I made the acquaintance of the household pets: a hairless dog named Pippo-according to Amalia it kept excellent watch, though it inspired little confidence, old as it was, blind in one eye, and apparently addled-and three cats. Two were peevish and willful, the third, a sort of Angora, with thick, soft black fur, was graceful when asking for food, rubbing against my pant leg and emitting a seductive rumble. I love all animals, I think (did I not join an antivivisection league?), but one cannot control instinctive attraction. I liked the third cat best and gave it the choicest morsels. I asked Amalia what the cats’ names were, and she replied that cats don’t have names since they’re not God-fearing creatures like dogs. I asked if I could call the black cat Matù, and she said I could, if kitty, kitty, kitty wasn’t good enough for me, but I could tell she was thinking that city people, even Signorino Yambo, had crickets in their heads.
Crickets (real ones) were making a great racket outside, and I went into the courtyard to listen to them. I looked at the sky, hoping to discover familiar figures. Constellations, just constellations from an astronomy atlas. I recognized the Great Bear, but as one of those things I had always heard about. I had come this far to learn that the encyclopedias were right. Return to the interiorem bominem and you will find Larousse.
I said to myself: Yambo, your memory is made of paper. Not of neurons, but of pages. Maybe someday someone will invent an electronic contraption allowing people to travel by computer among all the pages ever written, from the beginning of the world till today, and to pass from one to another with the touch of a finger, without knowing any longer where or who they are, and then everyone will be like you.
Still awaiting my misery’s company, I went to bed.
I had just dozed off when I heard a voice calling me. It invited me to the window with a rasping, insistent pssst pssst. Who could be calling me from outside, hanging from the shutters? I flung them open and saw a whitish shadow flee into the night. It was, as Amalia explained to me the next morning, a barn owclass="underline" when houses are empty these creatures like to take up residence in attics or gutters, I’m not sure which, but as soon as they detect the presence of humans, they move elsewhere. Too bad. Because that barn owl fleeing into the night caused me to feel again what I had described to Paola as a mysterious flame. That barn owl, or one of its kind, must have belonged to me, must have woken me on other nights and on other nights fled into the dark, a clumsy, pea-witted ghost. Pea-witted? I could not have learned that word from the encyclopedias either. It must have come from within, or from before.
My sleep was full of restless dreams, and at a certain point I woke up with a sharp pain in my chest. The first thing I thought was heart attack-they say they start like that-but then I got up without thinking and went to look in the medicine bag that Paola had given me, and took a Maalox. Maalox, so gastritis. You have an attack of gastritis when you eat something you should not. In reality I had simply eaten too much: Paola had told me to practice self-control, and when she was around had watched me like a hawk, but now it was time I learned to watch myself. Amalia would be of no help, since in the peasant tradition eating a lot is always healthy-what is unhealthy is when there is nothing to eat.
There was so much I still had to learn.
6. Il Nuovissimo Melzi
____________________
I went down into the village. The hike back was a strain, but it was a lovely walk, and invigorating. Good thing I brought a few cartons of Gitanes with me, because here they carry only Marlboro Lights. Country people.
I told Amalia about the barn owl. She was not amused when I said I had taken it for a ghost. She looked serious: "Barn owls, no, good critters that never hurt a body. But over yonder," and she gestured toward the slopes of the Langhe hills, "yonder they’ve still got hellcats. What’s a hellcat? I’m almost afraid to say, and you should know, seems like my poor old pa was always telling you some story or other about them. Don’t worry, they don’t come up here, they stick to scaring ignorant farmers, not gentlemen who just might know the right word to send them running off. Hellcats are wicked women who traipse around at night. And if it’s foggy or stormy, all the better, then they’re happy as clams."
That was all she would say, but she had mentioned the fog, so I asked her if we got much of it here.
"Much of it? Jesus and Mary, too much. Some days I can’t see the edge of the driveway from my door-but what am I saying, I can’t even see the front of the house from here, and if someone’s home at night you can just make out the light ever so faint coming from the window, but like it was just a candle. And even when the fog doesn’t quite reach us, you should see the sight toward the hills. Maybe you can’t see a thing for a ways, and then something pokes up-a peak, a little church-and then just white again after. Like somebody down there had knocked over the milk pail. If you’re still around come September, you can bet you’ll see it yourself, because in these parts, except for June to August, it’s always foggy. Down in the village there’s Salvatore, a fellow from Naples who fetched up here twenty years ago looking for work, you know how bad things are down south, and he’s still not used to the fog, says that down there the weather’s nice even for Epiphany. You wouldn’t believe how many times he got lost in them fields and almost fell into the torrent and folks had to go find him in the dark with flashlights. Well, his kind might be decent folk, I can’t say, but they’re not like us."
I recited silently to myself:
And I looked toward the valley: it was gone, utterly vanished! A vast flat sea remained, gray, without waves or beaches; all was one. And here and there I noticed, when I strained, the alien clamoring of small, wild voices: birds that had lost their way in that vain land. And high above, the skeletons of beeches as if suspended in the sky, and dreams of ruins and the hermit’s hidden reaches.
But for now, the ruins and hermitages I was seeking, if they existed, were right there in broad daylight, yet no less invisible, for the fog was within me. Or perhaps I should be looking for them in the shadows? The moment had come. I had to enter the central wing.
When I told Amalia that I wanted to go alone, she shook her head and gave me the keys. There were a lot of rooms, it seemed, and Amalia kept them all locked, because you never knew when there might be a ne’er-do-well about. She gave me a bunch of keys, large and small, some of them rusty, telling me that she knew them all by heart, and if I really wanted to go on my own I would just have to try each key in each door. As if to say, "Serves you right, you’re just as headstrong now as when you were little."
Amalia must have been up there in the early morning. The shutters, which had been closed the day before, were now partly open, just enough to let light into the corridors and rooms so you could see where you were going. Despite the fact that Amalia came from time to time to air the place out, there was a musty smell. It was not bad, it simply seemed to have been exuded by the antique furniture, the ceiling beams, the white fabric draped over the armchairs (shouldn’t Lenin have been sitting there?).
Never mind the adventure, the trying and retrying of the keys, that made me feel like the head jailer at Alcatraz. The stairway led up into a room, a sort of well-furnished antechamber, with those Lenin chairs and some horrible landscapes, oils in the style of the nineteenth century, nicely framed on the walls. I had yet to get a sense of my grandfather’s tastes, but Paola had described him as a curious collector: he could not have loved those daubs. They must have been in the family, then, maybe the painting exercises of some great-grandparent. That said, in the penumbra of that room they were barely noticeable-dark blotches on the walls-and maybe it was right that they were there.