is interrupted by the sudden call of the Elder’s voice: “Ho, there! Foragers! You may enter!”
The two men walk into the passageway before them, the utter darkness of which is a contrivance designed by the Groba, so that when supplicants enter the main chamber they will be all the more overawed by its dimensions: a ceiling over thirty feet high, with enormous, needle-like formations of rock and minerals seeming to drip down from above, as though the cave were slowly melting. The walls of the chamber are adorned with elaborate suits of Broken armor, stuffed with rags and straw so that they appear alive, even to the smooth white-and-black riverbed stones set into the sockets of human skulls (which in turn rest inside each helmet), so that they resemble the eyes of dead men, staring madly at those who have come through the passageway. Weapons of the Tall also adorn the walls: large collections of spears, swords, battle-axes and maces, each group bursting out from a Broken shield, any one of which is as tall as a Bane. The chamber is lit and heated by an enormous fire set into one recess in the wall opposite the Groba’s council table; and the “chimney” of this fiery alcove is a naturally occurring shaftway that empties out at the very top of the rock formation, along the sharp rise of the mountain slope above. In all, it is a sight that makes a profound impression on nearly every Bane, particularly as most only ever see it once in their lives, when they petition for permission to wed.
For habitual guests of the Den, on the other hand, the inner chamber is noteworthy only because it never changes, save for the occasional addition of some trophy taken from the Tall; but often, even these changes go unnoticed, for to be a frequent visitor is to be an incurable nuisance to the tribe — or worse — and all such tend to train their eyes on the Groba itself, to determine what mood the old men are in, and what chances exist for leniency.
Heldo-Bah follows this pattern, taking in the five familiar faces of the Groba Elders: elected officials,† each of whom is, in appearance, remarkably like the next. They all wear identical grey robes, cut their beards to the same middling length, and sit on rough-hewn, high-backed benches. The only differences among the five are the amounts of hair on each head, the length of their noses, and, finally, the fact that the chair belonging to the senior Elder (formally referred to as “Father”) has a higher back than the others; and that the top of said back is carved into a crescent Moon whose horns point skyward.
Tonight, however, all is different among the Bane, within the Den as without. At the right end of the table sits the Priestess of the Moon, who wears a golden gown over a white smock. Draped over her shoulders and head is an airy shawl of deep blue, onto which have been embroidered golden stars, which grow more numerous as they approach the front of a golden coronet that holds the shawl in place, and which is adorned with yet another crescent Moon. She is young, this High Priestess, having taken her vows only a year earlier, at sixteen. Before that, she had been merely the most promising of the Lunar Sisterhood, and was therefore entitled, as Heldo-Bah has said, to decide which men from the tribe she would mate with, in the hope of producing more semi-divine female children. Thus, all of the Lunar Sisters, and therefore the High Priestesses, are descendants of those women who originally held the same positions, and their pure lineage gives them enormous power: for, while they are far from a chaste order of female clergy, they are as close as any member of the Bane tribe (whose notion of immoral behavior is usually quite loosely defined) could wish for — or would desire.