The Mystery of Edwin Drood

'I really was going to say something of the kind, Jack; but you see, you, speaking of yourself, almost necessarily leave out much that I should have put in. For instance: I should have put in the foreground your being so much respected as Lay Precentor, or Lay Clerk, or whatever you call it, of this Cathedral; your enjoying the reputation of having done such wonders with the choir; your choosing your society, and holding such an independent position in this queer old place; your gift of teaching (why, even Pussy, who don't like being taught, says there never was such a Master as you are!), and your connexion.'

'Yes; I saw what you were tending to. I hate it.'

'Hate it, Jack?' (Much bewildered.)

'I hate it. The cramped monotony of my existence grinds me away by the grain. How does our service sound to you?'

'Beautiful! Quite celestial!'

'It often sounds to me quite devilish. I am so weary of it. The echoes of my own voice among the arches seem to mock me with my daily drudging round. No wretched monk who droned his life away in that gloomy place, before me, can have been more tired of it than I am. He could take for relief (and did take) to carving demons out of the stalls and seats and desks. What shall I do? Must I take to carving them out of my heart?'

'I thought you had so exactly found your niche in life, Jack,' Edwin Drood returns, astonished, bending forward in his chair to lay a sympathetic hand on Jasper's knee, and looking at him with an anxious face.

'I know you thought so. They all think so.'

'Well, I suppose they do,' says Edwin, meditating aloud. 'Pussy thinks so.'

'When did she tell you that?'

'The last time I was here. You remember when. Three months ago.'

'How did she phrase it?'

'O, she only said that she had become your pupil, and that you were made for your vocation.'

The younger man glances at the portrait. The elder sees it in him.

'Anyhow, my dear Ned,' Jasper resumes, as he shakes his head with a grave cheerfulness, 'I must subdue myself to my vocation: which is much the same thing outwardly. It's too late to find another now. This is a confidence between us.'

'It shall be sacredly preserved, Jack.'

'I have reposed it in you, because —'

'I feel it, I assure you. Because we are fast friends, and because you love and trust me, as I love and trust you. Both hands, Jack.'

As each stands looking into the other's eyes, and as the uncle holds the nephew's hands, the uncle thus proceeds:

'You know now, don't you, that even a poor monotonous chorister and grinder of music — in his niche — may be troubled with some stray sort of ambition, aspiration, restlessness, dissatisfaction, what shall we call it?'

'Yes, dear Jack.'

'And you will remember?'

'My dear Jack, I only ask you, am I likely to forget what you have said with so much feeling?'

'Take it as a warning, then.'

In the act of having his hands released, and of moving a step back, Edwin pauses for an instant to consider the application of these last words. The instant over, he says, sensibly touched:

'I am afraid I am but a shallow, surface kind of fellow, Jack, and that my headpiece is none of the best. But I needn't say I am young; and perhaps I shall not grow worse as I grow older. At all events, I hope I have something impressible within me, which feels — deeply feels — the disinterestedness of your painfully laying your inner self bare, as a warning to me.'

Mr. Jasper's steadiness of face and figure becomes so marvellous that his breathing seems to have stopped.

'I couldn't fail to notice, Jack, that it cost you a great effort, and that you were very much moved, and very unlike your usual self. Of course I knew that you were extremely fond of me, but I really was not prepared for your, as I may say, sacrificing yourself to me in that way.'

Mr. Jasper, becoming a breathing man again without the smallest stage of transition between the two extreme states, lifts his shoulders, laughs, and waves his right arm.

'No; don't put the sentiment away, Jack; please don't; for I am very much in earnest. I have no doubt that that unhealthy state of mind which you have so powerfully described is attended with some real suffering, and is hard to bear. But let me reassure you, Jack, as to the chances of its overcoming me. I don't think I am in the way of it. In some few months less than another year, you know, I shall carry Pussy off from school as Mrs. Edwin Drood. I shall then go engineering into the East, and Pussy with me. And although we have our little tiffs now, arising out of a certain unavoidable flatness that attends our love-making, owing to its end being all settled beforehand, still I have no doubt of our getting on capitally then, when it's done and can't be helped. In short, Jack, to go back to the old song I was freely quoting at dinner (and who knows old songs better than you?), my wife shall dance, and I will sing, so merrily pass the day. Of Pussy's being beautiful there cannot be a doubt; — and when you are good besides, Little Miss Impudence,' once more apostrophising the portrait, 'I'll burn your comic likeness, and paint your music-master another.'

Mr. Jasper, with his hand to his chin, and with an expression of musing benevolence on his face, has attentively watched every animated look and gesture attending the delivery of these words. He remains in that attitude after they, are spoken, as if in a kind of fascination attendant on his strong interest in the youthful spirit that he loves so well. Then he says with a quiet smile:

'You won't be warned, then?'

'No, Jack.'

'You can't be warned, then?'

'No, Jack, not by you. Besides that I don't really consider myself in danger, I don't like your putting yourself in that position.'

'Shall we go and walk in the churchyard?'

'By all means. You won't mind my slipping out of it for half a moment to the Nuns' House, and leaving a parcel there? Only gloves for Pussy; as many pairs of gloves as she is years old to-day. Rather poetical, Jack?'

Mr. Jasper, still in the same attitude, murmurs: '"Nothing half so sweet in life," Ned!'

'Here's the parcel in my greatcoat-pocket. They must be presented to-night, or the poetry is gone. It's against regulations for me to call at night, but not to leave a packet. I am ready, Jack!'

Mr. Jasper dissolves his attitude, and they go out together.

Chapter 3 The Nun's House

For sufficient reasons, which this narrative will itself unfold as it advances, a fictitious name must be bestowed upon the old Cathedral town. Let it stand in these pages as Cloisterham. It was once possibly known to the Druids by another name, and certainly to the Romans by another, and to the Saxons by another, and to the Normans by another; and a name more or less in the course of many centuries can be of little moment to its dusty chronicles.

An ancient city, Cloisterham, and no meet dwelling-place for any one with hankerings after the noisy world. A monotonous, silent city, deriving an earthy flavour throughout from its Cathedral crypt, and so abounding in vestiges of monastic graves, that the Cloisterham children grow small salad in the dust of abbots and abbesses, and make dirt-pies of nuns and friars; while every ploughman in its outlying fields renders to once puissant Lord Treasurers, Archbishops, Bishops, and such-like, the attention which the Ogre in the story-book desired to render to his unbidden visitor, and grinds their bones to make his bread.

A drowsy city, Cloisterham, whose inhabitants seem to suppose, with an inconsistency more strange than rare, that all its changes lie behind it, and that there are no more to come. A queer moral to derive from antiquity, yet older than any traceable antiquity. So silent are the streets of Cloisterham (though prone to echo on the smallest provocation), that of a summer-day the sunblinds of its shops scarce dare to flap in the south wind; while the sun-browned tramps, who pass along and stare, quicken their limp a little, that they may the sooner get beyond the confines of its oppressive respectability. This is a feat not difficult of achievement, seeing that the streets of Cloisterham city are little more than one narrow street by which you get into it and get out of it: the rest being mostly disappointing yards with pumps in them and no thoroughfare — exception made of the Cathedral-close, and a paved Quaker settlement, in colour and general confirmation very like a Quakeress's bonnet, up in a shady corner.