Certainly he had improved wonderfully in handling; but what music it was! It was like nothing of which I had ever even dreamed. There was a wild, intemperate voluptuousness about it, a kind of evil relish of beauty which gave me a painful thrill. To make sure that I was not mistaken, owing to the nervous tension which the strange event had produced in me, I put the things in my pocket and went out to the house of a friend, Dr Grierson, an accomplished and critical musician who lived not far away.
I found the great man at home smoking leisurely. He had a bird-like demeanour, like an ancient stork, as he sat blinking through spectacles astride of a long pointed nose. He had a slight acquaintance with Netherby, and when I mentioned that I had received some new music from him, which I wished to submit to him, he showed obvious interest. “A promising fellow,” he said, “only of course too transcendental.” He took the music in his hand; he settled his spectacles and read. Presently he looked up; and I saw in the kind of shamefaced glance with which he regarded me that he had found something of the same incomprehensible sensuality which had so oddly affected myself in the music. “Come, come,” he said rather severely, “this is very strange stuff – this won’t do at all, you know. We must just hear this!” He rose and went to his piano; and peering into the music, he played the pieces deliberately and critically.
Heard upon the piano, the accent of subtle evil that ran through the music became even more obvious. I seemed to struggle between two feelings – an over-powering admiration, and a sense of shame at my own capacity for admiring it. But the great man was still more moved. He broke off in the middle of a bar and tossed the music to me.
“This is filthy stuff,” he said. “I should say to you – burn it. It is clever, of course – hideously, devilishly clever. Look at the progression – F sharp against F natural, you observe” (and he added some technical details with which I need not trouble my readers).
He went on: “But the man has no business to think of such things. I don’t like it. Tell him from me that it won’t do. There must be some reticence in art, you know – and there is none here. Tell Netherby that he is on the wrong tack altogether. Good heavens,” he added, “how could the man write it? He used to be a decent sort of fellow.”
It may seem extravagant to write thus of music, but I can only say that it affected me as nothing I had ever heard before. I put it away and we tried to talk of other things; but we could not get the stuff out of our heads. Presently I rose to go, and the Doctor reiterated his warnings still more emphatically. “The man is a criminal in art,” he said, “and there must be an end once and for all of this: tell him it’s abominable!”
I went back; caught my train; and was whirled sleepless and excited to the West. Towards morning I fell into a troubled sleep, in which I saw in tangled dreams the figure of a man running restlessly among stony hills. Over and over again the dream came to me; and it was with a grateful heart, though very weary, that I saw a pale light of dawn in the east, and the dark trees and copses along the line becoming more and more defined, by swift gradations, in the chilly autumn air.
It was very still and peaceful when we drew up at Grampound station. I enquired my way to Treheale; and I was told it was three or four miles away. The porter looked rather enquiringly at me; there was no chance of obtaining a vehicle, so I resolved to walk, hoping that I should be freshened by the morning air.
Presently a lane struck off from the main road, which led up a wooded valley, with a swift stream rushing along; in one or two places the chimney of a deserted mine with desolate rubbish-heaps stood beside the road. At one place a square church-tower, with pinnacles, looked solemnly over the wood. The road rose gradually. At last I came to a little hamlet, perched high up on the side of the valley. The scene was incomparably beautiful; the leaves were yellowing fast, and I could see a succession of wooded ridges, with a long line of moorland closing the view.
The little place was just waking into quiet activity. I found a bustling man taking down shutters from a general shop which was also the post-office, and enquired where Mr Netherby lived. The man told me that he was in lodgings at Treheale – “the big house itself, where Farmer Hall lives now; if you go straight along the road,” he added, “you will pass the lodge, and Treheale lies up in the wood.”
I was by this time very tired – it was now nearly seven – but I took up my bag again and walked along a road passing between high hedges. Presently the wood closed in again, and I saw a small plastered lodge with a thatched roof standing on the left among some firs. The gate stood wide open, and the road which led into the wood was grass-grown, though with deep ruts, along which heavy laden carts seemed to have passed recently.
The lodge seemed deserted, and I accordingly struck off into the wood. Presently the undergrowth grew thicker, and huge sprawling laurels rose in all directions. Then the track took a sudden turn; and I saw straight in front of me the front of a large Georgian house of brown stone, with a gravel sweep up to the door, but all overgrown with grass.
I confess that the house displeased me strangely. It was substantial, homely, and large; but the wood came up close to it on all sides, and it seemed to stare at me with its shuttered windows with a look of dumb resentment, like a great creature at bay.
I walked on, and saw that the smoke went up from a chimney to the left. The house, as I came closer, presented a front with a stone portico, crowned with a pediment. To left and right were two wings which were built out in advance from the main part of the house, throwing the door back into the shadow.
I pulled a large handle which hung beside the door, and a dismal bell rang somewhere in the house – rang on and on as if unable to cease; then footsteps came along the floor within, and the door was slowly and reluctantly unbarred.
There stood before me a little pale woman with a timid, downcast air. “Does Mr Netherby live here?” I said.
“Yes; he lodges here, sir.”
“Can I see him?” I said.
“Well, sir, he is not up yet. Does he expect you?”
“Well, not exactly,” I said, faltering; “but he will know my name – and I have come a long way to see him.”
The woman raised her eyes and looked at me, and I was aware, by some swift intuition, that I was in the presence of a distressed spirit, labouring under some melancholy prepossession.
“Will you be here long?” she asked suddenly.
“No,” I said; “but I shall have to stay the night, I think. I travelled all last night, and I am very tired; in fact I shall ask to sit down and wait till I can see Mr Netherby.”
She seemed to consider a moment, and then led me into the house. We entered a fine hall, with stone flags and pillars on each side. There hung, so far as I could see in the half-light, grim and faded portraits on the walls, and there were some indistinct pieces of furniture, like couched beasts, in the corners. We went through a door and down a passage and turned into a large rather bare room, which showed, however, some signs of human habitation. There was a table laid for a meal.
An old piano stood in a corner, and there were a few books lying about; on the walls hung large pictures in tarnished frames. I put down my bag, and sat down by the fire in an old armchair, and almost instantly fell into a drowse. I have an indistinct idea of the woman returning to ask if I would like some breakfast, or wait for Mr Netherby. I said hastily that I would wait, being in the oppressed condition of drowsiness when one’s only idea is to get a respite from the presence of any person, and fell again into a heavy sleep.