p. 255, various stamps (private collection)
p. 263 (left), still of Fred Astaire and Ginger Rogers, source unknown
p. 263 (right), still of Elsa Merlini from Ultimo hallo (Last Dance), directed by Camillo Mastrocinque, 1941
p. 268, front page of Corriere della sera, July 26, 1943, © RCS
p. 273, lyrics by Lelio Luttazzi, "Il giovanotto matto" ("The Crazy Young Guy"), Milano: Casiroli: 1945. Lyrics reproduced by kind permission of IDM Music, Ltd. All rights reserved.
p. 273, lyrics by Libera Bovio, "Signorinella" ("Little Maiden"), Santa Lucia. Lyrics reproduced by kind permission of IDM Music, Ltd. All rights reserved.
p. 275, photograph (private collection)
p. 277, illustration by Domenico Pilla from Piccoli martiri (Little Martyrs), no date (author’s collection)
p. 294, Cesare Pavese, "Sono solo" ("I Am Alone"), written in 1927, from Le poesie (Po e ms ), Turin: Einaudi, 1998. Reproduced by kind permission of Einaudi.
p. 296, Augusto De Angelis, L’albergo delle tre rose, Milan: Mondadori, 1936
p. 297, title page of the first folio edition of Shakespeare’s plays, 1623
p. 303, montage by the author of ads for Fernet Branca bitters (1908), Presbitero pencils (1924), and Thermogène hot compresses (Leonetto Cappiello, 1909)
p. 304, illustration by Attilio Mussino, from Le orecchie di Meo (Meo’s Ears) by Giovanni Bertinetti, Turin: Lattes, 1908 (author’s collection)
p. 305, illustrations by Angelo Bioletti, from I quattro Moschettieri (The Four Musketeers), by Angelo Nizza and Riccardo Morbelli, Perugina/Buitoni, 1935 (author’s collection)
p. 310, illustration from Il conte di Monte-Cristo (original title: Le comte de Monte-Cristo; English title: The Count of Monte Cristo), by Alexandre Dumas, Milan: Sonzogno, 1927, © RCS (author’s collection)
p. 315, ad for Mineraria briquettes, drawing by Dinelli, c. 1934 (Società Mineraria del Valdarno e Carbonital)
p. 324, montage by the author of cover images from Novella, Milan: Rizzoli, 1939, © RCS (author’s collection)
p. 326, ad for Cachet Fiat headache pills, drawing by Mario Cussino, 1926
p. 329 (left), publicity poster for Borsalino hats, by Marcello Dudovich, c. 1930, © 2005 Artists Rights Society (ARS) New York/SIAE, Rome.
p. 329 (right), photographs of German concentration camps, 1945
p. 332, propaganda poster from the Repubblica Sociale Italiana, 1944
p. 334, front pages of L’ltalia libera (Oct. 30, 1943) and Avanti! (Apr. 3, 1944) (author’s collection)
p. 337, Fijian stamps (private collection)
p. 340, lyrics by Nino Rastelli, "Tornerai" ("You’ll Come Back"), Leopardi. Lyrics reproduced by kind permission of IDM Music, Ltd. All rights reserved.
p. 347, photomontage for the ten-year anniversary of the Fascist Revolution, Rome: Istituto Luce, 1932. Reproduced by kind permission of the Istituto Luce.
p. 361, SS poster, 1944
p. 366, montage by the author of Repubblica Sociale Italiana propaganda posters, film stills, and advertising images from the 1940s
p. 380, still from Casablanca, directed by Michael Curtiz, Warner Bros., 1942
p. 381 (left), front page of Corriere Lombardo, Aug. 8, 1945 (author’s collection)
p. 381 (right), publicity poster for Road to Zanzibar, directed by Victor Schertzinger, Paramount, 1941
p. 387, Josephine Baker p. 388, Giovanni Bosco, Il giovane provveduto (The Provident Young Man), from Opere edite II (Published Works II), Rome: Libreria Ateneo Salesiano
p. 389, lyrics of "Bella tu sei qual sole" ("Lovely Thou Art as the Sun"), popular hymn
p. 390-91, Giovanni Bosco, Il giovane provveduto (The Provident Young Man), from Opere edite II (Published Works II), Rome: Libreria Ateneo Salesiano
p. 392, lyrics by Lorenzo Perosi, "Dormi non piangere" ("Sleep Do Not Cry"), 1912
p. 394, still from I due orfanelli (English title: The Two Orphans), directed by Mario Mattoli, Excelsa Film, 1947
p. 396, illustration from L’uomo che ride (original title: L’homme qui rit; English title: The Man Who Laughs or The Laughing Man), by Victor Hugo, Milan: Sonzogno, no date, © RCS (author’s collection)
p. 397, still of Rita Hayworth and Tyrone Power from Blood and Sand, directed by Rouben Mamoulian, 20th Century Fox, 1941
p. 398, still of Bing Crosby and Frank McHugh from Going My Way, directed by Leo McCarey, Paramount, 1944
p. 400, Jules Barbey d’Aurevilly, Léa, from uvres romanesques complètes (Complete Novels), Paris: Pléiade Gallimard, 2002
p. 401, Gustave Moreau, detail of L’apparition (The Apparition), 1876
p. 404, Sergio Corazzini, from "Il mio cuore" ("My Heart"), from Dolcezze (Sweetnesses), 1904
pp. 404-405, Guido Gozzano, from "La più bella" ("The Loveliest"), 1913
p. 413, montage by the author of an illustration by Alex Raymond from Rip Kirby (© King Features Syndicate, Inc.). Reprinted with special permission of King Features Syndicate; an illustration of a 1950s Schubert pattern (Centro Studi e Archivio della Communicazione, Parma), and a Vespa ad (from Il libro della communicazione Piaggio [The Piaggio Communication Book]), by Maurizio Boldrini and Omar Calabrese, Siena: Alsaba, 1995
pp. 422-24, 427-28, 430, 432, montages by the author of illustrations by Alex Raymond from Flash Gordon, © King Features Syndicate, Inc. All images reprinted with special permission of King Features Syndicate.
p. 434, adaptation by the author of an illustration by Lee Falk and Phil Davis from Mandrake, © King Features Syndicate, Inc. Reprinted with special permission of King Features Syndicate.
p. 437, adaptation by the author of an illustration by Milton Caniff from Terry and the Pirates, © Chicago Tribune/New York News Syndicate. Reproduced by kind permission of Tribune Media Services.
p. 438, adaptation by the author of an illustration by Alex Raymond from Flash Gordon, © King Features Syndicate, Inc. Reprinted with special permission of King Features Syndicate.
p. 440, montage by the author of illustrations from various Italian books
p. 442, lyrics by Bixio Cherubini, "La famiglia canterina" ("The Singing Family"), Milan: Edizioni Bixio, 1929. Lyrics reproduced by kind permission of IDM Music, Ltd. All rights reserved.
p. 443, adaptation by the author of an illustration by Lyman Young from La misteriosa fiamma della Regina Loana (The Mysterious Flame of Queen Loana), Florence: Nerbini, 1935, © King Features Syndicate, Inc. Reprinted with special permission of King Features Syndicate.
p. 445, adaptation by the author of an anonymous holy card