By nightfall, pyres are burning all along the south side of the river. From a high hill just west of Okot, the three foragers — so much more than foragers, now! — can see the smoking glow of these funereal flames forming an ever-longer chain across the dark landscape, as well as the smaller lights of torches near the pyres and the river. One large mass of torches has assembled on the rocky summit of the Lenthess-steyn, and is creeping northward: a luminous, coiling sign that Ashkatar’s army of warriors has come together in full assembly, and is beginning to march.
Before leaving Okot, Keera, Veloc, and Heldo-Bah gathered at the hut that all three had once called home to prepare for their journey. The parents of Keera and Veloc — called Selke and Egenrich†—knowing that their two children and their former ward represented what might be the last hope of the Bane, welcomed the three as if they had left home but yesterday, and, in the case of Heldo-Bah, gave no sign of any lingering resentment or disappointment; for in truth, they felt none. Taking little Effi into their care, Selke and Egenrich pledged to keep her safely away from the most dangerous parts of the village, and to continue to refuse her persistent requests to visit her brothers; in addition, they further pledged, when pressed by their daughter, to take care of all three children, should Keera never return — and should her boys survive. As they watched the three prepare for a journey so riddled with dangers that it was unnecessary even to speak of them, preparation steadily became the sole subject of conversation: the foragers emptied their sacks of all the precious goods collected during the term of the most inscrutable Moon ever to rise over Davon Wood, and refilled them with all manner of implements, of foodstuffs — and of weapons, especially. The three were given their pick of all the arms forged or captured by their tribe, and each took only the best sword, arrows, bow, and knives on offer. They then slipped out of Okot undetected, lest any great hope be attached to their mission by their fellow Bane; hope that might ultimately prove cruelly and tragically vain. The hill on which they now stand is the last spot from which the tribe’s village and its outlying settlements can be seen, and all the foragers stare back somberly, knowing that it may be their last glimpse of home.
“They say that Ashkatar has brought together a greater force than was expected,” Veloc murmurs, his right hand gripping the hilt of a freshly honed Broken short-sword, and his dark eyes gleaming with the flames of the distant fires. “Women warriors as well. Hundreds, in all. What is his plan? To attack?”
“No,” Heldo-Bah answers. “If I know Ashkatar, he will wait. Give the Groba and the healers time to control the plague by inviting the Tall to enter the Wood. Destroy all the bridges, save the Fallen. And if they are foolish enough to come in by that route …” He spits at the ground with force. “The odds may not be even, but they will certainly improve.”
“But why should the Tall come into the Wood?” Keera asks quietly, leaning on a fresh maple staff and staring at the village with eyes bereft of anything but heartache. “When the plague does their work for them?”
“The pride of the Tall,” Heldo-Bah answers scornfully, but with truth born of his many raids into the city and kingdom that once tried to kill him. “They will want a fight, even if the plague has weakened us.”
“And,” Veloc adds, “they’ll want to see for themselves that their vile work is completed.”
Keera keeps her eyes fixed on the distant flames. “For Tayo, it has already been completed. As for so many others …”
“Completed?” Heldo-Bah echoes bitterly. “No, Keera. Not while there is yet breath in you, in all of us, and revenge to be had.” His grey eyes burn in their sockets, more wildly than any distant pyre or conflagration among the huts. “And with us goes the hope of that revenge. We shall have it. All of them—” He points toward Okot. “They shall all have it. We shall find Caliphestros, and by the Moon, the Tall will know the grief that you have felt this day.” Heldo-Bah spits again, as if to seal his compact with the demons that lurk beneath the Earth. “The faster we move, the faster their suffering begins. Follow your trail, Keera, and we follow you. We rest only when we must.” The grey eyes narrow, and the filed teeth grind painfully. “And from the Moon’s realm, the dead shall see that they have been avenged.”
Starting southwest, the three Bane disappear into the Wood; and soon they are cutting masterfully through the darkened vastness, at a faster pace than even they have ever achieved …
Interlude:
A Forest Idyll†
[But] what are we to make of the legend’s more apparently fantastic aspects? I do not speak, here, of the several references to sorcery and the like, which are addressed in the text itself, and may be dispensed with by noting, as at least two characters will do later in the tale, that the greatest “sorcery” has always been science, while the darkest “magic” has just as consistently been madness. Rather, I allude to such only marginally less outlandish notions as civilized or even partially civilized men scheming to use wasting diseases as weapons of war, as well as to the fact that so relatively advanced a society as Broken’s was capable of mutilating and exiling a not inconsiderable number of its own members, out of no loftier motives than to purge the national stock of its physically and mentally defective elements (including, among many others, agents of knowledge and especially scientific progress, which they equated with sedition), as well as to ensure that particular air of divine secrecy, which, almost universally, results in unchecked power and excesses on the parts of some or all agencies of government.
And what, by contrast, of the assertion that animals other than men are graced by the Deity with consciousness, and therefore souls, and so must logically be accorded the same respect that we, who flatter ourselves as having been made in the Almighty’s image, demand be paid us alone? Doubtless, such beliefs will appeal to those increasing numbers of young poets and artists in our own time, who claim to seek the dubious enlightenment of the unrefined, untamèd world of Nature, while allowing themselves to flirt dangerously with ideas akin to those that are driving the forces of revolutionary destruction;† yet can we, who detect the dangers of those same rebellious forces in precisely the manner that you have detailed so completely in your “Reflections,” look beyond such youthful superficiality, and ourselves find deeper meaning in such tales as this “idyll”?