People at any time repelled her, and these were nightmares from her worst dreams. People were crawling about, people were screaming, whimpering, gasping for breath, touching each other, vanishing in the dark, and ever and anon being pushed off the platform on the live rail. Some were fighting round the electric bells, trying to summon trains which could not be summoned. Others were yelling for Euthanasia or for respirators, or blaspheming the Machine. Others stood at the doors of their cells fearing, like herself, either to stop in them or to leave them. And behind all the uproar was silence—the silence which is the voice of the earth and of the generations who have gone.
No—it was worse than solitude. She closed the door again and sat down to wait for the end. The disintegration went on, accompanied by horrible cracks and rumbling. The valves that restrained the Medical Apparatus must have been weakened, for it ruptured and hung hideously from the ceiling. The floor heaved and fell and flung her from her chair. A tube oozed towards her serpent fashion. And at last the final horror approached—light began to ebb, and she knew that civilisation’s long day was closing.
She whirled round, praying to be saved from this, at any rate, kissing the Book, pressing button after button. The uproar outside was increasing, and even penetrated the wall. Slowly the brilliancy of her cell was dimmed, the reflections faded from her metal switches. Now she could not see the reading-stand, now not the Book, though she held it in her hand. Light followed the flight of sound, air was following light, and the original void returned to the cavern from which it had been so long excluded. Vashti continued to whirl, like the devotees of an earlier religion, screaming, praying, striking at the buttons with bleeding hands.
It was thus that she opened her prison and escaped—escaped in the spirit: at least so it seems to me, ere my meditation closes. That she escapes in the body—I cannot perceive that. She struck, by chance, the switch that released the door, and the rush of foul air on her skin, the loud throbbing whispers in her ears, told her that she was facing the tunnel again, and that tremendous platform on which she had seen men fighting. They were not fighting now. Only the whispers remained, and the little whimpering groans. They were dying by hundreds out in the dark.
She burst into tears.
Tears answered her.
They wept for humanity, those two, not for themselves. They could not bear that this should be the end. Ere silence was completed their hearts were opened, and they knew what had been important on the earth. Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with the colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as it was a garment and no more, so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body. The sin against the body—it was for that they wept in chief; the centuries of wrong against the muscles and the nerves, and those five portals by which we can alone apprehend—glozing it over with talk of evolution, until the body was white pap, the home of ideas as colourless, last sloshy stirrings of a spirit that had grasped the stars.
“Where are you?” she sobbed.
His voice in the darkness said, “Here.”
“Is there any hope, Kuno?”
“None for us.”
“Where are you?”
She crawled towards him over the bodies of the dead. His blood spurted over her hands.
“Quicker,” he gasped, “I am dying—but we touch, we talk, not through the Machine.”
He kissed her.
“We have come back to our own. We die, but we have recaptured life, as it was in Wessex, when Elfrid overthrew the Danes. We know what they know outside, they who dwelt in the cloud that is the colour of a pearl.”
“But, Kuno, is it true? Are there still men on the surface of the earth? Is this—this tunnel, this poisoned darkness—really not the end?”
He replied:
“I have seen them, spoken to them, loved them. They are hiding in the mist and the ferns until our civilisation stops. To-day they are the Homeless—to-morrow—”
“Oh, to-morrow—some fool will start the Machine again, tomorrow.”
“Never,” said Kuno, “never. Humanity has learnt its lesson.”
As he spoke, the whole city was broken like a honeycomb. An airship had sailed in through the vomitory into a ruined wharf. It crashed downwards, exploding as it went, rending gallery after gallery with its wings of steel. For a moment they saw the nations of the dead, and, before they joined them, scraps of the untainted sky.