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Honour was a thing unknown to this Pandolfaccio—even so much honour as may be required for a dignified retreat. Since all was lost it but remained—by his lights—to make the best bargain that he could and get the highest possible price in gold for what he was abandoning. So he replied that the Council must do whatever it considered to its best advantage, whilst to anticipate its members in any offer of surrender, and thus seek the favour and deserve good terms at the hands of this man who came to hurl him from the throne of his family, he dispatched a confidential servant to Cesare to offer him town and citadel.

In the meantime—as Pandolfo fully expected—the Council also sent proposals of surrender to Cesare, as well as to his lieutenant-general of Romagna, Bishop Olivieri, at Cesena. The communications had the effect of bringing Olivieri immediately to Rimini, and there, on October 10, the articles of capitulation were signed by the bishop, as the duke's representative, and by Pandolfo Malatesta. It was agreed in these that Malatesta should have safe-conduct for himself and his familiars, 3,000 ducats and the value—to be estimated—of the artillery which he left in the citadel. Further, for the price of 5,500 ducats he abandoned also the strongholds of Sarsina and Medola and the castles of the Montagna.

His tyranny thus disposed of, Pandolfaccio took ship to Ravenna, where the price of his dishonour was to be paid him, and in security for which he took with him Gianbattista Baldassare, the son of the ducal commissioner.

On the day of his departure, to celebrate the bloodless conquest of Rimini, solemn High Mass was sung in the Cathedral, and Bishop Olivieri received the city's oath of allegiance to the Holy See, whither very shortly afterwards Rimini sent her ambassadors to express to the Pope her gratitude for her release from the thraldom of Pandolfaccio.

Like Rimini, Pesaro too fell without the striking of a blow, for all that it was by no means as readily relinquished on the part of its ruler. Giovanni Sforza had been exerting himself desperately for the past two months to obtain help that should enable him to hold his tyranny against the Borgia might. But all in vain. His entreaties to the emperor had met with no response, whilst his appeal to Francesco Gonzaga of Mantua—whose sister, it will be remembered, had been his first wife—had resulted in the Marquis's sending him a hundred men under an Albanian, named Giacopo.

What Giovanni was to do with a hundred men it is difficult to conceive, nor are the motives of Gonzaga's action clear. We know that at this time he was eagerly seeking Cesare's friendship, sorely uneasy as to the fate that might lie in store for his own dominions, once the Duke of Valentinois should have disposed of the feudatories of the Church. Early in that year 1500 he had asked Cesare to stand godfather for his child, and Cesare had readily consented, whereby a certain bond of relationship and good feeling had been established between them, which everything shows Gonzaga most anxious to preserve unsevered. The only reasonable conclusion in the matter of that condotta of a hundred men is that Gonzaga desired to show friendliness to the Lord of Pesaro, yet was careful not to do so to any extent that might be hurtful to Valentinois.

As for Giovanni Sforza of whom so many able pens have written so feelingly as the constant, unfortunate victim of Borgia ambition, there is no need to enter into analyses for the purpose of judging him here. His own subjects did so in his own day. When a prince is beloved by all classes of his people, it must follow that he is a good prince and a wise ruler; when his subjects are divided into two factions, one to oppose and the other to support him, he may be good or bad, or good and bad; but when a prince can find none to stand by him in the hour of peril, it is to be concluded that he has deserved little at the hands of those whom he has ruled. The latter is the case of Giovanni Sforza—this prince whom, Yriarte tells us, "rendered sweet the lives of his subjects." The nobility and the proletariate of Pesaro abhorred him; the trader classes stood neutral, anxious to avoid the consequences of partisanship, since it was the class most exposed to those consequences.

On Sunday, October 11—the day after Pandolfo Malatesta had relinquished Rimini—news reached Pesaro that Ercole Bentivogli's horse was marching upon the town, in advance of the main body of Cesare's army. Instantly there was an insurrection against Giovanni, and the people, taking to arms, raised the cry of "Duca!" in acclamation of the Duke of Valentinois, under the very windows of their ruler's palace.

Getting together the three hundred men that constituted his army, Giovanni beat a hasty retreat to Pesaro's magnificent fortress, and that same night he secretly took ship to Ravenna accompanied by the Albanian Giacopo, and leaving his half-brother, Galeazzo Sforza di Cotignola, in command of the citadel. Thence Giovanni repaired to Bologna, and, already repenting his precipitate flight, he appealed for help to Bentivogli, who was himself uneasy, despite the French protection he enjoyed. Similarly, Giovanni addressed fresh appeals to Francesco Gonzaga; but neither of these tyrants could or dared avail him, and, whilst he was still imploring their intervention his fief had fallen into Cesare's power.

Ercole Bentivogli, with a small body of horse, had presented himself at the gates of Pesaro on October 21, and Galeazzo Sforza, having obtained safe-conduct for the garrison, surrendered.

Cesare, meanwhile, was at Fano, where he paused to allow his army to come up with him, for he had outridden it from Fossate, through foul wintry weather, attended only by his light horse. It was said that he hoped that Fano might offer itself to him as other fiefs had done, and—if Pandolfo Collenuccio is correct—he had been counselled by the Pope not to attempt to impose himself upon Fano, but to allow the town a free voice in the matter. If his hopes were as stated, he was disappointed in them, for Fano made no offer to him, and matters remained for the present as they were.

On the 27th, with the banners of the bull unfurled, he rode into Pesaro at the head of two thousand men, making his entrance with his wonted pomp, of whose dramatic values he was so fully aware. He was met at the gates by the Council, which came to offer him the keys of the town, and, despite the pouring rain under which he entered the city, the people of Pesaro thronged the streets to acclaim him as he rode.

He took up his lodgings at the Sforza Palace, so lately vacated by Giovanni—the palace where Lucrezia Borgia had held her Court when, as Giovanni's wife, she had been Countess of Pesaro and Cotignola. Early on the morrow he visited the citadel, which was one of the finest in Italy, rivalling that of Rimini for strength. On his arrival there, a flourish of trumpets imposed silence, while the heralds greeted him formally as Lord of Pesaro. He ordered one of the painters in his train to draw up plans of the fortress to be sent to the Pope, and issued instructions for certain repairs and improvements which he considered desirable.

Here in Pesaro came to him the famous Pandolfo Collenuccio, as envoy from the Duke of Ferrara, to congratulate Cesare upon the victory. In sending Collenuccio at such a time Ercole d'Este paid the Duke of Valentinois a subtle, graceful compliment. This distinguished poet, dramatist, and historian was a native of Pesaro who had been exiled ten years earlier by Giovanni—which was the tyrant's way of showing his gratitude to the man who, more than any other, had contributed to the bastard Sforza's succession to his father as Lord of Pesaro and Cotignola.

Collenuccio was one of the few literary men of his day who was not above using the Italian tongue, treating it seriously as a language and not merely as a debased form of Latin. He was eminent as a juris­consult, and, being a man of action as well as a man of letters, he had filled the office of Podestá in various cities; he had found employment under Lorenzo dei Medici, and latterly under Ercole d'Este, whom we now see him representing.