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During the tough years of the conquest, the clash of arms was heard from the tomb of Santiago on the eve of each battle; and the apostle fought with the invading hosts, lance in hand, on his white horse. Clearly the apostle Santiago has the habit of killing Indians but not of saving them. The plague, which barely scratches the Spaniards, continues massacring Indians in Xochimilco and other parts of Mexico.

From his cell as night falls, Father Mendieta hears shrieks and moans louder than the choruses of angels.

Someone has to intercede with the Lord, since the apostle Santiago is not interested, or Xochimilco will soon be Indianless. The Franciscans talk it over and decide to draw lots again. Fate picks the blessed Sebastian for saint-advocate.

They promise him an altar.

(79 and 161)

1579: Quito Son of Atahualpa

Beto, Indian priest of the Archidona region, saw a vision of the Devil in the shape of a cow, who told him God was very annoyed with the Christians and was not going to defend them. Guami, Indian priest of Tambisa, spent five days in the other world. There he saw marvels and listened to God, and now he has the power of rain and the power of resurrection. Beto and Guami announce that Indians who don’t join the rebellion will reap toads and snakes in eternally sterile fields.

The two prophets put themselves at the head of many lances. Southeast of Quito, the Quijo Indians rebel. They attack various towns and vainly await a rising in the mountains. The Inca’s son, Francisco Atahualpa, captain of Spanish troops, imprisons the mountain plotters and staves off the insurrection. The Quijo Indians are left all alone.

After some battles comes defeat. The Spaniards oblige all Indians of the Quijo region and the surroundings of Quito to attend the execution of the prophets Beto and Guami. They parade them through the streets of Quito, torture them with hot pincers, hang them, quarter them, and exhibit the pieces. From the royal box, Captain Francisco Atahualpa watches the ceremony.

(156)

1580: Buenos Aires The Founders

Nearly half a century ago, a Spanish captain sailed from Seville for these unrenowned shores. He sank the whole fortune he had made in the sack of Rome into the expedition. Here he founded a city, a fortress surrounded by huts, and upriver from here he went hunting for the silver mountain and the mysterious lake where the sun sleeps.

Ten years earlier, Sebastian Cabot had sought the treasure of King Solomon sailing up this Plate River — so innocent of its silvery name — which has only mud on one bank and sand on the other and leads to other rivers that lead to jungle.

Pedro de Mendoza’s city didn’t last long. While his soldiers, maddened by hunger, ate each other, the captain read Virgil and Erasmus and made pronouncements for immortality. In short order, the dream of another Peru having vanished, he wanted to go back to Spain. He didn’t get there alive. Afterward came Alonso Cabrera, who set fire to Buenos Aires in the king’s name. He could and did return to Spain. There he killed his wife and ended his days in a lunatic asylum.

Comes now Juan de Garay from Asunción. Santa María de los Buenos Aires is born again. With Garay come a bunch of Paraguayans, sons of conquistadors, who have received from their Guaraní mothers their first milk and the native language they speak.

The sword of Garay, stuck into this land, outlines the shadow of the cross. The founders’ teeth chatter from cold and fear. The breeze plays rustling music in the treetops, and beyond, on the endless plains, Indians and phantoms silently spy on them.

(74, 97, and 99)

1580: London Drake

“Three cheers for the gold of the galleons! Hurrah for the silver of Potosí!”

The Dragon is coming! cried the women, and church bells pealed out the alarm. In three years Francis Drake has circumnavigated the world. He has twice crossed the equator and sacked the Spanish Main, stripping ports and ships from Chile to Mexico.

Now he is returning with only one ship and a moribund crew of eighteen, but he brings treasure that multiplies by 120 the capital invested in the expedition. Queen Elizabeth, chief shareholder and author of the plan, converts the pirate into a knight. On the waters of the Thames the ceremony is performed. On the sword that dubs him is engraved this saying of the queen’s: Who strikes you strikes me, Drake. On his knees, he offers Her Majesty an emerald brooch stolen in the Pacific.

Towering over the fog and soot, Elizabeth is at the summit of a nascent empire. She is the daughter of Henry VIII and Anne Boleyn, who for having produced a daughter lost her head in the Tower of London. The virgin queen devours her lovers, uses her fists on her maids of honor, and spits on her courtiers’ clothes.

Francis Bacon will be the philosopher and chancellor of the new empire and William Shakespeare its poet. Francis Drake, captain of its ships. Scorner of storms, master of sails and winds, the pirate Drake moves at court as if climbing masts and rigging. Squat but hefty with fiery beard, he was born by the sea and has been brought up in the fear of God. The sea is his home; and he never launches an attack without a Bible pressing against the chest beneath his clothing.

(149, 187, and 198)

1582: Mexico City What Color Is a Leper’s Skin?

The lamp advances violating the darkness and pulls faces out of the murk, faces of specters, hands of specters, and nails them to the wall.

The official touches nothing, his gloved hands hidden beneath his cape, half closing his eyes as if fearing to infect them. He has come to check the implementation of the new order concerning San Lázaro Hospital. The viceroy has ordered that male patients should not mix. Whites and mestizos have to occupy one room, blacks and mulattoes another, Indians another. The females, however, are to be all together in one room whatever their color or condition.

(148)

1583: Copacabana God’s Aymara Mother

They cross Lake Titicaca in the cattail boat. She travels by his side, dressed for a fiesta. In the city of La Paz her tunic has been gilded. When they land, he puts his cloak over her to shield her from the rain; and with her in his arms, covered up, he enters the village of Copacabana. The rain stings the crowd that has come to receive them.

Francisco Tito Yupanqui enters the sanctuary with her and uncovers her. She is taken up to the altar. From on high, the Virgin of Copacabana embraces them all. She will protect against pestilence and sorrow and the bad weather of February.

The Indian sculptor has modeled her in Potosí. He has worked for nearly two years to give her appropriate beauty. Indians may only paint or carve images that imitate European models, and Francisco Tito Yupanqui did not want to violate the ban. He had intended to make a Virgin identical to Our Lady of Candelaria, but his hands have modeled this Andean body with big lungs hungry for air, large torso, and short legs, and this broad Indian face with fleshy lips and almond eyes that stare sadly at the bruised land.

(47 and 163)

1583: Santiago de Chile He Was Free for a While

He raises himself on his hands and falls on his face. He tries to lean on an elbow and slips. He manages to bring up one knee and sinks into the mud.