I looked up into his eyes, then away.
“No,” I said. “It’s Jim.”
The man looked confused for a moment, then relieved. He said a couple more things about the block, and then he went away. Back to the city, or wherever.
After dinner I saw Matt out in the back car park, behind the block. We talked about the afternoon some, so he could get warmed up, and then he told me what was on his mind.
His family was moving on. His dad had got a better job somewhere else. They’d be going in a week.
We talked a little more, and then he went back inside, looking different somehow, as if he’d already gone.
I stayed out, sitting on the wall, thinking about missing people. I wasn’t feeling sad, just tired. Sure I was going to miss Matt. He was my best friend. I’d missed Tom for a while, but then someone else came along. And then someone else, and someone else. There’s always new people. They come, and then they go. Maybe Matt would return some day. Sometimes they do come back. But everybody goes.
Tanith Lee
Yellow and Red
Tanith Lee began writing at the age of nine. After school she worked variously as a library assistant, shop assistant, filing clerk and waitress before spending a year at art college.
She published three children’s books in the early 1970s, but it was only when DAW Books published her novel The Birthgrave in 1975, and thereafter twenty-six other titles, was she able to become a full-time writer. To date she has published nearly sixty novels, including such recent titles as White as Snow, A Bed of Earth and Venus Preserved, plus nine collections of novellas and short stories. Her radio plays have been broadcast by the BBC and she scripted two episodes of the cult TV series Blake’s 7.
Tanith Lee has twice won the World Fantasy Award for short fiction, and in 1980 she was awarded the British Fantasy Society’s August Derleth Award for her novel Death’s Master.
“I am a great admirer of, amongst others, M. R. James…” reveals the author. “His influence on me, in this story, is perhaps evident only to myself.”
From the Diary of Gordon Martyce:
9th September 195-: 7:00 p.m.
Coming down to the old house was at first interesting, and then depressing. The train journey was tedious and slow, and after the second hour, over and again, I began to wish I had not under-taken this. But that would be foolish. The house, by the quirkiness of my Uncle’s will, is now mine. One day I may even live in it, although for now my job, which I value, and my flat, which I like, keep me in London. Of course, Lucy is terribly interested in the idea of an old place in the country. I could see her eyes, lit by her second gin, gleam with visions of chintz curtains, china on the mantlepiece, an old, dark, loudly-ticking cloak. But it is not that sort of house — I knew that even then, never having seen inside it in my life. As for Lucy, I am never sure. She has stuck to me for five years, and so I have not quite given up on the notion of one day having a wife, perhaps a family. Quite a pretty woman, quite vivacious in her way, which sometimes, I confess, tires me a little. Well, if it comes to that, she can do what she wants with the house. It is gloomy enough as it stands.
Beyond the train, the trees were putting on their September garments, brown and red and yellow, but soon a drizzle began which blotted up detail. It was raining more earnestly when I reached the station and got out. I had only one small bag, the essentials for a stay of a couple of nights. That was good, for there was no transport of any kind.
I walked to the village, and there was given a cup of tea, the keys, and a lift the last mile and a half.
Johnson, the agent, let me off on the drive. He had offered to take me round, but I said this was not necessary. There is a woman, Mrs Gold, who comes in every day, and I was told, she would have put things ready for me — I trusted this was true.
The rain eased as I walked along the last curve of the drive. Presently I saw the house, and recognized it from a photograph I had observed often enough in my Father’s study. A two-storey building, with green shutters. Big oaks stood around it that had done the walls some damage, and introduced damp. I supposed they could be cut down. Above, was my Grandfather’s weathervane, which I had never been able, properly, to make out in the photograph, but which my Father told me was in the shape of some Oriental animal deity. Even now, it remained a mystery to me, between the leaves of the oaks and the moving, leaden sky.
I got up the steps, and opened the front door, and stepped into the big dark hall. The trees oppress this house, that is certain, and the old stained glass of the hall windows change the light to mulberry and spinach. However, I saw through into the sitting room, and a fire had been laid, and wood put ready. A touch on a switch reassured me that the electricity still worked. On the table near the door I found Mrs Gold’s rather poorly spelled note. But she had done everything one could expect, even to leaving me a cold supper of ham and salad, apple pie and cheese. She would be in tomorrow at eleven. I need have no fears.
I looked round. I am not fearful by nature. I always do my best, and am seldom in a position to dread very much. A childhood visit to the dentist, perhaps, for an especially painful filling — something of that apprehension seized me. But it was the nasty dark light in the hall. My Uncle died in this house not three months ago. Before him, he had lost his family, his wife and sister, and two sons. Before them another generation had perished. As Shakespeare points out, it is common for people to die.
Going through into the sitting room, I have put a match to the fire. This has improved things. On a sideboard stands a tray with brandy, whisky and soda. Though it is early for me, I shall pour myself a small measure. I gather the boiler is at work, and I can count on a hot bath. I do not want a chill.
==========
10th September: 2:00 p.m.
The house is a mausoleum. Lucy be blowed, I think I shall sell it. Last night was dreadful. Creaks and groans of woodwork, an eldritch wind at the windows and down the chimneys. I read until nearly two a.m. Then at three I was woken by a persistent owl hooting in the garden trees. I am not a country person. I longed for my warm city flat and the vague roar of traffic.
However, this morning early I went over the place thoroughly, from attic to cellar. There are a great many rooms, more than I should ever want, and the heating would be prohibitive. It is very old fashioned, those thick, bottle-green and oxblood curtains favoured by our grandfathers — evidently by mine, and my Uncle William, too — enormous cliffs of furniture, and endless curios, some of them I expect very valuable, from the East — Egypt, India and China. I am not particularly partial to any of this sort of thing. I find the house uncomfortable, both physically — it is cold and damp — and aesthetically.
At about eleven thirty, the not very punctual Mrs Gold arrived. I was not surprised. Women are generally unreliable. I have learnt this from Lucy. Nevertheless, I commended Mrs Gold on keeping the house clean, which she has more or less done, and on the supper left for me yesterday. She is a large woman, constructed like a figurehead, with severe grey hair. She began, of course, at once to tell me all about my Uncle, and what she knows of my Grandfather before him. She is, naturally, as her class nearly always are, fascinated by details of all the deaths. It was with some difficulty that I got her to resume her work. Going into the library, I then took down some boxes of photographs, and began to go through them, more to pass the time than anything else. The agent is coming tomorrow, to discuss things, or I would have tried to get home today.